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Peggy Goody and the Magic Triangle is a book about a twelve-year-old girl, who is innocently drawn into a world of fairy and wizard magic. She is given fairy magic for helping a fairy who was badly injured and trapped high up in a tree in the forest. The fairy was about to be captured by a band of Demodoms, red hairy creatures that roam the forest. After a massive struggle, Peggy manages to get the fairy down from the tree and safely home. The Silver Fairy thanks Peggy and rewards her with fairy magic. Peggy puts her magic to good use and gets involved in many daring and dangerous adventures and saves many lives. The book has has seventeen chapters, each on a new adventure. By chapter 17, Peggy is fifteen years old and has been given much more magic by the fairies, and her adventures take on a more sinister and dangerous tone, when she meets Savajic Menglor.
Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.
Dashiell Thane wasn't a nice guy.He was an abrasive, demanding, conniving, intolerable brat. Yet somehow, we'd been best friends our whole lives. Until our senior year when I finally decided to dip my toes into the dating pool. All it took was one kiss for jealousy, lies, and betrayal to sweep in and propel us heart first into dizzying, hostile depths. You're not supposed to kiss your best friend. You're definitely not supposed to kiss your best friend while you're dating someone else. And the absolute worst thing you could do is fall for your best friend.Unless, of course, you want to ruin everything.
Getting Ready for the 4th Grade Assessment Test: Help Improve Your Child’s Math and English Skills – Many parents are expressing a demand for books that will help their children succeed and excel on the fourth grade assessment tests in math and English –especially in areas where children have limited access to computers. This book will help students practice basic math concepts, i.e., number sense and applications as well as more difficult math, such as patterns, functions, and algebra. English skills will include practice in reading comprehension, writing, and vocabulary. Rubrics are included for self-evaluation.
The short story has been a staple of American literature since the nineteenth century, taught in virtually every high school and consistently popular among adult readers. But what makes a short story unique? In Reading for Storyness, Susan Lohafer, former president of the Society for the Study of the Short Story, argues that there is much more than length separating short stories from novels and other works of fiction. With its close readings of stories by Kate Chopin, Julio Cortázar, Katherine Mansfield, and others, this book challenges assumptions about the short story and effectively redefines the genre in a fresh and original way. In her analysis, Lohafer combines traditional literary theory with a more unconventional mode of research, monitoring the reactions of readers as they progress through a story—to establish a new poetics of the genre. Singling out the phenomenon of "imminent closure" as the genre's defining trait, she then proceeds to identify "preclosure points," or places where a given story could end, in order to access hidden layers of the reading experience. She expertly harnesses this theory of preclosure to explore interactions between pedagogy and theory, formalism and cultural studies, fiction and nonfiction. Returning to the roots of storyness, Lohafer illuminates the intricacies of classic short stories and experimental forms of surreal, postmodern, and minimalist fiction. She also discusses the impact of social constructions, such as gender, on the identification of preclosure points by individual readers. Reading for Storyness combines cognitive science with literary theory to present a compelling argument for the uniqueness of the short story.
Provides step-by-step instructions for twelve patchwork projects, along with an inspirational gallery of block designs, and includes techniques for making half square triangle blocks and combining them with complementary pieced blocks.