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New York Times and USA Today bestselling authors W. Michael Gear and Kathleen O'Neal Gear are famous for writing novels about prehistoric America that are fast-paced, steeped in cultural detail, and smart. In People of the Owl they combine their distinctive trademark of high action with a rich psychological drama. Four thousand years ago, in what centuries later will be the southern part of the United States, a boy is thrust into manhood long before he's ready. Young Salamander would much rather catch crickets and watch blue herons fish than dabble in the politics of his clan. But when his heroic brother is killed, Salamander becomes the leader of America's first city. He inherits his brother's two wives, who despise him, and is forced to marry his mortal enemy's daughter to forge an alliance for the trade goods his people desperately need. Cast adrift in a stark wilderness of political intrigue where assassins are everywhere, young Salamander has no choice but to become a man-and quickly. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Crossing the Owl’s Bridge uses the wisdom of worldwide folk tales to demonstrate how to share, ritualize, and transform grief. Each chapter describes psychological tasks as communicated through folk tales, offers stories about others, and provides guidelines for application. The premise is that although we do have to say goodbye to our material relationship, we are also being presented with a chance to say hello to a different type of relationship. Crossing the Owl’s Bridge illustrates creative outcomes to mourning that allow one to recognize, contain, release, and yet stay in relationship and keep loving. Kim Bateman, Ph.D., has facilitated grief workshops and taught courses in Death and Dying for over 20 years. Her research interests include bereavement, organizational psychology, and humor, and she has presented over 60 projects in the behavioral sciences at regional and national psychology conferences. Dr. Bateman has delivered many notable keynote addresses, including: “There’s a Fox Under My Bed and Pixie Dust in My Hair,” at the Developmental Psychology Conference, “The Psychology of Humor” at the Women’s Wellness Conference, and “College Culture Through the Song Lyrics of Bob Marley,” at the Community College League of California convention. She recently presented a TEDx talk called “Singing Over Bones.” Dr. Bateman serves as the executive dean of the Tahoe-Truckee Campus of Sierra College.
Recounts the story of the trading empire of Poverty Port, Louisiana, of 3500 years ago, during which warrior and shaman Salamander experiences a vision that shapes the destiny of his people.
Amid the grandeur of the remote Pacific Northwest stands Kingcome, a village so ancient that, according to Kwakiutl myth, it was founded by the two brothers left on earth after the great flood. The Native Americans who still live there call it Quee, a place of such incredible natural richness that hunting and fishing remain primary food sources. But the old culture of totems and potlatch is being replaces by a new culture of prefab housing and alcoholism. Kingcome's younger generation is disenchanted and alienated from its heritage. And now, coming upriver is a young vicar, Mark Brian, on a journey of discovery that can teach him—and us—about life, death, and the transforming power of love.
The author reflects on his fifteen-year relationship with a tawny owl, an unlikely companionship marked by their incredulous neighbors, books, and unique care challenges.
Now a major film! New York Times bestselling author and “one of America’s top cultural critics” (Entertainment Weekly) Chuck Klosterman’s debut novel brilliantly captures the charm and dread of small-town life. Somewhere in rural North Dakota, there is a fictional town called Owl. They don’t have cable. They don’t really have pop culture, but they do have grain prices and alcoholism. People work hard and then they die. But that’s not nearly as awful as it sounds; in fact, sometimes it’s perfect. Mitch Hrlicka lives in Owl. He plays high school football and worries about his weirdness, or lack thereof. Julia Rabia just moved to Owl. A history teacher, she gets free booze and falls in love with a self-loathing bison farmer. Widower and local conversationalist Horace Jones has resided in Owl for seventy-three years. They all know each other completely, except that they’ve never met. But when a deadly blizzard—based on an actual storm that occurred in 1984—hits the area, their lives are derailed in unexpected and powerful ways. An unpretentious, darkly comedic story of how it feels to exist in a community where local mythology and violent reality are pretty much the same thing, Downtown Owl is “a satisfying character study and strikes a perfect balance between the funny and the profound” (Publishers Weekly).
In People of the Raven, award-winning archaeologists and New York Times and USA Today bestselling authors W. Michael Gear and Kathleen O'Neal Gear spin a vivid and captivating tale around one of the most controversial archaeological discoveries in the world, the Kennewick Man---a Caucasoid male mummy dating back more than 9,000 years---found in the Pacific Northwest on the banks of the Columbia River. A white man in North America more than 9,000 years ago? What was he doing there? With the terrifying grandeur of melting glaciers as a backdrop, People of the Raven shows animals and humans struggling for survival amidst massive environmental change. Mammoths, mastodons, and giant lions have become extinct, and Rain Bear, the chief of Sandy Point Village, knows his struggling Raven People may be next. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Presents an introduction to North American owls, listing forty-six species and describing their physical features, hunting behavior, life cycles, territorial calls, habitats, and the human and environmental threats to their existence.
The archaeologists/authors continue to entertain an avid international audience with their rousing historical epic of adventure, triumph, and heartbreak of the pre-Columbian peoples who struggled to make this great continent their home.
A man’s obsession with a beautiful woman leads to danger in this psychological thriller by the author of The Talented Mr. Ripley and The Price of Salt. In a small Pennsylvania town, Robert Forrester is recuperating from a nasty divorce and a bout of psychological trouble. One evening, while driving home, he sees a pretty, young woman framed by her bright kitchen window. Soon, he can’t keep himself away. But when Robert is inevitably discovered, obsession is turned on its head, and he finds himself unable to shake the young woman, nor entirely sure whether he should. From Patricia Highsmith, once called “the balladeer of stalking” by The New Yorker, The Cry of the Owl is a modern classic ready to be reborn. Praise for The Cry of the Owl “Kafka with a vengeance.” —The Spectator (London) “Highsmith generates suspense out of a different sort of fear: not the fear of death, which drives most crime-centered entertainment, but the pettier, more intimate dread of humiliation, of being caught on the street with nothing on. . . . There’s something else here, hard to identify, pulling us along relentlessly, as thrillers do—an undertow, a surge of third-rail current.” —The New Yorker “The Cry of the Owl is a deceptively easy stroll toward personal chaos and destruction. It is thoroughly chilling because nothing seems farfetched. Odd, yes, but believable. . . . The Cry of the Owl is creepy and unsettling, a taut psychological thriller.” —Linnea Lannon, Detroit Free Press “One of her lesser-known works . . . and one of her most unsettling. Which is saying plenty. . . . The crime writer Elmore Leonard has written a host of novels with the same basic plot: Plans go wrong. The story message driving all of Highsmith’s work is similarly simple and clear: We live on thin ice. Highsmith revolts some readers, yet hypnotizes many others. She’s sui generis, a writer of almost occult power.” —Richard Rayner, Los Angeles Times