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A true romantic at heart, N.R.Hart expresses feelings of love, hope, passion, despair, vulnerability and romance in her poetry. Trapping time forever and a keeper of memories is what she loves most about the enduring power of poetry. Her poetry has been so eloquently described as "words delicately placed inside a storm." Poetry is here to make us feel instead of think; as thinking is for the mind and poetry is for the heart and soul. N.R.Hart hopes to open up your heart and touch your soul with her poetry.
"Kazuko Shiraishi's poems are outcries, meditations, exclamations of fierce energy and playfulness. It is a joy to hear from a Japanese sister of such breadth and bravery." --Anne Waldman
This is a book of poems about love, romance, loss, heartbreak, and survival. A voice for the lost loves, the found loves, the silent loves, the unrequited loves. To those who have loved and lost and keep on loving, despite it all. These love poems are to no one.
N.R.Hart's whimsical romantic flair captures the true essence of love in her poetry. She expresses so authentically her insight on love as she believes love to be many things, least of all predictable. Love will surprise you when you least expect it. Beauty and Her Beast is a book of poems about love and romance, passion and longing, loss and heartbreak. Understanding that all these things... are in the name of love. You won't always recognize the heroes of your story while you are living it, but you will understand much later how you were saved by them.
Arguing that the consecrated body in the Eucharist is one of the central metaphors structuring The Divine Comedy, this book is the first comprehensive exploration of the theme of transubstantiation across Dante's epic poem. Drawing attention first to the historical and theological tensions inherent in ideas of transubstantiation that rippled through Western culture up to the early fourteenth century, Sheila Nayar engages in a Eucharistic reading of both the "flesh" allusions and "metamorphosis" motifs that thread through the entirety of Dante's poem. From the cannibalistic resonances of the Ugolino episode in the Inferno to the Corpus Christi-like procession seminal to Purgatory, Nayar demonstrates how these sacrifice- and Host-related metaphors, allusions, and tropes lead directly and intentionally to the Comedy's final vision, that of the Eucharist itself. Arguing that the final revelation in Paradise is analogically "the Bread of Life," Nayar brings to the fore Christ's centrality (as sacrament) to The Divine Comedy-a reading that is certain to alter current-day thinking about Dante's poem.