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Perceptual Modification: Adapting to Altered Sensory Environments is about the study of human perception using a particular research strategy: the systematic alteration of vision or audition. It is assumed that by observing how the sensory apparatus copes with this disturbance it will be possible to formulate valuable hypotheses about the structure and development of ""normal"" perception and perceptual-motor coordination. The specific goals of this book are, first, to organize the vast and confusing literature on adaptation to perceptual rearrangement and, second, to assess its contribution to the understanding of ""normal"" perception and perceptual learning. The book begins with discussions of adaptation to small prism-induced displacements of the visual field. Separate chapters follow on the proposition that adaptation to prismatic displacement and other forms of rearrangement is actually a form of learning; adaptation to inverted and reversed vision; optical tilt; illusory motions of the visual field; size-depth distortions; and distortions of form. Subsequent chapters deal with studies of auditory rearrangement; examine individual and interspecies differences in adaptability; and the study of adaptation to the visual distortions encountered by the underwater observer. The book is written for researchers and graduate students in experimental psychology. It will be of value and interest whether the reader is a specialist in the area of perceptual modification, or indeed a generalist.
Perceptual learning is the specific and relatively permanent modification of perception and behaviour following sensory experience. This book presents advances made during the 1990s in this rapidly growing field.
Issues for 1904-47 include the Proceedings of the society.
This is the first English translation of Husserliana XXIII, the volume in the critical edition of Edmund Husserl's works that gathers together a rich array of posthumous texts on representational consciousness. The lectures and sketches comprising Husserliana XXIII come from a period of enormous productivity and pivotal development in Husserl's philosophical life, extending from the years immediately preceding the Logical Investigations (1900-01) almost to the time of his retirement in 1928. They make available the most profound and comprehensive Husserlian account of image consciousness-the awareness we have when we look at a picture or see a play-and of its relation to art and the aesthetic. They explore phantasy in depth, and furnish nuanced accounts of perception and memory. They enrich the Husserlian analysis of time consciousness and offer a fascinating picture of the sometimes tortuous paths Husserl took in his efforts to comprehend how the forms of representation are constituted and how they are related to one another and to perception. Phantasy, Image Consciousness, and Memory should prove to be an indispensable resource for Husserlian phenomenologists and for anyone else interested in thinking about these fundamental phenomena.
According to the cognitive penetrability hypothesis, our beliefs, desires, and possibly our emotions literally affect how we see the world. This book elucidates the nature of the cognitive penetrability and impenetrability hypotheses, assesses their plausibility, and explores their philosophical consequences. It connects the topic's multiple strands (the psychological findings, computationalist background, epistemological consequences of cognitive architecture, and recent philosophical developments) at a time when the outcome of many philosophical debates depends on knowing whether and how cognitive states can influence perception. All sixteen chapters were written especially for the book. The first chapters provide methodological and conceptual clarification of the topic and give an account of the relations between penetrability, encapsulation, modularity, and cross-modal interactions in perception. Assessments of psychological and neuroscientific evidence for cognitive penetration are given by several chapters. Most of the contributions analyse the impact of cognitive penetrability and impenetrability on specific philosophical topics: high-level perceptual contents, the epistemological consequences of penetration, nonconceptual content, the phenomenology of late perception, metacognitive feelings, and action. The book includes a comprehensive introduction which explains the history of the debate, its key technical concepts (informational encapsulation, early and late vision, the perception-cognition distinction, hard-wired perceptual processing, perceptual learning, theory-ladenness), and the debate's relevance to current topics in the philosophy of mind and perception, epistemology, and philosophy of psychology.
Technology has long been a helpful aid in human cognitive activities. With its growing sophistication and usage, technology is now taking a more intrinsic and active role in human cognition. The shift from an external aid to being an internal component of cognitive processing reflects a revolution in technology, cognition, and their interaction. The creation of such ‘cognitive technologies’ transforms the traditional instrumental function of technology to a constitutive role that shapes and defines cognition itself. This book, which was originally published as a Special Issue of Pragmatics & Cognition 13:3 (2005), explores the new horizon of these ‘cognitive technologies’ and their interactions with humans.
This volume is the fourth part of a four-volume set (CCIS 190, CCIS 191, CCIS 192, CCIS 193), which constitutes the refereed proceedings of the First International Conference on on Computing and Communications, ACC 2011, held in Kochi, India, in July 2011. The 62 revised full papers presented in this volume were carefully reviewed and selected from a large number of submissions. The papers are the papers of the Workshop on Cloud Computing: Architecture, Algorithms and Applications (CloudComp2011), of the Workshop on Multimedia Streaming (MultiStreams2011), and of the Workshop on Trust Management in P2P Systems (IWTMP2PS2011).
The world is not always truly reflected in what we see. The brain creates images, fills in gaps and even at times constructs fictions. This book brings together experts from several diverse fields to present state of the art accounts of how the visual world enters two small holes in our heads and is reconstructed to give us the rich impressions of color, movement, and shape.