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The first-ever authorized sequel to J. M. Barrie's Peter Pan! In August 2004 the Special Trustees of Great Ormond Street Children's Hospital, who hold the copyright in Peter Pan, launched a worldwide search for a writer to create a sequel to J. M. Barrie's timeless masterpiece. Renowned and multi award-winning English author Geraldine McCaughrean won the honor to write this official sequel, Peter Pan in Scarlet. Illustrated by Scott M. Fischer and set in the 1930s, Peter Pan in Scarlet takes readers flying back to Neverland in an adventure filled with tension, danger, and swashbuckling derring-do!
"All children grow up. All except one." That special child is Peter Pan, and since making his debut on the stage in 1904, this eternal youth has carried boys and girls off to magical, marvelous Neverland. It's a trip that all kids want to make, and with this easy-to-read version of the classic, everyone can fly "second to the right, and straight on till morning" with Peter. Along with Wendy, John, and Michael Darling, they'll meet the fairy Tinkerbell, the Lost Boys, and the menacing Captain Hook.
Do you remember how to fly? Do you remember how to fight? Do you still believe in fairies? Well, Peter Pan is back! It has been four years since Wendy and her brothers first left on their magical flight to Neverland, and their world has never been the same. Peter is about to embark on his greatest adventure yet . . . Christmas! Wendy and her family try to give Peter the perfect Christmas, but a dark force from their past is about to resurface and turn their world upside down. Welcome back to Neverland and prepare for the adventure of a lifetime in this faithful follow-up to the original J. M. Barrie classic. Get it today!
"Stars are beautiful, but they may not take part in anything, they must just look on forever." "To die will be an awfully big adventure." "All the world is made of faith, and trust, and pixie dust." "Never say goodbye because goodbye means going away and going away means forgetting." "The moment you doubt whether you can fly, you cease for ever to be able to do it." "Dreams do come true, if only we wish hard enough. You can have anything in life if you will sacrifice everything else for it." "When the first baby laughed for the first time, its laugh broke into a thousand pieces, and they all went skipping about, and that was the beginning of fairies." "Wendy," Peter Pan continued in a voice that no woman has ever yet been able to resist, "Wendy, one girl is more use than twenty boys." "Fairies have to be one thing or the other, because being so small they unfortunately have room for one feeling only at a time."
All Tiger Lily wants is to be a warrior and serve as one of the protectors of her people. But there are rules in the Miakoda tribe of Neverland. Girls aren't allowed to fight or hunt, and princesses are to remain free of danger.When pirates threaten her tribe, Tiger Lily is thrown into the very center of peril and uncertainty. But it's not until she finds herself face to face with the legendary Peter Pan that her true adventure begins.
Introduces Peter Pan and Neverland using the lyrics of two songs from the classic musical, framed with a simple version of the story of Peter's arrival in the nursery and his teaching the Darling children to fly. Includes the lyrics to "Never Never Land" and "I'm Flying."
Waddles, a very plump and furry raccoon, helps his best friend Emily, a duck, hatch and raise her ducklings, and discovers what makes him truly happy. Fullcolor.
What does Avalon have to do with Neverland? Why are the children the only humans who can use Avalon’s magic? What are the differences between J. M. Barrie’s Peter Pan and Brom’s Child Thief? Brom wrote a haunting reimagination of a book that is still one of the most important for children. Yet, The Child Thief is not a book designed for children. There is a great difference between the flying boy in Barrie’s original and Brom’s Peter. This poses the question, which traits of the original Peter Pan did Brom use as they were and which ones did he give a twist? Every change that Brom made has implications that go beyond a simple adaption to our modern taste. Since The Child Thief also does not follow Barrie’s Peter Pan concerning the storyline or the narrative style, the formerly posed question encompasses therefore the whole The Child Thief. This treatise aims to answer these questions and to give an outlook on possible further research.