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Today, Percy Bysshe Shelley is an emblem of the Romantic movement and one of the lights of English culture--his poems memorized by schoolchildren, his life honored with a memorial in Westminster Abbey's Poets' Corner. That wasn't always the case, however. In his own day, Shelley was widely loathed, seen as an immoral atheist and a traitor to his class for his revolutionary politics. His work was damned as well, receiving scathing reviews rooted as much in disapproval of his politics and personal life as in the verse itself. That's the Shelley that Jacqueline Mulhallen brings to life in this accessible, political biography: the Shelley who, though writing when the working class was in its infancy, clearly grasped--and wanted to change--the system of oppression under which laborers and women lived. The revolutionary Shelley, Mulhallen shows, has long served as an inspiration to figures from Karl Marx to W. B. Yeats to the poets and writers of today, and for popular movements like the Chartists and the suffragettes, even as his public image and poetry became part of the establishment. An engaging look at one of English history and literature's most compelling, complicated, and talented figures, Percy Bysshe Shelley will be a valuable contribution to our understanding of the man and his work.
Winners of an Honorable Mention from the Modern Language Association's Prize for a Distinguished Scholarly Edition Writing to his publisher in 1813, Shelley expressed the hope that two of his major works "should form one volume"; nearly two centuries later, the second volume of the Johns Hopkins edition of The Complete Poetry fulfills that wish for the first time. This volume collects two important pieces: Queen Mab and The Esdaile Notebook. Privately issued in 1813, Queen Mab was perhaps Shelley's most intellectually ambitious work, articulating his views of science, politics, history, religion, society, and individual human relations. Subtitled A Philosophical Poem: With Notes, it became his most influential—and pirated—poem during much of the nineteenth century, a favorite among reformers and radicals. The Esdaile Notebook, a cycle of fifty-eight early poems, exhibits an astonishing range of verse forms. Unpublished until 1964, this sequence is vital in understanding how the poet mastered his craft. As in the acclaimed first volume, these works have been critically edited by Donald H. Reiman and Neil Fraistat. The poems are presented as Shelley intended, with textual variants included in footnotes. Following the poems are extensive discussions of the circumstances of their composition and the influences they reflect; their publication or circulation by other means; their reception at the time of publication and in the decades since; their re-publication, both authorized and unauthorized; and their place in Shelley's intellectual and aesthetic development.
A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy. 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic. This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.
This is a new release of the original 1932 edition.
How did Percy Bysshe Shelley and Mary Wollstonecraft Shelley, two of the most iconic and celebrated authors of the Romantic Period, contribute to each other’s achievements? This book is the first to dedicate a full-length study to exploring the nature of the Shelleys’ literary relationship in depth. It offers new insights into the works of these talented individuals who were bound together by their personal romance and shared commitment to a literary career. Most innovatively, the book describes how Mary Shelley contributed significantly to Percy Shelley’s writing, whilst also discussing Percy’s involvement in her work. A reappraisal of original manuscripts reveals the Shelleys as a remarkable literary couple, participants in a reciprocal and creative exchange. Hand-written evidence shows Mary adding to Percy’s work in draft and vice-versa. A focus on the Shelleys’ texts – set in the context of their lives and especially their travels – is used to explain how they enabled one another to accomplish a quality of work which they might never have achieved alone. Illustrated with reproductions from their notebooks and drafts, this volume brings Mary Shelley and Percy Bysshe Shelley to the forefront of emerging scholarship on collaborative literary relationships and the social nature of creativity.
The book is an authoritative and up-to-date collection of original essays on one of the greatest of all English poets, Percy Bysshe Shelley. It covers a wide range of topics, exploring Shelley's life and work from various angles.