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Consisting of revised versions of papers presented at the 1990 annual meeting of the Society for Spanish and Portuguese Historical Studies in New Orleans, this book is divided into three parts and covers: religious control and its limits in the Iberian world; images of the body in Spanish society; and women, gender and family in Hapsburg Spain.
Lope's use of self-reverential devices in Lo fingido verdadero and La buena guarda serves to highlight the illusory nature of life and the relationship between lo verdadero and lo divino which lie at the heart of the theocentric world view of seventeenth-century Spain. The conflicting imperatives of human and divine love and the issue of identity are features of all of the plays. Furthermore, it is illustrated that the interplay between illusion and reality and the relationship between playwright and audience are crucial to Lope's dramatic output."--Jacket.
María de Zayas y Sotomayor (1590–1650?) published two collections of novellas, Novelas amorosas y exemplares (1637) and Desengaños amorosos (1647), which were immensely popular in her day. During the nineteenth and early twentieth centuries, Victorian and bourgeois sensibilities exiled her “scandalous” works to the outer fringes of serious literature. Over the last two decades, however, she has gained an enthusiastic and ever-expanding readership, drawing intense critical attention and achieving canonical status as a major figure of the Spanish Golden Age. In this first comprehensive study of Zayas’s prose, Margaret R. Greer explores the relationship between narration and desire, analyzing both the “desire for readers” displayed by Zayas in her Prologue and the sexual desire that drives the telling within the novellas themselves. Greer examines Zayas’s narrative strategies through the twin lenses of feminist and psychoanalytic theory. She devotes close attention to the weight of Renaissance literary traditions and the role of Zayas’s own cultural context in shaping her work. She discusses Zayas’s biography and the reception of her publications; her advocacy of women’s rights; her conflictive loyalty to an aristocratic, patriarchal order; her crafting of feminine tales of desire; and her erasure of the frontiers between the natural and supernatural, indeed, between love and death itself. In so doing, Greer offers an expansive analysis of this recently rediscovered Golden Age writer.
The attack on the US Capitol on 6 January 2021 was a tragic illustration of the existential threat that the viral spread of disinformation poses in the age of social media and twenty-four-hour news. From climate change denialism to the frenzied conspiracy theories and racist mythologies that fuel antidemocratic white nationalist movements in the United States and abroad, What Would Cervantes Do? is a lucid meditation on the key role the humanities must play in dissecting and combatting all forms of disinformation. David Castillo and William Egginton travel back to the early modern period, the first age of inflationary media, in search of historically tested strategies to overcome disinformation and shed light on our post-truth market. Through a series of critical conversations between cultural icons of the twenty-first century and those of the Spanish Golden Age, What Would Cervantes Do? provides a tour-de-force commentary on current politics and popular culture. Offering a diverse range of Cervantist comparative readings of contemporary cultural texts – movies, television shows, and infotainment – alongside ideas and issues from literary and cultural texts of early modern Spain, Castillo and Egginton present a new way of unpacking the logic of contemporary media. What Would Cervantes Do? is an urgent and timely self-help manual for literary scholars and humanists of all stripes, and a powerful toolkit for reality literacy.
After numerous villagers recount the circumstances of both the murder and the abortions, Domenica confesses and all three defendants are tortured, Domenica escapes while awaiting sentencing. Anna receives a fifteen year prison term whereas Pietro is allowed to go free." "Village Justice: Community, Family, and Popular Culture in Early Modern Italy is an analysis of the society and culture in which Domenica and her accomplices lived."--BOOK JACKET.
Includes "Bibliographical section".
Maria Antonietta Visceglia, Politica e regalità femminile nell'Europa della prima età moderna.Qualche riflessione comparativa sul ruolo delle regine consorti;Luis Ribot García, Revueltas urbanas en Sicilia (siglos XVI-XVII);Giovanni Muto, Fedeltà e patria nel lessico politico napoletano della prima età moderna;Gérard Delille, Parenté et politique: le reversement des XVIIe et XVIIIe siècles;Giuseppe Talamo, Tra fedeltà al Governo e ubbidienza al papa;Adrian Lyttelton, Le origini di una monarchia nazionale: tradizione e innovazione nel culto di Casa Savoia durante il Risorgimento;Giuseppe Giarrizzo, Siciliani fuori di Sicilia;Michele Ciliberto, Croce: e Gentile: elogio di un'amicizia;Franco Pitocco, La storia tra scienza e letteratura (cioè: non scienza!). Appunti su H. White e il Linguistic Turn per un corso mai tenuto su "La crisi della storia"; Herman Van der Wee, Flessibilità e crescita: la storia economica allo specchio del passato; Albertina Vittoria, "Leggi nei margini bianchi di questa pagina": Girolamo Sotgiu e gli "amici pedanti";Giorgio Caredda, Il declino e l'impero;Eric Hobsbawm, Nations and Nationalism in the New Century; Indice dei nomi.