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The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
A study of the wealth of meanings that 'Persia' - real or imagined - held for Victorian poetryTakes a broad, interdisciplinary approach to a significant strand in the 'Oriental' texture of Victorian poetry Contributes to a growing body of research on the process of cultural exchange between the West and the 'Orient' Provides the first systematic index of nineteenth-century 'Persianised' poemsOffers a distinctive mix of history and literature, dealing with an array of texts, ranging from ancient Greece to nineteenth-century British travel writings The Persian Presence in Victorian Poetry surveys the variety of ways in which Persia, and the multitude of ideological, historical, cultural and political notions that it embodied, were received, circulated and appropriated. Providing the first systematic index of nineteenth-century poems that were in any way involved with Persia, the book explores its presence across a broad range of works incorporating literary, historical and cultural material.
«In many ways», Robert J.C. Young writes, «colonization from the very first carried with it the seeds of its own destruction.» Imperial Affliction examines some ways in which Young's observation could be applied to problems of subjectivity and influence within the colonizing nations themselves, particularly eighteenth-century Britain. How might these «seeds of destruction» manifest themselves as problems of identity? How might the very selves with greatest access to self-affirmation - the idea of the empire, the idea of British citizenry, the idea of the British self - actually find themselves vulnerable, confused, or damaged? Using multiple forms of postcolonial critique, this book turns back to salient eighteenth-century British lives and work for a different kind of enlightenment. Among its central subjects are the elusive subjectivity of William Collins; the exilic religious experience of William Cowper and its multiple readings in the twentieth century by a self-fashioned exilic, Donald Davie; the «missed encounter» between Christopher Smart and Samuel Johnson, and the ways in which that problem was re-inscribed in the work of W. Jackson Bate and Lionel Trilling; the problem of imperial fixity in James Cook's journals with a view to Gray's «Elegy» and Goldsmith's «Deserted Village»; and the problem of purity as a paradoxically privileged and exilic force in the work of John Newton and Christopher Smart. In these explorations, this book illustrates both an expanded view of eighteenth-century colonial liabilities and a new emphasis on postcolonial critique as a means of exploring the fissures always present in imperial ambition.
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In recent years the canon of eighteenth-century poetry has greatly expanded to include women poets, labouring-class and provincial poets, and many previously unheard voices. Fairer’s book takes up the challenge this ought to pose to our traditional understanding of the subject. This book seeks to question some of the structures, categories, and labels that have given the age its reassuring shape in literary history. In doing so Fairer offers a fresh and detailed look at a wide range of material.