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The book addresses the concerted actions that the U.S. government and responsible citizens must take to resolve the current major recurring social, economic, political, and environmental problems and issues to save the nation from self-induced destruction. These problems and issues also make the nation vulnerable to hostile external threats, such as international terrorism and attacks against U.S. interests by adversarial nations. Former President Abraham Lincoln said, “America will never be destroyed from the outside. If we falter and lose our freedoms, it will be because we destroyed ourselves.” The current social, economic, and political situation and the negative attitudes manifested by many Americans could cause us to falter and suffer self-induced destruction. The publication highlights how the execution of the democratic process in accordance with the provisions of the U.S. Constitution; restoration the tradition family unit and national core values; embracing inherent duties and responsibilities; eradication of social, economic, and political injustices; and learning to live in harmony with mankind and nature can help eradicate major problems plaguing the United States today and ensure that this government of the people, by the people, for the people shall not perish from the earth.
Literary Nonfiction. Vivid explorations of cryogenics, lion baiting, iDollators, dodo birds, SpaceX, and more populate THE ART OF PERPETUATION, a poignant new collection of lyric essays from Alison Powell that troubles the boundaries between human and animal, living and dead, man and woman, adult and child. These nine whip-smart essays juxtapose personal narrative--memories of the author's childhood growing up in southern Indiana and experiences as a mother of two--with scientific, historical, and cultural narrative. Throughout the collection, Powell seeks to unearth, to peel back, to lay bare: To pry something out of someone, the meat of a walnut from its enamel-like shell, is an excavation--to uncover a lie, an infidelity. Dizzying, fragmentary, and provocative, Powell's lyrical investigations dig in deep, coming up for air only to expose the meaningless of naming in a world obsessed with self-perpetuation. To say a poem is like a body is to say one's self is a machine. To say a body is erasable is to say extinction is a temperate clicking... And like that, with one hand on the glass and one gloved hand inside the mouth of the woolly rhino, you have done it. Alison Powell's THE ART OF PERPETUATION is a Mobius strip of macro and micro that remakes the Oxford English Dictionary into a murder mystery and organizes the kaleidoscope of the natural world into an occult circuit board. In these pages, we encounter the archeological Red Lady who wasn't one at all, the dreaming Elon Musk and his Ray Bradbury cloak of sci-fi improbability, and the reverend geologist who ate the heart of Louis XIV and declared that he, 'like all men of science, know[s] the body because of women and criminals.' Powell is a wizard of history and metaphorical precision, and imbues her elusive subjects with unsettling magnetism, whether it's Aristotle arguing that the city is organic, 'which is like saying cruelty is organic, ' or her compelling high school bully, who lives in her brain 'and sparkles with her violence, ' much like these dazzling, prismatic lyric essays.--Simeon Berry THE ART OF PERPETUATION is an extended meditation that considers the slipperiness of images. From the archives of dolls to Louis XIV's preserved heart to personal memories, which are merely images embedded in the psyche, the reader is gifted with a contemplative poetic. This book interrogates how histories, persons, places, and things slowly fade from our present view and leave in their stead wonder, awe, human connection, identitarian query, or ontological mystery. Powell shows us the mind of a scholar, maker, and thinker who can simultaneously hold the answers and the questions. This is writing at its best and most compelling. THE ART OF PERPETUATION is a book any writer worth their words will read and wish they wrote.--Airea D. Matthews
Drawing upon quantitative data gathered from the U.S. Census and U.S. Department of Education, as well as interviews with students from a variety of socio-economic and ethnic backgrounds, Low-Income Students and the Perpetuation of Inequality examines the question of who really benefits from public higher education. It engages with questions of social capital, opportunity, funding and access to education, presenting a rich discussion of social mobility, the value of college education and the impact of education upon the redistribution of income. A thorough exploration of the real impact of college on American society, this volume will appeal to social scientists with interests in education, social capital, social stratification, class and social mobility.
This book offers a fresh perspective on the importance of progeny and perpetuation of the family line in the Hebrew tradition. Steffan Matthias argues that the Hebrew bible depicts failing to protect the transmission of the family line as both a failure in the social order, a threat to the afterlife, and a failure in masculinity, leading to the eradication of the name and memory of the man and the destruction of the household. Using the work of Pierre Bourdieu, as well as anthropological and gender-critical insights, Matthias reassess pertinent texts which respond to the threat of men dying without children, such as levirate marriage (Deut 22:5-10) or the erection of monuments (Isa 56:5-8). Themes such as death, burial and memorial, identity, covenant, name, genealogy, property, seed and sexuality, rather than being treated as separate parts of social or family life, are critically assessed in light of each other. Matthias instead illustrates how they form part of the same discourse of social reproduction, in which the integrity of the family is protected and passed down from father to son in generations of descendants. Paternity, Progeny, and Perpetuation raises profound questions regarding the subtle ways texts that respond to this threat of social annihilation – the destruction of the father and his line - reinforce social boundaries and construct men as transmitters of identity and women as submissive counterparts.
The Oxford Handbook of the Social Science of Poverty builds a common scholarly ground in the study of poverty by bringing together an international, inter-disciplinary group of scholars to provide their perspectives on the issue. Contributors engage in discussions about the leading theories and conceptual debates regarding poverty, the most salient topics in poverty research, and the far-reaching consequences of poverty on the individual and societal level.
A New York Times Editors' Choice • Best Book of the Year: Time, NPR, Bookpage, L.A. Times What does it mean to be American? In this starkly illuminating and impassioned book, Pulitzer Prize­­–finalist Laila Lalami recounts her unlikely journey from Moroccan immigrant to U.S. citizen, using it as a starting point for her exploration of American rights, liberties, and protections. "Sharp, bracingly clear essays."—Entertainment Weekly Tapping into history, politics, and literature, she elucidates how accidents of birth—such as national origin, race, and gender—that once determined the boundaries of Americanness still cast their shadows today. Lalami poignantly illustrates how white supremacy survives through adaptation and legislation, with the result that a caste system is maintained that keeps the modern equivalent of white male landowners at the top of the social hierarchy. Conditional citizens, she argues, are all the people with whom America embraces with one arm and pushes away with the other. Brilliantly argued and deeply personal, Conditional Citizens weaves together Lalami’s own experiences with explorations of the place of nonwhites in the broader American culture.
Site-specific installations are created for specific locations and are usually intended as temporary artworks. The Perpetuation of Site-Specific Installation Artworks in Museums: Staging Contemporary Art shows that these artworks consist of more than a singular manifestation and that their lifespan is often extended. In this book, Tatja Scholte offers an in-depth account of the artistic production of the last forty years. With a wealth of case studies the author illuminates the diversity of site-specific art in both form and content, as well as in the conservation strategies applied. A conceptual framework is provided for scholars and museum professionals to better understand how site-specific installations gain new meanings during successive stages of their biographies and may become agents for change in professional routines.
Acknowledgments -- Introduction: the power of algorithms -- A society, searching -- Searching for Black girls -- Searching for people and communities -- Searching for protections from search engines -- The future of knowledge in the public -- The future of information culture -- Conclusion: algorithms of oppression -- Epilogue -- Notes -- Bibliography -- Index -- About the author