Download Free Pentecostal Aesthetics Book in PDF and EPUB Free Download. You can read online Pentecostal Aesthetics and write the review.

Pentecostals have not sufficiently worked out a distinctively Pentecostal philosophy of art and aesthetics. In Pentecostal Aesthetics: Theological Reflections in a Pentecostal Philosophy of Art and Aesthetics, with a foreword by Amos Yong, Steven Félix-Jäger corrects this by reflecting theologically on art and aesthetics from a global Pentecostal perspective, particularly through a pneumatic Pentecostal lens. Félix-Jäger contends that a Pentecostal philosophy of art and aesthetics must comply with the global, experiential, and pneumatocentric nature of the Pentecostal movement. Such a philosophy can be ontologically grounded in a relativistic theory of art. Theological reflections concerning the nature and purpose of art must then be sensitive to the ontological foundations secured thereof. In this fashion, Pentecostals can gain ample insight about the Spirit’s work in today’s contemporary artworld.
In this profoundly innovative book, Ashon T. Crawley engages a wide range of critical paradigms from black studies, queer theory, and sound studies to theology, continental philosophy, and performance studies to theorize the ways in which alternative or “otherwise” modes of existence can serve as disruptions against the marginalization of and violence against minoritarian lifeworlds and possibilities for flourishing. Examining the whooping, shouting, noise-making, and speaking in tongues of Black Pentecostalism—a multi-racial, multi-class, multi-national Christian sect with one strand of its modern genesis in 1906 Los Angeles—Blackpentecostal Breath reveals how these aesthetic practices allow for the emergence of alternative modes of social organization. As Crawley deftly reveals, these choreographic, sonic, and visual practices and the sensual experiences they create are not only important for imagining what Crawley identifies as “otherwise worlds of possibility,” they also yield a general hermeneutics, a methodology for reading culture in an era when such expressions are increasingly under siege.
Public Righteousness: The Performative Ethics of Human Flourishing is driven by the idea that part of what manifests as a disorderly display of virtue in public culture is underlined by the desire to see a more righteous society and an expression of the will to enact such an ideal world into reality. This book re-structures the ferment of such public displays and fashions an ethic that overturns the ostentatious signals of self-righteousness and the fierce contest of animating visions. This book engages the work of social ethicist Nimi Wariboko to explore an idea of public righteousness. In place of smug superiority and phony pieties, the performative ethics that inaugurate this public righteousness offer an intellectual and moral competence that establishes rectitude and culminates in human flourishing.
Research on Pentecostal and Charismatic Christianity has increased dramatically in recent decades, and a diverse array of disciplines have begun to address a range of elements of these movements. Yet, there exists very little understanding of Pentecostal theology, and it is not uncommon to encounter stereotypes and misperceptions. Addressing this gap in current research, The Routledge Handbook of Pentecostal Theology is an exceptional reference source to the key topics, challenges, and debates in this growing field of study and is the first collection of its kind to offer a comprehensive presentation and critical discussion of this subject. Comprising over forty chapters written by a team of international contributors, the Handbook is divided into five parts: Contextualizing Pentecostal Theology Sources Theological Method Doctrines and Practices Conversations and Challenges. These sections take the reader through a comprehensive introduction to what Pentecostals believe and how they practice their faith. Looking at issues such as the core teachings of Pentecostalism concerning Spirit baptism, divine healing, or eschatology; unique practices, such as spiritual warfare and worship; and less discussed issues, such as social justice and gender, each chapter builds towards a nuanced and global picture of the theology of the Pentecostal movement. The Routledge Handbook of Pentecostal Theology is essential reading for students and researchers in Pentecostal Studies, World Christianity, and Theology as well as scholars working in contemporary Religious Studies.
This volume brings 'America's theologian' and one of the fastest growing forms of Christianity into dialogue. Edwards is a fruitful source for Pentecostal investigation for historical and theological reasons. Edwards and Pentecostals descend from a common historical tradition-North American Evangelicalism. From revivalism and religious/charismatic experience to pneumatology they also share common theological interests. Though sharing a common history and core theological concerns, no critical conversation between Pentecostals and Edwards and their fields of scholarship has occurred. This is the first volume that provides Pentecostal readings of Edwards' theology that contribute to Pentecostal theology and Edwards scholarship. The contributing essays offer examination of affections and the Spirit, God and Salvation, Church and culture; and mission and witness.
The volume of literature in pentecostal theology has quickly become daunting. This brief monograph brings readers up to speed on the characteristics of pentecostal theology in the past and present, as well as its potential in the future.
Transcripts of the Sacred in Nigeria explores how the sacred plays itself out in contemporary Africa. It offers a creative analysis of the logics and dynamics of the sacred (understood as the constellation of im/possibility available to a given community) in religion, politics, epistemology, economic development, and reactionary violence. Using the tools of philosophy, postcolonial criticism, political theory, African studies, religious studies, and cultural studies, Wariboko reveals the intricate connections between the sacred and the existential conditions that characterize disorder, terror, trauma, despair, and hope in the postcolonial Africa. The sacred, Wariboko argues, is not about religion or divinity but the set of possibilities opened to a people or denied them, the sum total of possibilities conceivable given their level of social, technological, and economic development. These possibilities profoundly speak to the present political moment in sub-Saharan Africa.
While books on famous and infamous Pentecostal leaders abound, the corpus of research on Pentecostal leadership is sparse. This is unfortunate, as strong and innovative leadership has been instrumental for the exceptional growth of the movement—and for countless examples of abusive behaviors in Pentecostal congregations. To promote effective leadership while avoiding the destructive effects of autocratic leaders, it is necessary to better understand the dynamics of leadership within Pentecostalism. This is the purpose of the book, and Truls Åkerlund fills a gap in the present knowledge on Pentecostal leadership—first by discussing the extant literature on the topic and then by exploring the meaning of such leadership through a phenomenological analysis of the experiences of pastors in Pentecostal congregations. The author describes a general structure of Pentecostal leadership with essential characteristics of the phenomenon, locates Pentecostal leadership within the broader streams of organizational and religious leadership research, and points out crucial discussions and implications to be addressed in Pentecostal organizations.
A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.
Over the past thirty years, Italy—the historic home of Catholicism—has become a significant destination for migrants from Nigeria and Ghana. Along with suitcases and dreams of a brighter future, these Africans bring their own form of Christianity, Pentecostalism, shaped by their various cultures and religious worlds. At the heart of Annalisa Butticci’s beautifully sculpted ethnography of African Pentecostalism in Italy is a paradox. Pentecostalism, traditionally one of the most Protestant of Christian faiths, is driven by the same concern as Catholicism: real presence. In Italy, Pentecostals face harsh anti-immigrant sentiment and limited access to economic and social resources. At times, they find safe spaces to worship in Catholic churches, where a fascinating encounter unfolds that is equal parts conflict and communion. When Pentecostals watch Catholics engage with sacramental objects—relics, statues, works of art—they recognize the signs of what they consider the idolatrous religions of their ancestors. Catholics, in turn, view Pentecostal practices as a mix of African religions and Christian traditions. Yet despite their apparently irreconcilable differences and conflicts, they both share a deeply sensuous and material way to make the divine visible and tangible. In this sense, Pentecostalism appears much closer to Catholicism than to mainstream Protestantism. African Pentecostals in Catholic Europe offers an intimate glimpse at what happens when the world’s two fastest growing Christian faiths come into contact, share worship space, and use analogous sacramental objects and images. And it explains how their seemingly antithetical practices and beliefs undergird a profound commonality.