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Mary Seacole (1805 to 1881) was an amazing woman, in many ways way ahead of her time. She was a free black woman born in Jamaica of Scottish and Creole descent. This is her autobiographical account of her colourful and brave life. She was named 'the greatest black Briton' in 2004 and also posthumously awarded the Jamaican Order of Merit.
Wonderful Adventures of Mrs. Seacole in Many Lands (1857) is one of the earliest autobiographies of a mixed-race woman. In her autobiography, Seacole records her bloodline thus: "I am a Creole, and have good Scots blood coursing through my veins. My father was a soldier of an old Scottish family." Legally, she was classified as a mulatto, a multiracial person with limited political rights. Seacole emphasises her personal vigour in her autobiography, distancing herself from the contemporary stereotype of the "lazy Creole", She was proud of her black ancestry, writing, "I have a few shades of deeper brown upon my skin which shows me related - and I am proud of the relationship - to those poor mortals whom you once held enslaved, and whose bodies America still owns." She also became widely known and respected, particularly among the European military visitors to Jamaica who often stayed at Blundell Hall. She treated patients in the cholera epidemic of 1850, which killed some 32,000 Jamaicans. However, the erection of a statue of her at St Thomas' Hospital, London, on 30 June 2016, describing her as a "pioneer nurse", has generated controversy and opposition from supporters of Florence Nightingale. Earlier controversy broke out in the United Kingdom late in 2012 over reports of a proposal to add her to the UK's National Curriculum.
Written in 1857, this is the autobiography of a Jamaican woman whose fame rivalled Florence Nightingale's during the Crimean War. Seacole's offer to volunteer as a nurse in the war met with racism and refusal. Undaunted, Seacole set out independently to the Crimea where she acted as doctor and 'mother' to wounded soldiers while running her business, the 'British Hotel'. A witness to key battles, she gives vivid accounts of how she coped with disease, bombardment and other hardships at the Crimean battlefront. "In her introduction to the very welcome Penguin edition, Sara Salih expertly analyses the rhetorical complexities of Seacole's book to explore the richness of her story. Traveller, entrepreneur, healer and woman of colour, Mary Seacole is a singular and fascinating figure, overstepping all conventional boundaries." Jan Marsh, Independent "It's hard to believe that this amazing adventure story is the true-life experience of a Jamaican woman - it would make a great film." Andrea Levy, Sunday Times
When Andy Grant’s eyes blinked open from a 10-day coma in February 2009 he was alone in a hospital bed in Birmingham. He had a broken sternum, a broken leg, a broken elbow and shrapnel lodged in both forearms. He had a severed femoral artery, nerve damage to his hands and feet as well as deep gaping wounds in both of his cheeks. He had been blown up during a routine foot patrol in Afghanistan. Within days of coming to his senses, a doctor told Andy that because of the blast he would no longer be able to have children. You’ll Never Walk is his story. The tale of a Scouser who had to cope with losing his mum at the tender age of 12. The story of how a dream career in the Royal Marines descended into nightmare at the hands of the Taliban. The painstaking account of how he grew back six centimetres of shattered bone in his leg and learned to walk again.However, Andy wanted to run and push himself to the very edge of his limits and so he made a colossal decision. Against doctor’s advice and pleas from his father, he chose to have his leg amputated. The operation was a success, although there was a minor twist. Where once Andy’s treasured Liverpool FC tattoo had carried the message ‘You’ll Never Walk Alone’, surgery to create a stump removed a key word from the slogan. The scars of his amputation had been decorated with an ominous new motto, which read ‘You’ll Never Walk...’ Andy would walk again – he would do much more than that. Armed with a running blade he learned to run and play football, scaled mountains in South America and Italy and claimed two gold medals at Prince Harry’s Invictus Games. Through public speaking he brought hope to people right across the country. In 2016, he set his sights on a 10k below-the-knee-amputee world-record and completed the run in an unprecedented 37 minutes 17 seconds. And, most preciously of all, after every obstacle placed in his path, Andy became a father to a little girl.
With their lavish costumes and sets, ebullient song and dance numbers, and iconic movie stars, the musicals that mgm produced in the 1940s seem today to epitomize camp. Yet they were originally made to appeal to broad, mainstream audiences. In this lively, nuanced, and provocative reassessment of the mgm musical, Steven Cohan argues that this seeming incongruity—between the camp value and popular appreciation of these musicals—is not as contradictory as it seems. He demonstrates that the films’ extravagance and queerness were deliberate elements and keys to their popular success. In addition to examining the spectatorship of the mgm musical, Cohan investigates the genre’s production and marketing, paying particular attention to the studio’s employment of a largely gay workforce of artists and craftspeople. He reflects on the role of the female stars—including Judy Garland, Debbie Reynolds, Esther Williams, and Lena Horne—and he explores the complex relationship between Gene Kelley’s dancing and his masculine persona. Cohan looks at how, in the decades since the 1950s, the marketing and reception of the mgm musical have negotiated the more publicly recognized camp value attached to the films. He considers the status of Singin’ in the Rain as perhaps the first film to be widely embraced as camp; the repackaging of the musicals as nostalgia and camp in the That’s Entertainment! series as well as on home video and cable; and the debates about Garland’s legendary gay appeal among her fans on the Internet. By establishing camp as central to the genre, Incongruous Entertainment provides a new way of looking at the musical.
Prince — a slave in the British colonies — vividly recalls her life in the West Indies, her rebellion against physical and psychological degradation, and her eventual escape in 1828 in England.
Fourteen extraordinary Victorian and Edwardian crime stories by Rudyard Kipling, Arthur Conan Doyle, Jacques Futrelle, G. K. Chesterton, and others — many never before published in book form.
For a stand-up comedian, a heckler is either a curse or a blessing. On one hand, the drunk at the back of the room yelling incoherent nonsense can ruin the evening for everyone, but on the other, a funny, well-timed heckle can really ramp up the laughter in the room. Either way, all stand-ups know they must be prepared to deal with hecklers by using the most effective weapon at their disposal - their razor sharp wit. Whether they are quick enough to think up comebacks on the spot or they have a battery of tried-and-tested insults to suit every different occasion, put-downs are an essential part of every comedian's repertoire. Here Rufus Hound, compère extraordinaire, has compiled 200 of his favourites. Read on, and laugh along at some of the funniest insults in comedy history.