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The Davidsons assembled an extraordinary collection of American drawings dating from 1960 to the present, showcasing the continuing currency of realism and humanism. Featuring such artists as William Bailey, Jack Beal, William Beckman, Rackstraw Downes, Janet Fish, Alex Katz, Alfred Leslie, Michael Mazur, Alice Neel, and Philip Pearlstein, the collection has been given to the Art Institute of Chicago, which is exhibiting 125 of its finest examples. This beautiful volume includes biographies of the artists and an important critical essay by Ruth E. Fine. 126 colour illustrations
America today faces a world more complicated than ever before, but our politicians have failed to envision a foreign policy that addresses our greatest threats. Ethical Realism shows how the United States can successfully combine genuine morality with tough and practical common sense. By outlining core principles and a set of concrete proposals for tackling the terrorist threat and contend with Iran, Russia, the Middle East, and China, Anatol Lieven and John Hulsman show us how to strengthen our security, pursue our national interests, and restore American leadership in the world.
Gathering together essays by some of the most influential modern political philosophers and theorists, War, Peace, and International Political Realism reveals the twentieth-century roots of the realist tradition and demonstrates the enduring relevance of realist insights for current international relations scholarship and foreign affairs. These essays, all of which were published in The Review of Politics, the majority during the 1940s and 1950s, reflect four major tenets of the classical realist tradition: an obligation to confront large and difficult questions about international politics, a recognition of the fundamentally tragic nature of relations among humans and states, a rejection of historical optimism, and a belief in practical morality. Keir A. Lieber provides an excellent introduction emphasizing the importance of political realism as defined by the contributors. "Political realism is a distinguished intellectual tradition that illuminates the tragic aspects of the human condition. This wide-ranging collection of essays highlights the philosophical depth and topical breadth of postwar realist thought and illustrates both the continuities and divisions that continue to shape that tradition. Readers will gain considerable insight from revisiting these classics, or from discovering them for the first time." --Stephen Walt, Robert and Renee Belfer Professor of International Affairs, Harvard University "This collection of outstanding essays by such intellectual giants as Hannah Arendt, Herbert Butterfield, George Kennan, and Hans Morgenthau shows why conflict has long been at the heart of international politics and why there will never be world peace." --John J. Mearsheimer, R. Wendell Harrison Distinguished Service Professor of Political Science, University of Chicago "This volume of essays that were originally published in The Review of Politics provides a unique perspective on the early history of both International Relations and political realism. All of the contributors, including luminaries such as Kennan, Morgenthau, and Thompson, asked profound questions about the nature of man, society, and politics, and should encourage readers to reconsider the purpose of contemporary political science. By focusing on the work of some of the leading realist thinkers who were writing in the 1940s and 1950s, Lieber clearly demonstrates that realism remains extremely relevant to understanding current debates on international politics and American foreign policy." --Brian C. Schmidt, Carleton University
Perspective determines how we, as viewers, perceive painting. We can convince ourselves that a painting of a bowl of fruit or a man in a room appears to be real by the way these objects are rendered. Likewise, the trick of perspective can prevent us from being absorbed in a scene. Connecting contemporary critical theory with close readings of seventeenth-century Dutch visual culture, The Rhetoric of Perspective puts forth the claim that painting is a form of thinking and that perspective functions as the language of the image. Aided by a stunning full-color gallery, Hanneke Grootenboer proposes a new theory of perspective based on the phenomenological aspects of non-narrative still-life, trompe l'oeil, and anamorphic imagery. Drawing on playful and mesmerizing baroque images, Grootenboer characterizes what she calls their "sophisticated deceit," asserting that painting is more about visual representation than about its supposed objects. Offering an original theory of perspective's impact on pictorial representation, the act of looking, and the understanding of truth in painting, Grootenboer shows how these paintings both question the status of representation and explore the limits and credibility of perception. “An elegant and honourable synthesis.”—Keith Miller, Times Literary Supplement
In The Atlantic Realists, intellectual historian Matthew Specter offers a boldly revisionist interpretation of "realism," a prevalent stance in post-WWII US foreign policy and public discourse and the dominant international relations theory during the Cold War. Challenging the common view of realism as a set of universally binding truths about international affairs, Specter argues that its major features emerged from a century-long dialogue between American and German intellectuals beginning in the late nineteenth century. Specter uncovers an "Atlantic realist" tradition of reflection on the prerogatives of empire and the nature of power politics conditioned by fin de siècle imperial competition, two world wars, the Holocaust, and the Cold War. Focusing on key figures in the evolution of realist thought, including Carl Schmitt, Hans Morgenthau, and Wilhelm Grewe, this book traces the development of the realist worldview over a century, dismantling myths about the national interest, Realpolitik, and the "art" of statesmanship.
Demastes draws a distinction between the genus realism and its central species, naturalism. He studies, from an historical perspective, the growth of realism into the foremost aesthetic form in 20th century theater, and focuses on American playwrights who have used realism to challenge outdated and essentially naturalist thought, thereby infusing realism with fresh and contemporary perspectives of the world around them. Demastes analyzes the unique contributions of David Rabe, David Mamet, Sam Shepard, Charles Fuller, Beth Henley, and Marsha Norman, and assesses their overall critical reception. ISBN 0-313-26320-5: $35.95.
"Published on the occasion of the exhibition Elizabeth Osborne: the color of light, held at the Pennsylvania Academy of the Fine Arts, Philadelphia, June 26-September 20, 2009."
Examination of the critical discourse on the literary movement of 'realism.' Concepts of Realismsurveys the central episodes in the development of the discourse surrounding 'realism' from its inception, with substantial reference to developments in the United States. It concentrates on modernismand the avant-garde as hostile to the realist movement, but more positive critics of the concept, such as Erich Auerbach and Joseph Stern, also receive ample treatment.