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Contemporary research in periodical literature has demonstrated conclusively that the nineteenth century in Britain was the age of the periodical. It also has shown that, in Victorian society, the circulation of periodicals and newspapers was both larger and more influential than that of books. The six essays in this volume investigate the extent to which this was equally true of Britain's colonies during the period up to 1900. In chapters devoted to periodical publishing in Australia, Canada, India, New Zealand, Southern Africa, and the 'outposts' of the Empire (Ceylon, Cyprus, Hong Kong, Malaya and Singapore, Malta, and the West Indies), the contributors also consider the function and importance of periodicals in colonial life. They identify and describe all locally produced publications that appeared at weekly or longer intervals and that contained, for example, local news, poetry, fiction, criticism, commentary on the arts, news from home, shipping information and commodities reports. Each chapter presents an evaluation of the quantity and quality of guides available to periodical literature in each region, from basic bibliographies of periodicals, directories, and finding aids, to microfilm records and databases on the Internet. Periodicals of Queen Victoria's Empire is an initial step towards understanding and analyzing what its editors regard as the 'unseen power' of the periodical press in the British Empire of the nineteenth century.
Contemporary research in periodical literature has demonstrated conclusively that the nineteenth century in Britain was the age of the periodical. It has also shown that, in Victorian society, the circulation of periodicals and newspapers was both larger and more influential than that of books.
This book introduces the reader to Robert Govett (1813-1901), dissenting clergyman and author, who wrote as a scholar of biblical prophecy, primarily on the subject of the "exclusion" of believers in the Millennial Kingdom, an idea of which he conceived. The purpose of the book is threefold: (1) to describe Govett, his life, and his printed work; (2) to analyze Govett's eschatological beliefs, especially those he originated; and (3) to investigate why a respected theologian in England, who had published over 180 books and tracts, disappeared from dissenting print culture early in the twentieth century. Govett's doctrine of exclusion was heavily intertwined with most of his writings. It was a topic that he developed throughout his career. Yet, as the center of dispensationalism shifted to America, Govett's views of the Rapture began to be seen as extreme. The book explains why Govett was eclipsed as the center of the evangelical movement shifted and its theology ossified. Since his death, Govett has been occasionally remembered in scholarship, but with increasing inaccuracies and skepticism. This book seeks to remove the mystery.
Canadian Confederation has long been assessed as a political moment that created a new national entity. This book breaks new ground by arguing that Confederation was an imperial event that generated new questions and ideas about the future of global political order.
This book explores the creation of imperial identities in Britain and several of its colonies - South Africa, India, Australia, Wales - and the ways in which the Victorian press around the world shaped and reflected these identities. The concept of co-histories, borrowed from Edward Said and Frantz Fanon, helps explain how the press shaped the imperial and national identities of Britain and of the colonies into co-histories that were thoroughly intertwined and symbiotic. Exploring a variety of press media, this book argues that the press was a site of resistance and revision by colonized authors and publishers, as well as a force of colonial authority for the British government. editors, and publishers, who projected a view of the empire to their British, colonial, and colonized readers. Topics include The Journal of Indian Art and Industry produced by the British art schools in India, women's periodicals, Indian writers in the British press, The Imperial Gazetteer published in Scotland, the rise of telegraphic news agencies, the British press's images of China seen through exhibitions of its art, the Tory periodical Blackwood's Magazine, and the Imperial Press Conference of 1909. University.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This collection brings together for the first time literary studies of British colonies in nineteenth-century Australia, New Zealand, South Africa, South America, Southeast Asia, and the South Pacific Islands. Drawing on hemispheric studies, Indigenous studies, and southern theory to decentre British and other European metropoles, the collection offers a groundbreaking challenge to national paradigms and traditional literary periodisations and canons by prioritising southern cultural networks in multiple regional centres from Cape Town to Dunedin. Worlding the south examines the dialectics of literary worldedness in ways that recognise inequalities of power, textual and material violence, and literary and cultural resistance. The collection revises current literary histories of the ‘British world’ by arguing for the distinctiveness of settler colonialism in the southern hemisphere, and by incorporating Indigenous, diasporic, and south-south perspectives.
Queen Victoria's central importance to the era defined by her reign is self-evident, and yet it has been surprisingly overlooked in the study of Victorian culture. This collection of essays goes beyond the facts of biography and official history to explore the diverse, and sometimes conflicting, meanings she held for her subjects around the world and even for those outside her empire, who made of her a multifaceted icon serving their social and economic needs. In her paradoxical position as neither consort nor king, she baffled expectations throughout her reign. She was a model of wifely decorum and solid middle-class values, but she also became the focus of anxieties about powerful women, and - increasingly - of anger about Britain's imperial aims. Each essay analyses a different aspect of this complex and fascinating figure. Contributors include noted scholars in the field of literature, cultural studies, art history, and women's studies.
From prime-time television shows and graphic novels to the development of computer game expansion packs, the recent explosion of popular serials has provoked renewed interest in the history and economics of serialization, as well as the impact of this cultural form on readers, viewers, and gamers. In this volume, contributors—literary scholars, media theorists, and specialists in comics, graphic novels, and digital culture—examine the economic, narratological, and social effects of serials from the nineteenth to the twenty-first century and offer some predictions of where the form will go from here.
This collection of essays is based upon the assumption that the British Empire was held together not merely by ties of trade and defence, but by a shared sense of British identity that linked British communities around the globe. Focusing on the themes of migration, identity and the media, this book is an exploration of these and other interconnected themes that help define the British World of the late 19th and 20th centuries.