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Whether they like it or not, actors and preachers have a great deal in common. Many churchgoers see the truth in the old saying that links preachers and frustrated actors, though few preachers seem anxious to acknowledge the family resemblance. Performing the Word destigmatizes the performance-based approach to preaching and shows how the experience, skills, and modi operandi of actors and performance artists may be applied to preaching. This volume is ideal for seminary students and preachers who wish to enrich their delivery and creativity skills.
WHAT HAPPENS WHEN TWO SEMINARY PROFESSORS LEAVE their classrooms and spend time among the homeless people and teach on city streets? In this unique collection of essays and sermons, Stanley P Saunders and Charles L. Campbell reflect on their encounters with the homeless folks in Atlanta and seek to discern the way of Jesus on the streets of the city. These passionate, often moving writings demonstrate the power of Scripture to shape the way we see the world, and they explore the significance of social location for exegesis, ethics, worship, and preaching. From the perspective of the street, central Christian practices such as baptism, Eucharist, and preaching come to life in new ways. Scripture takes on fresh meaning too, while ancient insights into the principalities and powers, the practice of scapegoating, and the organization of households become contemporary and immediate. Even theological themes--grace and discipleship, sin and forgiveness, crucifixion and resurrection--look different when take to the street. Accented by six powerful artworks from Christina Bray's exhibit Street Prayers/Spiritual Journeys, this book also sheds light on the problem of homelessness in America and calls the church to action. Through their reflection on personal experiences and their interpretation of biblical texts, Saunders and Campbell provide meaningful theological categories for addressing pressing social issues in the urban context, making The Word on the Street a helpful resource on the realities of poverty, race, and injustice.
Performing the Word offers readers of African American poetry a way of understanding and appreciating body of work that has received little critical attention. While African American literary tradition begins with eighteenth-century poets like Lucy Terry, Jupiter Hammon, and Phillis Wheatley, critical discussions of African American Poetry have been sparse. Aside from a few studies of "major" poets, such as Langston Hughes, Gwendolyn Brooks, Robert Hayden, Rita Dove, or period histories of phenomena such as the Harlem Renaissance, there has been little sustained critical inquiry into African American poetry as a body of literature- until now. Fahamista Patricia Brown examines elements of African American expressive culture- its language practices, both fold and popular. Her book is an excellent introduction to a diverse group of poets and the common basis of their work in language practices and performativity, in the expressive culture of a people. Performing the Word is an important contribution to the understanding of African American culture and American poetry as a whole.
Taking us deep into King's backstage discussions with colleagues, his preaching to black congregations, his exhortations in mass meetings, and his crossover addresses to whites, Rieder tells a powerful story about the tangle of race, talk, and identity in the life of one of America's greatest moral and political leaders.
Get on Stage and Perfect Your Performance Have you ever enjoyed a slam or two and thought, "I could do this," but felt apprehensive staring at that empty mic—or worse, you climbed up on stage and struggled? Let Marc Kelly Smith, the founder of Slam Poetry, teach you everything you need to be a confident performer, from writing a powerful poem, to stage techniques, to going on tour (if that's where your muse leads you). Take the Mic is filled with insider tips, backstage advice, and tons of examples of slam poems that wake up an audience. With this book, you'll also be able to link to the PoetrySpeaks.com community to listen to samples, meet poets, and unearth inspirations for your next performance. The Ultimate Guide to Writing and Performing with Power Take the Mic is an essential guide for lifting your poetry from the page to the stage. Marc Kelly Smith (So What!), grand founder of the Slam movement, serves as you personal coach, showing you how to craft stage-worthy verse and deliver a poetry performance that shakes the rafters and sparks thunderous applause. In Take the Mic, you discover how to... Pen poetry that's conducive to on-stage performance Overcome stage fright Practice powerful performance techniques Rehearse like a pro Shape a loose collection of poems into a killer set Connect with your audience — heart and soul Master the art of self-promotion Schedule your own slam poetry tour Transform your hobby into paying gigs Act professional to establish a solid reputation in the Slam community Take the Mic is packed with practical exercises you can do alone or in class to hone your skills and transform your body, mind, voice, verse, and spirit into an engaging stage presence. You'll also find a brief history of slam, the rules and regulations that govern official slam competitions, and a list of PSI (Poetry Slam, Inc.) Certified Slams, so no matter where you are, you always have a place to Take the Mic!
This trusted reference puts thousands of ready-to-use words, phrases, descriptions, and action items right at your fingertips — perfect for review time, creating development plans, and monitoring performance year-round. Whether you're an HR professional or a manager, chances are there's one task you really dislike: giving performance reviews. Even if you know the basic points you want to get across, finding the right words and committing them to paper is about as much fun as a trip to the dentist. This phrasebook puts the right words in your hands with phrases that managers, supervisors, and HR professionals can use to help them properly evaluate performance and make the whole process much smoother. In 2600 Phrases for Effective Performance Reviews, renowned career expert Paul Falcone covers the 25 most commonly-rated performance factors including: productivity, time management, teamwork, decision making, and more! Falcone also shares job-specific parameters that apply in sales, customer service, finance, and many other areas and industries. 2600 Phrases for Effective Performance Reviews is useful not just for review time but will also be instrumental in creating job descriptions and development plans as well as monitoring performance, progress, and problems year-round.
This work sets out Austin's conclusions in the field to which he directed his main efforts for at least the last ten years of his life. Starting from an exhaustive examination of his already well-known distinction between performative utterances and statements, Austin here finally abandons that distinction, replacing it with a more general theory of 'illocutionary forces' of utterances which has important bearings on a wide variety of philosophicalproblems.
This anthology of essays, a companion to Puppet and Spirit: Ritual, Religion, and Performing Objects, Volume I, aims to explore the many types of relationships that exist between puppets, broadly speaking, and the immaterial world. The allure of the puppet goes beyond its material presence as, historically and throughout the globe, many uses of puppets and related objects have expressed and capitalized on their posited connections to other realms or ability to serve as vessels or conduits for immaterial presence. The flip side of the puppet’s troubling uncanniness is precisely the possibilities it represents for connecting to discarnate realities. Where do we see such connections in contemporary artistic work in various mediums? How do puppets open avenues for discussion in a world that seems to be increasingly polarized around religious values? How do we describe, analyze, and theorize the present moment? What new questions do puppets address for our times, and how does the puppet’s continued entanglement with these concerns trouble or comfort us? The essays in this book, from scholars and practitioners, provide a range of useful models and critical vocabularies for addressing this aspect of puppet performance, further expanding the growing understanding and appreciation of puppetry generally. This book, along with its companion volume, offers, for the first time, robust coverage of this subject from a diversity of voices, examples, and perspectives.
Helpful tools, tips, and techniques that can improve your spoken word poetry performance.The goal of this book is to provide a "How to" guide with principles that can be used to improve content and stage performance. This book doesn't come with the promise of making you a great spoken word artist or the experience of a world famous poet. Instead it provides tools, examples of techniques and it offers tips, which if practiced correctly, can improve your confidence, focus and execution. Every artist comes equipped with their own amount of creativity, imagination and inspiration. Storytelling is a big part of spoken word poetry as well, but if you are not able to tell that story or relay a message clearly to people then there might as well be no one listening. By utilizing examples from the P-Arts (Performing Arts) program and workshop courses that have been implemented in the San Fernando Valley, Los Angeles and San Diego area of Southern California through DM Ink Publishing. You will be able to apply the same techniques which have helped many spoken word artist and poets to develop and improve their skill. I've spent years performing, writing, reading, listening and publishing spoken word poetry. With three published spoken word poetry paper back and E-Books as well as two spoken word albums available internationally it has been a great learning experience. As a fan, an artist and facilitator of workshops I can relate to the frustration of having a good performance piece and not being able to get the message through to the audience. Or being nervous and not having any prior training or years of experience that would assist with speaking in a small or large venue. By incorporating a few tips used by spoken word poet professionals, readers will find this book will-Provide helpful tips of structuring the content to your piece so that it flows. -Go over various spoken word techniques.-Provide tools to improve your delivery. The areas of focus covered are just a few pieces to a larger puzzle in the areas of communication and writing that could benefit an aspiring spoken word artist. This book has been used in performing arts workshops and the tools have been successfully applied during performances and network writing sessions. Principles are universal and I'm not saying that every artist needs to adapt these tips in order to be considered great, because in the spoken word poetry market everyone is unique, or at least they should be. Each person has a story to tell and it can have a powerful effect depending on how the writer delivers it.