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L.P. Elwall-Sutton provides a complete introduction to and survey of the metres used in Persian classical poetry, which extends from the 9th century AD onwards.
The definitive translation by Dick Davis of the great national epic of Iran—now newly revised and expanded to be the most complete English-language edition A Penguin Classic Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern readers. Originally composed for the Samanid princes of Khorasan in the tenth century, the Shahnameh is among the greatest works of world literature. This prodigious narrative tells the story of pre-Islamic Persia, from the mythical creation of the world and the dawn of Persian civilization through the seventh-century Arab conquest. The stories of the Shahnameh are deeply embedded in Persian culture and beyond, as attested by their appearance in such works as The Kite Runner and the love poems of Rumi and Hafez. For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
The Essential Voices series intends to bridge English-language readers to cultures misunderstood and under- or misrepresented. It has at its heart the ancient idea that poetry can reveal our shared humanity. The anthology features 130 poets and translators from ten countries, including Garous Abdolmalekian, Kaveh Akbar, Kazim Ali, Reza Baraheni, Kaveh Bassiri, Simin Behbahani, Mark S. Burrows, Athena Farrokhzad, Forugh Farrokhzad, Persis Karim, Ahmad Karimi-Hakkak, Sara Khalili, Mimi Khalvati, Esmail Khoi, Abbas Kiarostami, Fayre Makeig, Anis Mojgani, Yadollah Royai, Amir Safi, SAID, H.E. Sayeh, Roger Sedarat, Sohrab Sepehri, Ahmad Shamlu, Solmaz Sharif, Niloufar Talebi, Jean Valentine, Stephen Watts, Sholeh Wolpé, Nima Yushij, and many others. Praise Between arm-flexing states, the U.S. and Iran, the past burns and the future is held hostage. In a twilight present tense, the poets emerge, sure-footed and graceful, imagining another way, another vision of being. The range of these Iranian poets is prodigious and dizzying. Sometimes they "consider the saga of a bee / humming over minefields / in pursuit of a flower," sometimes they "bring your lips near / and pour your voice / into my mouth." Essential Voices: Poetry of Iran and Its Diaspora is a place where heartbreak and hope gather. At the shores of language, drink this bracing, slaking music. —Philip Metres, author of Shrapnel Maps Essential Voices: Poetry of Iran and its Diaspora takes the extraordinary position that poetic arts from the homeland and diaspora should be read alongside each other. This vital book invites English-language readers to step into a lineage and tradition where poems—from playful to elegiac, prosaic to ornate—are fundamental to everyday living. It is the kind of book that requires two copies: one to give to a beloved, and one to keep for oneself. —Neda Maghbouleh, author of The Limits of Whiteness: Iranian Americans and the Everyday Politics of Race Essential Voices: Poetry of Iran and Its Diaspora offers a profoundly satisfying journey into the poetic canon of my homeland—an anthology with an ambition, expanse, depth, and diversity that truly earns its essential tag. So many poets I was hoping would be in here are here, from contemporary icons to new luminaries, plus I got to explore several poets I had never before read. Everyone from students of poetry to masters of the form should take this ride through the soul and psyche of Iran, which endures no matter where the border, beyond whatever the boundary! —Porochista Khakpour, author of Brown Album: Essays on Exile and Identity Iranians rely on poetry to give comfort, elevate the ordinary, and illuminate the darkness. Essential Voices: Poetry of Iran and its Diaspora layers the work of the masters with fresh voices, using sensual imagery to piece together a society fractured by revolution, war, and exile. Let the poets lead you into an Iran beyond the news reports—a place where tenderness and humor and bitterness and melancholia balance together like birds on a wire, intricately connected and poised to take flight.  —Tara Bahrampour, author of To See and See Again: A Life in Iran and America
The Rubaiyat of Omar Khayam by Edward Fitzgerald do it; the result was the Jalali era (so called from Jalal-ud-din, one of the king's names)--'a computation of time, ' says Gibbon, 'which surpasses the Julian, and approaches the accuracy of the Gregorian style.' He is also the author of some astronomical tables, entitled 'Ziji-Malikshahi, ' and the French have lately republished and translated an Arabic Treatise of his on Algebra. "His Takhallus or poetical name (Khayyam) signifies a Tent-maker, and he is said to have at one time exercised that trade, perhaps before Nizam-ul-Mulk's generosity raised him to independence. Many Persian poets similarly derive their names from their occupations; thus we have Attar, 'a druggist, ' Assar, 'an oil presser, ' etc. Omar himself alludes to his name in the following whimsical lines: -- "'Khayyam, who stitched the tents of science, Has fallen in grief's furnace and been suddenly burned; The shears of Fate have cut the tent ropes of his life, And the broker of Hope has sold him for We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Saadi is one of the greatest figures of classical Persian literature. His best-known work of poetry is the ‘Bustan’ (The Orchard), composed entirely in epic metre and consisting of stories illustrating the standard virtues recommended to Muslims, as well as offering reflections on the behaviour of dervishes and their ecstatic practices. Saadi also wrote the ‘Gulistan’, a prose collection featuring stories and personal anecdotes. The text is interspersed with a variety of short poems, containing aphorisms, advice and humorous reflections. Saadi’s works are characterised by their unusual blend of kindness and cynicism, always wishing to avoid the hard dilemma, making him, for many, the most widely admired poet of Persian literature. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Saadi’s collected works, with related illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Saadi’s life and works * Concise introduction to Saadi’s life and poetry * All of the major verse and prose texts of Saadi * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Easily locate the sections you want to read * Includes the rare poetry collection ‘Pand Namah’, first time in digital print * Features a bonus biography — discover Saadi’s intriguing life and poetry * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: The Life and Poetry of Saadi Shirazi Brief Introduction: Saadi by Epiphanius Wilson Bustan (translated by A. Hart Edwards) Pand Namah (translated by Arthur N. Wollaston) The Prose Gulistan (translated by James Ross) The Biography Introduction to Saadi by Arthur N. Wollaston Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
'Poetic speech is a pearl, connected to the king's ear.' This statement gestures to words as objects of material value sought by those with power and resources. I provide a sense for the texture of the Persian world by discussing what made poetry precious. By focusing on reports on poets' lives, I illuminate the social scene in which poetry was produced and consumed. The discussion elicits poetry's close connections to political and religious authority, economic exchange, and the articulation of gender. At the broadest level, the study substantiates the interdependency between cultural and material reproduction of society.