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Join a cold-case detective as he uncovers the truth about Jesus using the same approach he employs to solve real murder cases. Detective J. Warner Wallace was skeptical of the Bible's claims about Jesus. But he'd investigated several no-body homicide cases in which there was no crime scene, no physical evidence, and no victim's body. He wondered if the truth about the historical Jesus could be investigated in the same way. In Person of Interest, cold-case detective and bestselling author J. Warner Wallace describes his own personal investigative journey from atheism to Christianity as he carefully sifts through the evidence from history alone, without relying on the New Testament. In this book, you'll: Understand like never before how Jesus—the most significant person in history—changed the world and why he still matters today. Learn how to think like a cold-case detective by using an innovative and unique "fuse and fallout" investigative strategy, which you can also use to examine other claims of history. Explore and learn how to respond to common objections to Christianity. Creative, compelling, and fully illustrated, Person of Interest will strengthen the faith of believers while engaging those who are skeptical and distrusting of the New Testament gospel accounts.
With unique access to the most intriguing and enduring legends of our time, Harry Benson: Persons of Interest is a compelling masterpiece of photojournalism and portraiture. With decades spent deliberately being in just the right place at just the right time, Benson's photographs and writings of his encounters and adventures are sure to be of broad interest to photography afficionados, history lovers, and people young and old. With subjects ranging from Queen Elizabeth to Amy Winehouse, from Frank Sinatra to Brad Pitt, from Greta Garbo to Kate Moss, from Winston Churchill to Hilary Clinton and Donald Trump, Benson explores and delights our public fascination with his images of the lives of the rich, powerful, and famous. Critic Leonard Maltin said it all when he wrote, "Harry Benson has been witness to the key events of the past half-century and has never failed to capture their most telling moments with his camera." Harry Benson is the author of 16 books including Harry Benson: Photographs(powerHouse Books, 2009), Bobby Fischer (powerHouse Books, 2011), andwith Hilary Geary Ross, New York, New York (powerHouse Books, 2011, andPalm Beach People (powerHouse Books, 2014).
“Including work by literary heavy–hitters... the anthology considers the act and weight of watching and being watched... and in Watchlist, these see–to–know quests range from funny to terrifying.” —Los Angeles Magazine In Watchlist, some of today’s most prominent and promising fiction writers from around the globe respond to, meditate on, and mine for inspiration the surveillance culture in which we live. With contributions from Etgar Keret, T.C. Boyle, Robert Coover, Aimee Bender, Jim Shepard, Alissa Nutting, Charles Yu, Cory Doctorow, and many more, WATCHLIST unforgettably confronts the question: What does it mean to be watched? In Doctorow’s eerily plausible ""Scroogled,"" the US has outsourced border control to Google, on the basis that they Do Search Right. In Lincoln Michel’s “Our New Neighborhood,” a planned suburban community’s ‘Neighborhood Watch’ program becomes an obsessive nightmare. Jim Shepard’s haunting “Safety Tips for Living Alone” imagines the lives of the men involved in the US government’s fatal attempt to build the three Texas Tower radar facilities in the Atlantic Ocean during the Cold War. Randa Jarrar’s “Testimony of Malik, Israeli agent #287690” is “a sweet and deftly handled story of xenophobia and paranoia, reminding us that such things aren’t limited to the West” (Sabotage Reviews) and Alissa Nutting’s “The Transparency Project” is a creative, speculative exploration of the future of long–term medical observation. By turns political, apolitical, cautionary, and surreal, these stories reflect on what it’s like to live in the surveillance state.
An examination and defence of the concept of personality, long central to Western moral culture but now increasingly under attack. Robert Spaemann tackles urgent practical questions, such as our treatment of the severely disabled human and the moral status of intelligent non-human animals.
The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.
Warren Wallace, a law firm partner doing criminal defense work, hadn’t had any dating experience in the year since his wife, Sarah, had lost her battle with stage four metastatic breast cancer. His psychiatrist had been working with him through the recognized five stages of grief and loss------denial and isolation, anger, bargaining, depression, and acceptance. They were on the fifth stage, acceptance. Warren enjoyed playing golf, and one of his frequent playing partners at the Haverford Golf and Country Club was Brenda Lamb, Deputy District Attorney and head of the Homicide Division at the Montgomery County, Pennsylvania, District Attorney’s Office. She, like his psychiatrist, felt he should start dating and Brenda arranged a blind date with one Darcy McClelland, a new assistant district attorney in the Criminal Division.
This book challenges, with several powerful arguments, some of our deepest beliefs about rationality, morality, and personal identity. The author claims that we have a false view of our own nature; that it is often rational to act against our own best interests; that most of us have moral views that are directly self-defeating; and that, when we consider future generations the conclusions will often be disturbing. He concludes that moral non-religious moral philosophy is a young subject, with a promising but unpredictable future.
Written by an L. A. County homicide detective and former atheist, Cold-Case Christianity examines the claims of the New Testament using the skills and strategies of a hard-to-convince criminal investigator. Christianity could be defined as a “cold case”: it makes a claim about an event from the distant past for which there is little forensic evidence. In Cold-Case Christianity, J. Warner Wallace uses his nationally recognized skills as a homicide detective to look at the evidence and eyewitnesses behind Christian beliefs. Including gripping stories from his career and the visual techniques he developed in the courtroom, Wallace uses illustration to examine the powerful evidence that validates the claims of Christianity. A unique apologetic that speaks to readers’ intense interest in detective stories, Cold-Case Christianity inspires readers to have confidence in Christ as it prepares them to articulate the case for Christianity.
(Applause Books). By the established comedy conventions of their era, Bob Elliott and Ray Goulding were true game changers. Never playing to the balcony, Bob and Ray instead entertained each other. Because they believed in their nuanced characters and absurd premises, their audience did, too. Their parodies broadcasting about broadcasting existed in their own special universe. A complete absence of show-biz slickness set them apart from the very institution they were mocking, yet were still a part of. They resisted being called comedians and never considered themselves "an act." Bob and Ray, Keener Than Most Persons traces the origins and development of the pair's unique sensibility that defined their dozens of local and network radio and TV series, later motion picture roles, Carnegie Hall performances, and hit Broadway show Bob and Ray The Two and Only . Together for 43 years (longer than Laurel and Hardy, Burns and Allen, Abbott and Costello, and Martin and Lewis), the twosome deflected all intrusions into the personalities behind their many masks and the dynamics of their relationship, and rarely elaborated on their career trajectory or methodology. Now, with the full cooperation of Bob Elliott and of Ray Goulding's widow, Liz, together with insights from numerous colleagues, their craft and the culture that made them so relevant is explored in depth.