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Perched on the edge of the North Atlantic Ocean where the sea is ever-present, the Peggy’s Cove Preservation Area includes a thousand acres of rugged shoreline, salt marshes, small lakes and granite boulders. In its centre is the iconic fishing village of Peggy’s Cove and its famous lighthouse. The weather can be changeable and the winds fierce, but the landscape has raw beauty in every season. In this collection of 100 evocative photographs, Kent Martin reflects the seasons and the range of natural history on display. His pictures include the expansive, rocky landscape and ever-changing skies, but also the smaller world of mosses, flowers, birds and mammals. Together they reveal a richness of natural diversity. Nova Scotia is blessed with extensive areas of barrens and these photographs underscore the importance of preserving this unique ecosystem.
When Ryan's father leaves the family during a midlife crisis, his mother sends him to spend the summer with his aunt in Peggy's Cove, Nova Scotia, where he learns to fish and gets into trouble.
Here is the complete history of the famous cove and the unique village that hosts thousands of visitors each year. The story begins with the formation of the rocks along these shores and the impact of the glaciers. The Mi'kmaq were the first to live here in the summers, harvesting the riches of the sea. A land grant in 1811 brought the first hardy settlers, who built homes and wharves and discovered that the sea could provide bounty but was also a source of great danger. The story includes the origin of the name, Peggy's Cove, and details about the everyday life of nineteenth-century families living here. A history of the famous lighthouse is included and there are excerpts from many of the famous and not-so-famous visitors who have written about the Cove through two centuries. The author explores the most damaging storms and the shipwrecks, the reports of sea monsters and other strange phenomena. Fishing was always a source of income, but it changed over the years. At times the fish prices were so low it was not worth the effort and, in recent years, dramatic changes to the ocean have seen the collapse of several important species of fish. In the twentieth century, Peggy's Cove attracted artists, writers and ultimately thousands of tourists. Sculptor William de Garthe made his home here and created his monument to the coastal fishermen out of the sheer granite outcropping in his backyard. In 1998, Swissair Flight 111 crashed off the shores of Peggy's Cove and the community opened its doors to the world in an effort to provide support for the rescue workers and the families of the victims. From the earliest days to the present, the story of Peggy's Cove has been a tale of natural wonder and human endurance. The story begins with the formation of the rocks along these shores and the impact of the glaciers. The Mi'kmaq were the first to live here in the summers, harvesting the riches of the sea. A land grant in 1811 brought the first hardy settlers, who built homes and wharves and discovered that the sea could provide bounty but was also a source of great danger. The story includes the origin of the name, Peggy's Cove, and details about the everyday life of nineteenth-century families living here. A history of the famous lighthouse is included and there are excerpts from many of the famous and not-so-famous visitors who have written about the Cove through two centuries. The author explores the most damaging storms and the shipwrecks, the reports of sea monsters and other strange phenomena. Fishing was always a source of income, but it changed over the years. At times the fish prices were so low it was not worth the effort and, in recent years, dramatic changes to the ocean have seen the collapse of several important species of fish. In the twentieth century, Peggy's Cove attracted artists, writers and ultimately thousands of tourists. Sculptor William de Garthe made his home here and created his monument to the coastal fishermen out of the sheer granite outcropping in his backyard. In 1998, Swissair Flight 111 crashed off the shores of Peggy's Cove and the community opened its doors to the world in an effort to provide support for the rescue workers and the families of the victims. From the earliest days to the present, the story of Peggy's Cove has been a tale of natural wonder and human endurance.
The most in-depth guide available to Nova Scotia, from picture-postcard favorites to hidden treats.
A history of one of the most picturesque and remote villages in Canada. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
A legend brought to reality.
The eye-arresting images in this original contemporary art book feature two popular mediums, painting and photography. Although the art is inspired by the Long Island landscape, its visual appeal in artists’ interpretations of locations is universal. Paired with the dialog of the artists, the narrative becomes an intimate conversation with the reader. Combining life, loss, serendipity and art, it portrays two artists, whose conceptually similar work evolved independently until social media brought them together. Their collaboration continues to produce treasures of stunning, memorable beauty. The improbable pairing of Holly Gordon, photographer from Bay Shore, Long Island, and Ward Hooper, painter from Northport, Long Island, is a symbiotic match. Their artistic relationship is an affirmation of the human spirit in an age where most can’t seem to detach from objects. These two contemporary artists discovered a serendipitous connection to the earlier American artistic and personal alliance of Arthur Dove and Helen Torr, whose work was inspired by the same Long Island locations. The past thus joined the present, deepening Gordon and Hooper’s bond, both personally and geographically. In Gordon and Hooper’s intimate relationship there is a sense of empathy, connection, and mutual discovery that is invincible. Ward Hooper and Holly Gordon understand that the meaning of their journey extends beyond themselves. Their camaraderie and brilliant exposition beckons others to do the same and thereby reach their own heights in art and life. The transformative journey that unfolds centers on art as a positive force that ultimately unites two creative spirits. I found the imagery captivating and the text inspirational. Learning about how these two people from different art disciplines came together to help heal and enrich each others’ lives (and create wonderful imagery throughout the process) made me appreciate my life and relationships even more. The book may even encourage you to create something new, or collaborate with someone you already know...or someone who is out there waiting to be a part of your “Light's Journey.” -- Andrew Darlow, Photographer, Educator and Author ......A love story of friendship and renewal. Holly and Ward were meant to meet to discover their connection through art and nature. Two wonderful artists exploring life together through the warmth of colors, brush and lens strokes and subjects they created separately at different times and then together revealing their deep passion for life, friendship and art. --Charlee M. Miller, Executive Director, Art League of Long Island, Dix Hills, N.Y. Parallel Perspectives: The Brush/Lens Project gives us seamlessly created images that work on many levels: They pay attention to tiny details yet pulse with large swaths of vibrant color. They look like paintings — but they could be photographs, and vice versa. These are eye-arresting scenes, a visual harvest of the natural beauty that surrounds us, creating lasting sights that celebrate what talented artists have always quested for: the light. Holly Gordon finds images and builds digital layers that blend an unflinching assessment by a documentary photographer and environmentalist with a painterly sensitivity; Ward Hooper’s loose brushstrokes capture the ever-shifting light and shadow through watercolors that are as elusive as the light. Their collaboration continues to produce treasures of stunning, memorable beauty.—Annie Wilkinson Blachley’s features and cover stories have been published by The New York Times, Los Angeles Times, and national and regional newspapers and magazines. She is a copy editor and columnist for the Long Island Press and writes several monthly columns for Long Island Woman Magazine
"Atlantic Canada" covers the provinces of New Brunswick, Nova Scotia, Prince Edward Island and Newfoundland.
Ivan Fraser is a writer and artist living in the Peggy's Cove area of Nova Scotia. David Preston Smith is a book illustrator and artist living in St. Margaret's Bay, Nova Scotia.
Offers information on accommodations, restaurants, and local attractions, along with tips on transportation, guidelines for shopping excursions, and symbols to indicate budget options.