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The work presents performances of identity of Polish Tatars who are followers of Islam. Based on research and observations, it provides reconstruction of patterns, or performative scripts, of certain holidays, rituals and rules of daily life. Their liturgical calendar interweaves with a natural cycle of rites of passage.
Poland is celebrated internationally for its rich and varied performance traditions and theatre histories. This groundbreaking volume is the first in English to engage with these topics across an ambitious scope, incorporating Staropolska, the Polish-Lithuanian Commonwealth, the Enlightenment and Romanticism within its broad ambit. The book also discusses theatre cultures under socialism, the emergence of canonical practitioners and training methods, the development of dramaturgical forms and stage aesthetics and the political transformations attending the ends of the First and Second World Wars. Subjects of far-reaching transnational attention such as Jerzy Grotowski and Tadeusz Kantor are contextualised alongside theatre makers and practices that have gone largely unrecognized by international readers, while the participation of ethnic minorities in the production of national culture is given fresh attention. The essays in this collection theorise broad historical trends, movements, and case studies that extend the discursive limits of Polish national and cultural identity.
A detailed academic treatise of the history of nationality in Tatarstan. The book demonstrates how state collapse and national revival influenced the divergence of worldviews among ex-Soviet people in Tatarstan, where a political movement for sovereignty (1986-2000) had significant social effects, most saliently, by increasing the domains where people speak the Tatar language and circulating ideas associated with Tatar culture. Also addresses the question of how Russian Muslims experience quotidian life in the post-Soviet period. The only book-length ethnography in English on Tatars, Russia’s second most populous nation, and also the largest Muslim community in the Federation, offers a major contribution to our understanding of how and why nations form and how and why they matter – and the limits of their influence, in the Tatar case.
Slavs and Tatars is a multi-artists' collective which is fascinated by the area east of the former Berlin Wall and west of the Great Wall of China. Through their often-playful art they delve into the riches of this cultural crossroads, the romantic sphere of influence between Slavs, Caucasians, and Central Asians. Here they plunge into the fables and myths of the mountainous Caucasus region: the first part addresses the complexity of languages and identities on the fault line of Eurasia, and the second part, slyly titled Steppe by Steppe, explores the region's seemingly reactionary approaches to romance. Whether they're looking at art, fashion, lifestyle or science, Slavs and Tatars bring a new point of view to the table.
This edited collection makes a progressive intervention into the interdisciplinary field of memory studies with a series of essays drawn from diverse theoretical, practitional and cultural backgrounds. The most seminal critical development within memory studies in recent years has arguably been the turn towards transculturalism. This movement engenders a series of methodologies that posit remembrance as a fluid process in which commemorative tropes work to inform the representation of diverse events and traumas beyond national or cultural boundaries, transcending – but not negating – spatial, temporal and ideational differences. Examining a wide range of historical and cultural contexts, the essays in this collection focus on the dialogues that shape processes of remembrance between and beyond borders, critiquing the problems and possibilities inherent in current discourses in memorial practice and theory as they approach the challenge of transculturalism.
This book brings together new perspectives on collective memory in the modern Muslim world. It discusses how memory cultures are established and used at national levels – in official history writing, through the erection of monuments, the fashioning of educational curricula and through media strategies – as well as in the interface with both artistic expressions and popular culture in the Muslim world at large. The representations of collective memory have been one of the foremost tools in national identity politics, grass-root mobilization, theological debates over Islam and general discussions on what constitutes ‘the modern in the Middle East’ as well as in Muslim diaspora environments. Few, if any, contemporary conflicts in the region can be understood in depth without a certain focus on various uses of history, memory cultures and religious meta-narratives at all societal levels, and in art and literature. This book will be of use to students and scholars in the fields of Identity Politics, Islamic Studies, Media and Cultural Anthropology.
Courage and Fear is a study of a multicultural city in times when all norms collapse. Ola Hnatiuk presents a meticulously documented portrait of Lviv’s ethnically diverse intelligentsia during World War Two. As the Soviet, Nazi, and once again Soviet occupations tear the city’s social fabric apart, groups of Polish, Ukrainian, and Jewish doctors, academics, and artists try to survive, struggling to manage complex relationships and to uphold their ethos. As their pre-war lives are violently upended, courage and fear shape their actions. Ola Hnatiuk employs diverse sources in several languages to tell the story of Lviv from a multi-ethnic perspective and to challenge the national narratives dominant in Central and Eastern Europe.
Defining an area 'east of the former Berlin Wall and west of the Great Wall of China' as their remit, Slavs and Tatars repeatedly creolize, craft and collide a political and imagined geography to topple our brittle notions of identity, language, and beliefs. Throughout their 10 year practice, the artist collective has turned to Turkic language politics, medieval advice literature, the relationship between Iran and Poland, and transliteration, to name but a few of their areas of research. The artists' work (from sculptures to lecture performances, installations to publications) similarly overturn the traditional hierarchies of understanding, seeing, and listening. Slavs and Tatars aim to free knowledge from the Enlightenment confines of the mind. Exhibition: Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland (Nov 2016 - Feb 2017) / Pejman Foundation, Tehran, Iran (Apr 2017) / Salt Galata, Istanbul, Turkey (Jun 2017) / CAC Vilnius, Lithuania (Sep 2017) / Museum of Contemporary Art, Belgrade, Serbia (Nov 2017) / Albertinum, Dresden, Germany (Winter 2017-2018).
In Islamic Leadership in the European Lands of the Former Ottoman and Russian Empires the history and contemporary development of Islamic leadership in over a dozen of Eastern European countries is analysed. The studies are presented through a double prism: the institutional structures of the Muslim communities and the place of the muftiates in the current national constellations on one hand, and the dimension of the spiritual guidance emanating from the muftiates on the other. The latter includes aspects such as the muftiates’ powers and role in supervision of mosques and other religious institutions, production, dissemination and control of religious knowledge and discussions on traditional and non-traditional forms of Islam engaged in by the muftiates. This is the first comprehensive edited volume on the subject. Contributors are: Srđan Barišić, Ayder Bulatov, Marko Hadjdinjak, Olsi Jazexhi, Memli Sh. Krasniqi, Armend Mehmeti, Dino Mujadžević, Agata S. Nalborczyk, Egdūnas Račius, Aziz Nazmi Shakir, Vitalii Shchepanskyi, Jakob Skovgaard-Petersen, Daša Slabčanka, Aid Smajić, Irina Vainovski-Mihai, Mykhaylo Yakubovych, and Galina Yemelianova.