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Paper. Pen. Pandemic. Viral cartoons around the globe. The coronavirus crisis and its consequences for economy, politics and society. A critical statement on current events in more than 400 cartoons The economy put in shackles: a critical review on the coronavirus pandemic in more than 400 cartoon The coronavirus outbreak has paralyzed the world: an unprecedented stress test for the health system, enormous challenges for politics and society, resulting in unforeseeable effects on the economy. Can we manage this global challenge? The world leaders and decision-makers in business and politics face difficult tasks every day, because solutions are required quickly. But are the governments' measures to contain the pandemic justified and appropriate? Cartoonists from all over the world have asked themselves these questions. Their drawings and paintings in this illustrated book comment on current events, straight to the point and with a good dose of humor. - How are world governments managing the coronavirus crisis? A critical examination in more than 400 cartoons - Joe Dator, Jason Raish, Gerhard Haderer or Bruce MacKinnon: International artists and illustrators take a stand on the COVID-19 situation - »The New Normal«: Did you bring your hand sanitizer and facemask? Our life in times of COVID-19 - A global view on how the pandemic is affecting the economy worldwide: from Italy, the US to Brazil, South Africa or China Will the coronavirus crisis trump other urgent issues? The lockdown created funny behaviors: hoarding of toilet paper and DIY haircuts as well as video conferencing in sweatpants. Unfortunately, social isolation, fear of the future and economic losses due to short-time working are also part of our new everyday life. The crisis shows which professions are relevant for the economic system. Social imbalances and inequalities are becoming abundantly clear. At the same time, issues that demanded urgent action before the outbreak of the virus seem to be forgotten, like the refugee crisis, global warming and the world economic crisis. This cartoon book critically comments on the current situation and makes us rethink our priorities!
Toilet paper shortages, virtual hospital visits, working from home: these now-familiar experiences are explored with vivid detail and humor by writers in our neighborhood! East Greenbush Community Library is proud to present a collection of original fiction by, for, and about the citizens and landscapes of Rensselaer County.
Vic Lee's Corona Diary is an exquisitely illustrated graphic novel-style memoir chronicling the dramatic events around the global spread of the coronavirus.
2020 will forever be remembered as the year the Coronavirus pandemic changed life as we know it across the World. Economies crashed, livelihoods were eradicated, and thousands of lives were shortened or devastated by the effects of this novel virus. In the UK, the National Health Service was thrust into the limelight as the country watched our healthcare system respond to the consequences of this disease. This book traces a timeline of the COVID-19 pandemic, highlighting key events in how the UK and the NHS approached these unparalleled events. Comparisons are made with tactics used around the globe and the decisions of our leaders questioned. Alongside the facts, are stories. Every one of us has a ‘Covid story’ to tell, and this book is a collection of some of these stories from our frontline staff. As the country went into rapid lockdown in March, the staff of the NHS donned their PPE and continued to go to work. They tell us what peak pandemic was like in the emergency departments, wards, ICUs, GP practices, care homes and the ambulances of the UK. We hear from a nurse who became a covid patient in her own ICU; staff from the rapidly constructed Nightingale hospital; a GP who returned from retirement to assist with the response; as well as stories from international healthcare professionals such a as a cruise ship nurse in the Caribbean, a public health consultant in Australia and ED doctors in South Africa.
Scholars in COVID Times documents the new and innovative forms of scholarship, community collaboration, and teaching brought about by the COVID-19 pandemic. In this volume, Melissa Castillo Planas and Debra A. Castillo bring together a diverse range of texts, from research-based studies to self-reflective essays, to reexamine what it means to be a publicly engaged scholar in the era of COVID. Between social distancing, masking, and remote teaching—along with the devastating physical and emotional tolls on individuals and families—the disruption of COVID-19 in academia has given motivated scholars an opportunity (or necessitated them) to reconsider how they interact with and inspire students, conduct research, and continue collaborative projects. Addressing a broad range of factors, from anti-Asian racism to pedagogies of resilience and escapism, digital pen pals to international performance, the essays are connected by a flexible, creative approach to community engagement as a core aspect of research and teaching. Timely and urgent, but with long-term implications and applications, Scholars in COVID Times offers a heterogeneous vision of scholarly and pedagogical innovation in an era of contestation and crisis.
This 268-page anthology--featuring 160 stories, essays and poems from 81 young writers--is but a small sampling of all the incredible writing we collected on our blog, Pens of the Pandemic, throughout the first 18 months of COVID-19. In this book, you will get a glimpse into the inspiring courage, creativity and resilience of young people, writing from home during shelter-in-place.
What do writers do at the End of the World? They write about it. They will write about it until their last breath. As COVID-19 swept the globe in 2020, the Sisters of the Holy Pen were there. In PANDEMIC CORONA: POEMS OF SHOCK, FEAR, REALIZATION & METAMORPHOSIS, 36 women authors from around the world offered 122 works exploring the emotions and politics of Locking Down, Dancing With Death, The Choices Before Us, and The Emerging Revelations. From inside the lockdown, the women wrote. From inside the mirror of impermanence, they wrote. They wrote out their dread, their fear, their boredom, and their contentment. Within their observations, they regarded all manner of strange portents. All this they approached with cynicism, awe, sardonic humor, and the breathtaking wonder of being and becoming alive inside a meltdown within a chrysalis of permanent transformation. Anyone who is living through, or who has lived through, the Great Pandemic of 2020, will want to read this book.
Populists and the Pandemic examines the responses of populist political actors and parties in 22 countries around the globe to the COVID-19 pandemic, in terms of their attitudes, rhetoric, mobilization repertoires, and policy proposals. The responses of some populist leaders have received much public attention, as they denied the severity of the public health crisis, denigrated experts and data, looked for scapegoats, encouraged protests, questioned the legitimacy of liberal institutions, spread false information, and fueled conspiracies. But how widespread are those particular reactions? How much variation is there? What explains the variation that does exist? This volume considers these questions through critical analysis of countries in the Americas, Europe, Asia, and Africa, by leading experts with deep knowledge of their respective cases. Some chapters focus on populist parties, others on charismatic populist leaders. Some countries examined are democracies, others autocracies. Some populists are left wing, others right wing. Some populists are in government, others in opposition. This variation allows for a panoramic consideration of factors that systematically influence or mediate populist responses to the pandemic. The book thus makes a unique contribution to our understanding of the intersection between two of the most pressing social and political challenges of our time. The book will be of interest to all those researching populism, extremism, and political parties and those more broadly interested in political science, public policy, sociology, communications, and economics.
Poetry is like a heartbeat captured in words. It's where feelings and thoughts blend into something beautiful and profound. Imagine taking a snapshot of a moment, but instead of a picture, it's in lines and stanzas. Whether it's joy, sorrow, love, or wonder, poetry paints these emotions with a few carefully chosen words, creating a vivid picture in the reader's mind. It's like sharing a secret, a deep connection that resonates with anyone who reads it. This book is the author's first book, very special and close to her heart. This book is based on a collected edition of her poems.
Finalist for the PEN Open Book Award Longlisted for the PEN/Jean Stein Award A TIME, NPR, New York Public Library, Lit Hub, Book Riot, and Entropy Best Book of the Year "Beguiling and haunting. . . . Washuta's voice sears itself onto the skin." —The New York Times Book Review Bracingly honest and powerfully affecting, White Magic establishes Elissa Washuta as one of our best living essayists. Throughout her life, Elissa Washuta has been surrounded by cheap facsimiles of Native spiritual tools and occult trends, “starter witch kits” of sage, rose quartz, and tarot cards packaged together in paper and plastic. Following a decade of abuse, addiction, PTSD, and heavy-duty drug treatment for a misdiagnosis of bipolar disorder, she felt drawn to the real spirits and powers her dispossessed and discarded ancestors knew, while she undertook necessary work to find love and meaning. In this collection of intertwined essays, she writes about land, heartbreak, and colonization, about life without the escape hatch of intoxication, and about how she became a powerful witch. She interlaces stories from her forebears with cultural artifacts from her own life—Twin Peaks, the Oregon Trail II video game, a Claymation Satan, a YouTube video of Stevie Nicks and Lindsey Buckingham—to explore questions of cultural inheritance and the particular danger, as a Native woman, of relaxing into romantic love under colonial rule.