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This is the first book-length study of the uncanny, an important concept for contemporary thinking and debate across a range of disciplines and discourses, including literature, film, architecture, cultural studies, philosophy, psychoanalysis, and queer theory. Much of this importance can be traced back to Freud's essay of 1919, "The uncanny," where he was perhaps the first to foreground the distinctive nature of the uncanny as a feeling of something not simply weird or mysterious but, more specifically, as something strangely familiar. As a concept and a feeling, however, the uncanny has a complex history going back to at least the Enlightenment. Nicholas Royle offers a detailed historical account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on the death drive, déjà-vu, "silence, solitude and darkness," the fear of being buried alive, doubles, ghosts, cannibalism, telepathy, and madness, as well as more "applied" readings concerned, for example, with teaching, politics, film, and religion. This is a major critical study that will be welcomed by students and academics but will also be of interest to the general reader.
Jonathan Martin Delaware Deseronto is a six-foot-five serial killer with a problem. He’s stuck out on I-476 in a heavy November rainstorm with two flat tires and the dead bodies of a cop and a co-ed named Marissa Madison in his trunk. Desperate to get off the highway, he drives his car on its back rims towards Exit 6. The car stalls on the ramp and Deseronto uses the last of its momentum to plunge over the crest of a steep slope and crash into a length of concrete pipe below. The car comes to rest on the edge of a construction site where machines are positioned to tear down an old Motel 6. For Deseronto, the worst is yet to come. Marissa Madison had been a psychic of sorts while alive, using her ability to assist people in their personal journeys. Now, the ghost of Marissa will utilize her strange gift, trapping Deseronto in the abandoned motel, and forcing him to live the last, fatal week of her own life as a passive passenger in her body . . . Soon, Deseronto will experience something truly horrific: the mind-numbing terror of being stalked by himself.
A comprehensive post-materialist treatise on the out-of-body experience and psychic phenomena. Projectiology is an authoritative, technical, and scholarly volume that provides definitive information on the out-of-body experience (OBE) and paranormal and psychic phenomena. It is a detailed work that orients the reader in their understanding and development of energetic self-control and psychic awareness. As such it is an invaluable source of information on the interaction between the physical and non-physical worlds.
This volume is a superb introduction to the richness and originality of Abraham and Torok's approach to psychoanalysis and their psychoanalytic approach to literature. Abraham and Torok advocate a form of psychoanalysis that insists on the particularity of any individual's life story, the specificity of texts, and the singularity of historical situations. In what is both a critique and an extension of Freud, they develop interpretive strategies with powerful implications for clinicians, literary theorists, feminists, philosophers, and all others interested in the uses and limits of psychoanalysis. Central to their approach is a general theory of psychic concealment, a poetics of hiding. Whether in a clinical setting or a literary text, they search out the unspeakable secret as a symptom of devastating trauma revealed only in linguistic or behavioral encodings. Their view of trauma provides the linchpin for new psychic and linguistic structures such as the "transgenerational phantom," an undisclosed family secret handed down to an unwitting descendant, and the intra-psychic secret or "crypt," which entombs an unspeakable but consummated desire. Throughout, Abraham and Torok seek to restore communication with those intimate recesses of the mind which are, for one reason or another, denied expression. Classics of French theory and practice, the essays in volume one include four previously uncollected works by Maria Torok. Nicholas Rand supplies a substantial introductory essay and commentary throughout. Abraham and Torok's theories of fractured meaning and their search for coherence in the face of discontinuity and disruption have the potential to reshape not only psychoanalysis but all disciplines concerned with issues of textual, oral, or visual interpretation.
Laws and regulations are ubiquitous, touching on many aspects of individual and corporate behavior. But under what conditions are laws and rules actually effective? A huge amount of recent work in political science, sociology, economics, criminology, law, and psychology, among other disciplines, deals with this question. But these fields rarely inform one another, leaving the state of research disjointed and disorganized. Lawrence M. Friedman finds order in this cacophony. Impact gathers recent findings into one overarching analysis and lays the groundwork for a cohesive body of work in what Friedman labels “impact studies.” The first important factor that has a bearing on impact is communication. A rule or law has no effect if it never reaches its intended audience. The public’s fund of legal knowledge, the clarity of the law, and the presence of information brokers all influence the flow of information from lawmakers to citizens. After a law is communicated, subjects sometimes comply, sometimes resist, and sometimes adjust or evade. Three clusters of motives help shape which reaction will prevail: first, rewards and punishments; second, peer group influences; and third, issues of conscience, legitimacy, and morality. When all of these factors move in the same direction, law can have a powerful impact; when they conflict, the outcome is sometimes unpredictable.
The Shroud of Turin is a linen cloth bearing the faded image of a man who appears to have undergone physical torture consistent with Roman crucifixion. The Shroud is preserved in the St.John Cathedral in Turin, Italy. It is widely believed to have wrapped the body of historical Jesus of Nazareth and has become one of the most perplexing enigmas for the researchers. The author has attempted to explain the scientific causes of the image on the Shroud under the realm of quantum physics. By drawing a plethora of evidences from the alchemical secrets of resuscitating spectral plants out of ashes, the author establishes that material body of organisms, even if consumed to ashes, retain their selfsame form and figure. Even parts of the body like blood, skin etc., are capable of forming the 3D geometrical structure of the host organism in its entirety, which is a quantum hologram in the modern scientific terminology. According to this theory, the Shroud image is an imprint of the Quantum Self. This is the first book on Shroud of Turin by an Indian author, and proposes for the first time, the quantum bio-holographic idea to explain the Shroud image. It also gives re-birth to the forgotten science of palingenesis - the resurrection of spectral images of plants out of ashes. The author has attempted to explain almost all the peculiar characteristics of the Shroud image like photographic negativity, spatial encryption of 3D data, non-directionality and other amazing aspects.
The series publishes monographs and edited volumes that showcase significant scholarly work at the various intersections that currently motivate interdisciplinary inquiry in German cultural studies. Topics span German-speaking lands and cultures from the 18th to the 21st century, with a special focus on demonstrating how various disciplines and new theoretical and methodological paradigms work across disciplinary boundaries to create knowledge and add to critical understanding in German studies. The series editor is a renowned professor of German studies in the United States who penned one of the foundational texts for understanding what interdisciplinary German cultural studies can be. All works are peer-reviewed and in English. Three new titles will be published annually. About the series editor: Irene Kacandes is the Dartmouth Professor of German Studies and Comparative Literature at Dartmouth College, Hanover, New Hampshire. She received three degrees from Harvard University and also studied at the Free University of Berlin and Aristotle University in Thessaloniki, Greece. She publishes on a wide range of interdisciplinary topics including secondary orality, rhetoric, aesthetics, trauma, witnessing, family and generational memory, experimental life writing, Holocaust testimony, and narrative theory. She has lectured widely in the United States and Europe and currently serves as President of the International Society for the Study of Narrative and Vice President of the German Studies Association.
This amazing true story is a frightening account of a three year investigation into the multiple haunting of a once-grand Mississauga mansion on the shores of Lake Ontario. During the day, this remarkable place with its rolling green lawns is like a dream come true. But the dream turns into a nightmare as the sun goes down. When darkness falls, the overwhelming feeling of being watched takes over. Things move here, shadows swirl around you, spirits whisper to themselves. Join renowned paranormal investigator, Richard Palmisano and his team, The Searcher Group, as the spirits at the lakeshore mansion lead them to the terrible secrets hidden inside the grounds and an encounter with a ghost full of anger and hate. In this chilling story, spirits interact with one another in an attempt to protect themselves from the intruders. Find out how far they are willing to go to get the investigators to leave and never come back!
In vivo magnetic resonance imaging (MRI) has evolved into a versatile and critical, if not ‘gold standard’, imaging tool with applications ranging from the physical sciences to the clinical ‘-ology’. In addition, there is a vast amount of accumulated but unpublished inside knowledge on what is needed to perform a safe, in vivo MRI. The goal of this comprehensive text, written by an outstanding group of world experts, is to present information about the effect of the MRI environment on the human body, and tools and methods to quantify such effects. By presenting such information all in one place, the expectation is that this book will help everyone interested in the Safety and Biological Effects in MRI find relevant information relatively quickly and know where we stand as a community. The information is expected to improve patient safety in the MR scanners of today, and facilitate developing faster, more powerful, yet safer MR scanners of tomorrow. This book is arranged in three sections. The first, named ‘Static and Gradient Fields’ (Chapters 1-9), presents the effects of static magnetic field and the gradients of magnetic field, in time and space, on the human body. The second section, named ‘Radiofrequency Fields’ (Chapters 10-30), presents ways to quantify radiofrequency (RF) field induced heating in patients undergoing MRI. The effect of the three fields of MRI environment (i.e. Static Magnetic Field, Time-varying Gradient Magnetic Field, and RF Field) on medical devices, that may be carried into the environment with patients, is also included. Finally, the third section, named ‘Engineering’ (chapters 31-35), presents the basic background engineering information regarding the equipment (i.e. superconducting magnets, gradient coils, and RF coils) that produce the Static Magnetic Field, Time-varying Gradient Magnetic Field, and RF Field. The book is intended for undergraduate and post-graduate students, engineers, physicists, biologists, clinicians, MR technologists, other healthcare professionals, and everyone else who might be interested in looking into the role of MRI environment on patient safety, as well as those just wishing to update their knowledge of the state of MRI safety. Those, who are learning about MRI or training in magnetic resonance in medicine, will find the book a useful compendium of the current state of the art of the field.
Representations of forensic procedures saturate popular culture in both fiction and true crime. One of the most striking forensic tools used in these narratives is the chemical luminol, so named because it glows an eerie greenish-blue when it comes into contact with the tiniest drops of human blood.Luminol is a deeply ambivalent object: it is both a tool of the police, historically abused and misappropriated, and yet it offers hope to families of victims by allowing hidden crimes to surface. Forensic enquiry can exonerate those falsely accused of crimes, and yet the rise of forensic science is synonymous with the development of the deeply racist 'science' of eugenics.Luminol Theory investigates the possibility of using a tool of the state in subversive, or radical, ways. By introducing luminol as an agent of forensic inquiry, Luminol Theory approaches the exploratory stages that a crime scene investigation might take, exploring experimental literature as though these texts were 'crime scenes' in order to discover what this deeply strange object can tell us about crime, death, and history, to make visible violent crimes, and to offer a tangible encounter with death and finitude. At the luminol-drenched crime scene, flashes of illumination throw up words, sentences, and fragments that offer luminous, strange glimpses, bobbing up from below their polished surfaces. When luminol shines its light, it reveals, it is magical, it is prescient, and it has a nasty allure.TABLE OF CONTENTS // Preface: Christmas, Colorado, 1996 - Section I. Queer Light: Forensics, Psychoanalysis, Hermeneutics - Section II. The Abject Parlour: Polyester Gothic, Traces at the Scene, Christmas in Colorado - Section III. Deadly Landscapes: The Shining, Colorado Histories, The Locus Terriblis - Conclusion: Necrolight, Luminol