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Margaret Anna Cusack (1832-1899), who also wrote as MFC, Sister, Mary Frances Cusack, and Vigilant, was a Catholic nun and the founder of the Sisters of St. Joseph of Peace. She was a strong advocate for the poor and oppressed, especially women. At the age of 29 she was received into the Catholic Church and immediatey joined the Poor Clares in Newry, County Down. During her stay at Kenmare she dedicated herself to her writings, which ranged from biographies of saints to pamphlets on social issues. She wrote 35 books, including many popular, pious and sentimental texts on private devotions, poems, Irish history and biography and founded Kenmare Publications, through which 200,000 volumes of her works were issued in under ten years. Chief amongst her works are: A Student's History of Ireland (1870), Woman's Work in Modern Society (1872), The Liberator (1872), The Pilgrim's Way to Heaven (1873), The Book of the Blessed Ones (1874), A Nun's Advice to Her Girls (1877) and St. Patrick, St. Columba, and St. Bridget (1877). Two autobiographies are The Nun of Kenmare (1888) and The Story of My Life (1893).
This classic work is a personal study of hundreds of state parks relating information for tourist and researcher; divided according to U.S. regions. It reviews the state park movement, concept of recreation and management problems.
The twelfth-century French poet Chrétien de Troyes is a major figure in European literature. His courtly romances fathered the Arthurian tradition and influenced countless other poets in England as well as on the continent. Yet because of the difficulty of capturing his swift-moving style in translation, English-speaking audiences are largely unfamiliar with the pleasures of reading his poems. Now, for the first time, an experienced translator of medieval verse who is himself a poet provides a translation of Chrétien’s major poem, Yvain, in verse that fully and satisfyingly captures the movement, the sense, and the spirit of the Old French original. Yvain is a courtly romance with a moral tenor; it is ironic and sometimes bawdy; the poetry is crisp and vivid. In addition, the psychological and the socio-historical perceptions of the poem are of profound literary and historical importance, for it evokes the emotions and the values of a flourishing, vibrant medieval past.
"Lovecraft acolytes will welcome Lovecraft's New York Circle: The Kalem Club, 1924-1927, edited by Mara Kirk Hart and S.T. Joshi. This captivating book includes extracts from George Kirk's letters to his fiance chronicling the exploits of horror writer H.P. Lovecraft and his friends in New York City in the mid 1920s as well as representative writings by each member of his informal literary club."-- (June) Copyright 2006, Reed Business Information.
This volume presents Lovecraft's correspondence with Maurice W. Moe, who knew Lovecraft for nearly the entirety of the latter's adult life, from 1914 to 1937. Moe, a high school teacher in Wisconsin, was a devoted amateur journalist and also a fervent and evangelical Christian, and both subjects elicited sharp discussions from Lovecraft. The Providence writer's years-long assistance on Moe's book about the appreciation of poetry, Doorways to Poetry, may have helped inspire his later weird verse, including the Fungi from Yuggoth sonnets. The volume also contains Lovecraft's extensive correspondence with Bernard Austin Dwyer, a weird fiction fan who engaged in wide-ranging discussions with Lovecraft on such subjects as cosmicism, Lovecraft's upbringing, and political developments in the 1920s and 1930s. In addition, the relatively few surviving letters that Lovecraft wrote to the poet Samuel Loveman, as well as a year-long correspondence with the noted bookman Vincent Starrett, are included here. As with other volumes, this book contains a fascinating array of writings by Lovecraft's correspondents, ranging from Moe's essay on "Life for God's Sake" to a rare weird tale by Dwyer. The volume has been exhaustively annotated by David E. Schultz and S. T. Joshi.
From the beginning of his literary career, Machen espoused a mystical belief that the humdrum ordinary world hid a more mysterious and strange world beyond. His gothic and decadent works of the 1890s concluded that the lifting of this veil could lead to madness, sex, or death, and usually a combination of all three. Machen's later works became somewhat less obviously full of gothic trappings, but for him investigations into mysteries invariably resulted in life-changing transformation and sacrifice. Machen loved the medieval world view because he felt it combined deep spirituality alongside a rambunctious earthiness.
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A comprehensive showcase of the best interactive public artworks - small and large - from across Europe. Walk-in origami-style huts with kaleidoscopic interiors, iridescent bike paths and an entire two-story home with white balloons spilling out of every window are all documented here in stunning full-colour photographs.
This highly entertaining novel about three Franciscan monks is something of a departure for author Ambrose Bierce, who typically wrote about his own time. The story, which takes the form of a diary penned by the main character, Ambrosius. Though he faithfully carries out the duties of his office, he struggles with temptation, particularly after meeting the beguiling Benedicta, who happens to be the hangman's daughter of the title.