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The Black Dahlia case. The Manson murders. The Zodiac Killer. The slaughter of JonBenet Ramsay. These killings, among many others in Bill James's astonishing chronicle of the history of American crime, have all created a frenzy of interest and speculation about human nature. And while many of us choose to avoid the news about gruesome murders, Bill James contends that these crime stories, which create such frenzy (and have throughout history), are as important to understanding our society, culture and history as anything we may consider to be a more 'serious' subject. The topic envelopes our society so completely, we almost forget about it. James looks at the ways in which society has changed by examining the development of how crimes have been committed, investigated and prosecuted. The booktakes on such issues as the rise of an organized police force, the controversial use of the death penalty, the introduction of evidence such as fingerprinting and DNA, and the unexpected ways in which the most shocking crimes have shaped the criminal justice system and our perceptions of violence.
This is the story of an invisible man. He's a man that no one ever notices. He is transparent, whatever he does. This is rather a difficult cross to bear! One night, the man who so wants to be seen loses it. He's had enough. He wants to feel things too! His outburst costs him an ankle injury, which in turn leads him to Berenice, the lovely young physiotherapist. She soon sets him straight: we are all victims in one way or another! Gregory Mardon develops a narrative based on the infernal spiral of human relationships, in which love is manipulation, kindness is selfishness and cruelty is an art.
A true story of riveting psychological intensity by the assistant D.A. who prosecuted the captor of "the girl in the box". Called the "sex slave," and "the girl in the box" case, this is the story behind Colleen Stan's terrifying, seven-year-long imprisonment by Cameron Hooker as told by the district attorney who tried the case. Too bizarre to be anything but true, it is a tale of riveting intensity and gripping courtroom drama.
A profound, compelling argument for abolition feminism—to protect criminalized survivors of gender-based violence, we must dismantle the carceral system. Since the 1970s, anti-violence advocates have worked to make the legal system more responsive to gender-based violence. But greater state intervention in cases of intimate partner violence, rape, sexual assault, and trafficking has led to the arrest, prosecution, conviction, and incarceration of victims, particularly women of color and trans and gender-nonconforming people. Imperfect Victims argues that only dismantling the system will bring that punishment to an end. Amplifying the voices of survivors, including her own clients, abolitionist law professor Leigh Goodmark deftly guides readers on a step-by-step journey through the criminalization of survival. Abolition feminism reveals the possibility of a just world beyond the carceral state, which is fundamentally unable to respond to, let alone remedy, harm. As Imperfect Victims shows, abolition feminism is the only politics and practice that can undo the indescribable damage inflicted on survivors by the very system purporting to protect them.
The noble wives in María de Zayas's Desengaños suffer terrible fates: one is beheaded, another poisoned, one is cemented into a chimney, while yet another is locked into a tiny wall closet where she dies. The hallmark of Zayas's aesthetics, these characters are the central reason why her fiction has increased in popularity through the ages. Yet their stories pose an apparent contradiction between the author's pro-female rhetoric and her gusto for killing model women, then beautifying their mutilated cadavers. Dressed to Kill reconciles Zayas's Desengaños with the age in which it was written, contextualizing the book in baroque poetics, the Spanish honour code, and fifteenth-century martyr saints' lives. Elizabeth Rhodes elegantly uncovers Zayas's intention to reform the Spanish nobility by displaying noble misbehaviour and its deadly consequences. Her book concludes by detailing the Desengaños' intriguing influence on the aesthetic base of Gothic literature by revealing that its authors were avid readers of Zayas.
An illuminating look into the cognitive processes at play when we cast theatrical and political figures--as well as everyday people--as characters
Although there is growing concern over Satanism as a threat to American life, the topic has received surprisingly little serious attention. Recognizing this, the editors of this volume have selected papers from a wide variety of disciplines, broadly covering contemporary aspects of Satanism from the vantage points of studies in folklore, cults, religion, deviance, rock music, rumor, and the mass media.All contributors are skeptical of claims that a large, powerful satanic conspiracy can be substantiated. Their research focuses instead on claims about Satanism and on the question of whose interests are served by such claims. Several papers consider the impact of anti-Satanism campaigns on public opinion, law enforcement and civil litigation, child protection services, and other sectors of American society.The constructionist perspective adopted by the editors does not deny the existence of some activities by 'real' Satanists, and two papers describe the workins of satanic groups. Whatever the basis of the claims examined and analyzed, there is growing evidence that belief in the satanic menace will have real social consequences in the years ahead.