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Part of the High Impact series for reluctant readers, this text is designed to motivate secondary school students with a reading age of six to seven. This text takes a look behind the scenes of Hollyoaks.
'Mid-Term Report' is a candid, insightful and humorous memoir from Phil Redmond, the creator of 'Grange Hill', 'Brookside', and 'Hollyoaks'.
This is a new Hollyoaks story following the characters from Hollyoaks Community College to a pint at the Dog, from the double-decker bus to the local school.
For Josh, falling in love does not fit in with his rock and roll lifestyle. And falling for someone who believes in mermaids? Who wants to be one? Well, he wasn't expecting that, either. But the sea is deep with mysteries. Sometimes they wash ashore, whispered in the hush of a quiet tide, and all you have to do is listen. Other times you have to explore the dark beneath the surface yourself, unsure of what you might find... Bonus content Special introduction about the genesis of Water For Drowning by Ray Cluley Bonus story: the British Fantasy Award winning story 'Shark! Shark!'
A masterclass in media studies from the creator of Grange Hill, Brookside and Hollyoaks. Described in Parliament as 'excellent' by Ed Vaizey, The Parliamentary Under-Secretary of State for Culture, Media and Sport GRANGE HILL Swimming pool disasters. Drugs, and just say ‘no’. Flying sausages. School like you’d never seen it before. BROOKSIDE Lesbian kisses. Bodies under patios. Exploding shops. Suburban life like you’d never seen it before. HOLLYOAKS Bad boys on bikes. Loveable geeks. Leggy blondes. Students like you’d never seen them before. PHIL REDMOND Three classic TV programmes. One TV genius. This is the behind-the-scenes story of how a working-class lad from the Liverpool suburbs went from living on a housing estate to buying one, and from comprehensive school dinners to lunch with the Queen. Along the way he learned a lot of lessons, broke all the rules, and changed television for ever.
To be a major, prime-time six-part series Grantchester for PBS.
A guide to the nature, purpose, and place of public service television within a multi-platform, multichannel ecology. Television is on the verge of both decline and rebirth. Vast technological change has brought about financial uncertainty as well as new creative possibilities for producers, distributors, and viewers. This volume from Goldsmiths Press examines not only the unexpected resilience of TV as cultural pastime and aesthetic practice but also the prospects for public service television in a digital, multichannel ecology. The proliferation of platforms from Amazon and Netflix to YouTube and the vlogosphere means intense competition for audiences traditionally dominated by legacy broadcasters. Public service broadcasters—whether the BBC, the German ARD, or the Canadian Broadcasting Corporation—are particularly vulnerable to this volatility. Born in the more stable political and cultural conditions of the twentieth century, they face a range of pressures on their revenue, their remits, and indeed their very futures. This book reflects on the issues raised in Lord Puttnam's 2016 Public Service TV Inquiry Report, with contributions from leading broadcasters, academics, and regulators. With resonance for students, professionals, and consumers with a stake in British media, it serves both as historical record and as a look at the future of television in an on-demand age. Contributors include Tess Alps, Patrick Barwise, James Bennett, Georgie Born, Natasha Cox, Gunn Enli, Des Freedman, Vana Goblot, David Hendy, Jennifer Holt, Amanda D. Lotz, Sarita Malik, Matthew Powers, Lord Puttnam, Trine Syvertsen, Jon Thoday, Mark Thompson
Chloe Dove is day-dreaming her way through the half-term holiday.Her A levels are coming up, and she really needs to work to get good grades, blah-blah-blah. As far as Chloe is concerned, it's starting to go in one ear and out the other. Any distraction from revision would be fantastic, so a fashion show at the mall sounds like a godsend. If she can convince the prison warder currently masquerading as her mother to let her out, or course... What Cloe doesn't realise is that this isn't just a fun afternoon out with her mate-it could be the start of a whole new life.
This book takes up the queer girl as a represented and rhetorical figure within film, television and video. In 1987, Canada’s Degrassi Junior High featured one of TV’s first queer teen storylines. Contained to a single episode, it was promptly forgotten within both the series and popular culture more generally. Cut to 2016 – queer girls are now major characters in films and television series around the globe. No longer represented as subsidiary characters within forgettable storylines, queer girls are a regular feature of contemporary screen media. Analysing the terms of this newfound visibility, Whitney Monaghan provides a critical perspective on this, arguing that a temporal logic underpins many representations of queer girlhood. Examining an archive of screen texts that includes teen television series and teenpics, art-house, queer and independent cinemas as well as new forms of digital video, she expands current discourse on both queer representation and girls’ studies by looking at sexuality through themes of temporality. This book, the first full-length study of its kind, draws on concepts of boredom, nostalgia and transience to offer a new perspective on queer representation in contemporary screen media.