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Newly translated, unfinished works about power, class conflict, and artistic inspiration by Russia's greatest poet. Alexander Pushkin, Russia’s foundational writer, was constantly experimenting with new genres, and this fresh selection ushers readers into his creative laboratory. Politics and history weighed heavily on Pushkin’s imagination, and in “Peter the Great’s African” he depicts the Tsar through the eyes of one of his closest confidantes, Ibrahim, a former slave, modeled on Pushkin’s maternal great-grandfather. At once outsider and insider, Ibrahim offers a sympathetic yet questioning view of Peter’s attempt to integrate his vast, archaic empire into Europe. In the witty “History of the Village of Goriukhino” Pushkin employs parody and self-parody to explore problems of writing history, while “Dubrovsky” is both a gripping adventure story and a vivid picture of provincial Russia in the late eighteenth century, with its class conflicts ready to boil over in violence. “The Egyptian Nights,” an effervescent mixture of prose and poetry, reflects on the nature of artistic inspiration and the problem of the poet’s place in a rapidly changing and ever more commercialized society.
Alexander Pushkin was a Russian poet and writer who is considered the father of the modern Russian novel. The so-called Golden Age of Russian Literature was inspired by the themes and aesthetics of Pushkin - we are talking about names like Ivan Turgenev, Ivan Goncharov, Leo Tolstoy, Mikhail Lermontov, Nikolai Gogol. This selection of short stories brings you the best of Pushkin selected by August Nemo: The Queen of Spades The Shot The Snowstorm The Postmaster The Coffin-maker Kirdjali Peter, The Great's Negro
Peter the Great's visit to England in the first months of 1698 has been called 'the most picturesque episode in the history of Anglo-Russian relations', and lives on most vividly in popular memory for the devastation caused at Sayes Court, John Evelyn's house and garden in Deptford. Recent celebrations of the tercentenary of that visit have refocused attention on the most famous of Russian tsars, but the story of Britain's love-hate relationship with him over the intervening centuries has never before been told. This study analyses changing British reactions to Peter in an extremely wide variety of printed sources - newspapers and journals, letters and collections of anecdotes, histories and biographies, novels, poems and plays. A final innovative chapter is devoted to images of the tsar as interpreted by British painters from Godfrey Kneller to Daniel Maclise, and by a whole cohort of engravers, illustrating biographies and travel accounts.
From the award-winning translators: the complete prose narratives of the most acclaimed Russian writer of the Romantic era and one of the world's greatest storytellers. The father of Russian literature, Pushkin is beloved not only for his poetry but also for his brilliant stories, which range from dramatic tales of love, obsession, and betrayal to dark fables and sparkling comic masterpieces, from satirical epistolary tales and romantic adventures in the manner of Sir Walter Scott to imaginative historical fiction and the haunting dreamworld of "The Queen of Spades." The five short stories of The Late Tales of Ivan Petrovich Belkin are lightly humorous and yet reveal astonishing human depths, and his short novel, The Captain's Daughter, has been called the most perfect book in Russian literature.
Newly translated, unfinished works about power, class conflict, and artistic inspiration by Russia's greatest poet. Alexander Pushkin, Russia’s foundational writer, was constantly experimenting with new genres, and this fresh selection ushers readers into his creative laboratory. Politics and history weighed heavily on Pushkin’s imagination, and in “Peter the Great’s African” he depicts the Tsar through the eyes of one of his closest confidantes, Ibrahim, a former slave, modeled on Pushkin’s maternal great-grandfather. At once outsider and insider, Ibrahim offers a sympathetic yet questioning view of Peter’s attempt to integrate his vast, archaic empire into Europe. In the witty “History of the Village of Goriukhino” Pushkin employs parody and self-parody to explore problems of writing history, while “Dubrovsky” is both a gripping adventure story and a vivid picture of provincial Russia in the late eighteenth century, with its class conflicts ready to boil over in violence. “The Egyptian Nights,” an effervescent mixture of prose and poetry, reflects on the nature of artistic inspiration and the problem of the poet’s place in a rapidly changing and ever more commercialized society.
In the course of his short, dramatic life, Aleksandr Pushkin gave Russia not only its greatest poetry–including the novel-in-verse Eugene Onegin–but a new literary language. He also gave it a figure of enduring romantic allure–fiery, restless, extravagant, a prodigal gambler and inveterate seducer of women. Having forged a dazzling, controversial career that cost him the enmity of one tsar and won him the patronage of another, he died at the age of thirty-eight, following a duel with a French officer who was paying unscrupulous attention to his wife. In his magnificent, prizewinning Pushkin, T. J. Binyon lifts the veil of the iconic poet’s myth to reveal the complexity and pathos of his life while brilliantly evoking Russia in all its nineteenth-century splendor. Combining exemplary scholarship with the pace and detail of a great novel, Pushkin elevates biography to a work of art.
In the spring of 1703, a young African boy stepped off a slave ship in Constantinople, the gateway between East and West. Huddling in chains, with other frightened captives, the seven-year-old claimed to be a prince of Abyssinia, a "noble Moor" kidnapped and stolen out of Africa. His tragedy was shared by millions of black people caught up in the Islamic slave trade, but his destiny was unique: rescued by Peter the Great, the young African became Abram Petrovich Gannibal. Russia's westernizing tsar adopted the child and, in a bizarre nature-and-nurture experiment, lavished on him the best education available in the new "European" capital of Saint Petersburg. Gannibal, the "Negro of Peter the Great," soared to dizzying heights as a soldier, diplomat, mathematician and spy. He was fêted in glittering salons, from the Winter Palace to the Louvre, and came to know Voltaire and Montesquieu, who praised him as the "dark star of Russia's enlightenment." At the same time, his military exploits, from northern Spain to the icy wastes of Siberia -- to say nothing of his marital problems -- sealed Gannibal's reputation as the Russian Othello. African prince or not, the ex-slave founded a dynasty of his own in Russia, where he came to embody the strengths and weaknesses of the country itself -- volatile, courageous, handsome, gifted and always astonishing. His descendants included not only Alexander Pushkin, Russia's greatest poet, but also, in England, several Mountbattens and others close to the royal family.
Russia, 1905. Behind the gates of the Karenin Palace, Sergei, son of Anna Karenina, meets Tolstoy in his dreams and finds reminders of his mother everywhere: the almost-living portrait that the Tsar intends to acquire and the opium-infused manuscripts she wrote just before her death, one of which opens a trapdoor to a wild feminist fairytale. Across the city, Clementine, an anarchist seamstress, and Father Gapón, the charismatic leader of the proletariat, tip the country ever closer to revolution. Boullosa lifts the voices of coachmen, sailors, maids, and seamstresses in this playful, polyphonic, and subversive revision of the Russian revolution, told through the lens of Tolstoy’s most beloved work.