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New York Times and USA Today Bestselling Book! Good Girl. Notorious Bad-Boy. One Phenomenal Love. From the mean streets of Detroit rises the newest superstar of professional wrestling, Xavier Cold, better known as Phenomenal X. His muscular physique makes men cower before him and women lose their minds with desire. Anna Cortez is fresh out of college and naive to the harsh realities of the real world. Tired of living under the thumb of her conservative family, she defies them when she accepts a job as the assistant to wrestling’s most notorious bad-boy. Phenomenal X has an animalistic nature that even good girl Anna finds hard to resist. One night forced to share a bed in a sold-out hotel, lines blur between them and they quickly learn that one lustful night changes everything and neither one of them will ever be the same. Look for XAVIER COLD Early Summer 2015 *** New Two Book Series from NYT & USA TODAY Bestselling author, Michelle A. Valentine*** “This book goes straight into the favorite list and will be re-read during the wait for the next part of Xavier and Anna's story.” Kim, Alphas Authors and Books Oh My! *** “This book has it all, romance, action, suspense, and angst. I never could have predicted the ending and I think that was what was needed though. The kind of relationship that X and Anna have couldn’t be finished in one book without it feeling rushed. I am now eagerly waiting for book 2.” Heather, A Book Whores Obsession *** “Phenomenal X is Michelle’s best work to date. She gives us a headstrong feisty heroine; a broken yet lovable alpha male, and a tension filled love story that will have you fanning yourself from the moment Anna first lays eyes on Xavier. Phenomenal X will have you rooting for this couple and begging for more.” Holly, Holly’s Red Hot Reviews *** “This book was a perfect blend of romance and action that I would recommend to anyone who loves a very dominant man with that softer side that makes you fall in love with them.” Tasmin, Loves Books, Loves Romance *** “This book was fantastic! The plot was well written, the characters were lovable, the villains made you want to throat punch somebody and the romance was off the charts!!” Reanell, Book Babes Unite *** “I have been a fan of Michelle Valentine since I first started reading her rock star "Black Falcon" series, and now a fan of her Hard Knock series. She has drawn me into the world of Xavier and Anna, and I don't want to leave.” Janeane, BJ's Book Blog *** “This book had me enthralled the entire time. I cried at the halfway mark when she wrote Xavier's past from his POV. My heart was breaking for him every time she took us back to his past. I wanted to reach into my Kindle and hug him. I love Anna; she is strong, territorial and a truly lovely female lead. I was cheering for her and Xavier the entire time. This book has some amazing moments.” Jen, Winding Stairs Book Blog
During the 1960s and 1970s, a loosely affiliated group of Los Angeles artists--including Larry Bell, Mary Corse, Robert Irwin, James Turrell, and Doug Wheeler--more intrigued by questions of perception than by the crafting of discrete objects, embraced light as their primary medium. Whether by directing the flow of natural light, embedding artificial light within objects or architecture, or playing with light through the use of reflective, translucent, or transparent materials, each of these artists created situations capable of stimulating heightened sensory awareness in the receptive viewer. Phenomenal: California Light, Space, Surface, companion book to the exhibition of the same name, explores and documents the unique traits of the phenomenologically engaged work produced in Southern California during those decades and traces its ongoing influence on current generations of international artists. Foreword by Hugh M. Davies Additional contributors: Michael Auping Stephanie Hanor Adrian Kohn Dawna Schuld Artists: Peter Alexander Larry Bell Ron Cooper Mary Corse Robert Irwin Craig Kauffman John McCracken Bruce Nauman Eric Orr Helen Pashgian James Turrell De Wain Valentine Doug Wheeler
The Sensible and Intelligible Worlds represents a new wave of interest in 'the metaphysical Kant'. In recent decades Kant scholars have increasingly become skeptical of interpreting Kant as a philosopher who wished to truly "leave metaphysics behind". The contributors to this volume share acommon commitment to the idea that Kant's philosophy cannot be properly understood without careful attention to its metaphysical presuppositions and, in particular, to how those metaphysical presuppositions are compatible with Kant's critique of more "dogmatic" forms of metaphysical thought.The authors approach Kant's thought from a wide variety of different perspectives - emphasizing not just the familiar Leibnizian background to Kant's metaphysics, but also its broadly Aristotelian underpinnings and its relationship with metaphysical themes in post-Kantian German Idealism.Similarly, although most of the essays in this volume relate in some way to the familiar question of how best to interpret Kant's transcendental idealism, they also deal with a wide range of other topics, including Kant's modal metaphysics, his views on the continuum, his epistemology of the apriori, and the foundations of his "metaethical" views.
As a reward for a kind deed, Max and Sally receive a magic telephone that performs incredible feats for its new owners.
One of the most important problems of modern philosophy concerns the place of the mind — and, in particular, of consciousness, meaning, and intentionality — in a physical universe. Brian Loar was a major contributor to the discussion of this problem for over four decades. This volume has two parts: one a selection of Loar's essays on the philosophy of language, the other on the philosophy of mind. A common thread in Loar's essays on language is his engagement with the Gricean program of analyzing linguistic representation in terms of mental representation, thus reducing the semantic to the psychological. In the philosophy of mind he was concerned with understanding consciousness and intentionality (mental representation) from the subjective perspective. The concern that unifies Loar's work in mind and language is how to understand subjectivity in a physical universe. He was committed to the reality of phenomenology, qualia, and the subjective perspective; and he found that phenomena like intentionality and consciousness are, in a certain sense, ineliminable and irreducible to objective ones. At the same time he believed that intentionality and consciousness are grounded in the physical. One of his great contributions was to reconcile these two positions by being a conceptual and explanatory anti-reductionist about both consciousness and intentionality but a metaphysical reductionist nonetheless. He had a deep commitment both to physicalism and to the reality and significance of the subjective point of view.
For the last four years, good girl Lane has regretted breaking up with Noel Falcon. She thought she was sensible when she told him his dreams of being a rock star would get him nowhere, but now that he's a rock god and her career is stagnant, she realizes just how wrong she was. When Noel hires the marketing company where Lane is an intern, she’s forced to see him again. If she wants to land her dream job as executive within the company, she has to win him over and secure his account. Too bad Noel is still pissed at her for breaking his heart. When Lane’s company flies her to a Black Falcon concert to gain Noel’s attention, emotions run high the moment she sees him and realizes she’s far from over him. But Noel’s countless trysts with groupies and his cocky attitude make Lane believe he isn’t the same guy she once loved—now he seems to only want her body. Then after Lane discloses she needs him to procure a job, Noel proves he’s a changed man by forcing her to go on the road with him in order to get it. After Lane reluctantly takes Noel up on his offer, she becomes willing to do whatever it takes to keep him satisfied, even if it means succumbing to his seductive ways. Lane soon finds deception is a dangerous game and she’s not the only one playing.
Intended for anyone attempting to find their way through the large and confusingly interwoven philosophical literature on consciousness, this reader brings together most of the principal texts in philosophy (and a small set of related key works in neuropsychology) on consciousness through 1997, and includes some forthcoming articles. Its extensive coverage strikes a balance between seminal works of the past few decades and the leading edge of philosophical research on consciousness.As no other anthology currently does, The Nature of Consciousness provides a substantial introduction to the field, and imposes structure on a vast and complicated literature, with sections covering stream of consciousness, theoretical issues, consciousness and representation, the function of consciousness, subjectivity and the explanatory gap, the knowledge argument, qualia, and monitoring conceptions of consciousness. Of the 49 contributions, 18 are either new or have been adapted from a previous publication.
The central concern of the cognitive phenomenology debate is whether there is a distinctive 'cognitive phenomenology, ' that is, a kind of phenomenology that has cognitive or conceptual character in some sense that needs to be precisely determined. This volume addresses the question of whether conscious thought has cognitive phenomenology.
An argument that there are perceptual mechanisms that retrieve information in cognitively and conceptually unmediated ways and that this sheds light on various philosophical issues. In Cognition and Perception, Athanassios Raftopoulos discusses the cognitive penetrability of perception and claims that there is a part of visual processes (which he calls “perception”) that results in representational states with nonconceptual content; that is, a part that retrieves information from visual scenes in conceptually unmediated, “bottom-up,” theory-neutral ways. Raftopoulos applies this insight to problems in philosophy of science, philosophy of mind, and epistemology, and examines how we access the external world through our perception as well as what we can know of that world. To show that there is a theory-neutral part of existence, Raftopoulos turns to cognitive science and argues that there is substantial scientific evidence. He then claims that perception induces representational states with nonconceptual content and examines the nature of the nonconceptual content. The nonconceptual information retrieved, he argues, does not allow the identification or recognition of an object but only its individuation as a discrete persistent object with certain spatiotemporal properties and other features. Object individuation, however, suffices to determine the referents of perceptual demonstratives. Raftopoulos defends his account in the context of current discussions on the issue of the theory-ladenness of perception (namely the Fodor-Churchland debate), and then discusses the repercussions of his thesis for problems in the philosophy of science. Finally, Raftopoulos claims that there is a minimal form of realism that is defensible. This minimal realism holds that objects, their spatiotemporal properties, and such features as shape, orientation, and motion are real, mind-independent properties in the world.