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In 1986, British diplomat Marrack Goulding became the Under-Secretary-General of the United Nations in charge of peacekeeping. Since 1978, no new peacekeeping operations had been launched, while existing ones in the Middle East, Cyprus, and Kashmir had stagnated. During the following seven years, however, Goulding presided over sixteen new missions, including highly controversial efforts in Angola, Yugoslavia, and Somalia. Goulding's historic tenure coincided with a dramatic shift in attitude within the UN about its role in ending regional conflicts. In Peacemonger, he provides an unprecedented insider's account of the organization's successes and failures in this period. From the UN's unwieldy bureaucracy and its often uneasy relationship with member states to the individual courage of many of its officials and their frequently unsung achievements, Goulding details the UN's responses to the crises of the post--Cold War world. He offers frank portraits of Javier Perez de Cuellar and Boutros Boutros-Ghali, the two Secretaries-General under whom he worked, and chronicles the internal strife that undermined the UN's efficiency. He also documents the development during his watch of new types of peacekeeping missions that did far more than preside over ongoing and irresolvable conflicts. In Namibia, Cambodia, and Central America, UN peacekeepers facilitated democratic elections and the demobilization of belligerents. Dispassionate, perceptive, and unblinkingly honest, Peacemonger offers vital insights into the UN's most perilous and contentious activity.
The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.
Dangerous Diplomacy reassesses the role of the UN Secretariat during the Rwandan genocide. With the help of new sources, including the personal diaries and private papers of the late Sir Marrack Goulding--an Under-Secretary-General from 1988 to 1997 and the second highest-ranking UN official during the genocide--the book situates the Rwanda operation within the context of bureaucratic and power-political friction existing at UN Headquarters in the early 1990s. The book shows how this confrontation led to a lack of coordination between key UN departments on issues as diverse as reconnaissance, intelligence, and crisis management. Yet Dangerous Diplomacy goes beyond these institutional pathologies and identifies the conceptual origins of the Rwanda failure in the gray area that separates peacebuilding and peacekeeping. The difficulty of separating these two UN functions explains why six decades after the birth of the UN, it has still not been possible to demarcate the precise roles of some key UN departments.
He details how the St Laurent government backed the shrewd calculations of the Department of External Affairs and emphasized the wisdom of the containment-accommodation approach, an approach that, Glazov claims, would help win the Cold War thirty-five years later. Glazov shows that the strategy of accommodation, the main difference between Canadian and American Soviet policy, was ultimately vindicated by the eventual ascendancy of a liberal Soviet leader (Gorbachev), which led to increased East-West contact and Soviet liberalization, phenomena that led directly to the West's victory in the Cold War. Glazov's new assessment of Western policies toward Khrushchev's Russia is critical to our understanding of present-day Russia, since Gorbachev's democratization, which led to the disintegration of the Soviet Union in 1991, had its origins in the Khrushchev thaw. Canadian Policy toward Khrushchev's Soviet Union provides vital information to help answer the question of how the West should deal with Russia, especially in the context of globalization - one of the most urgent issues facing Canada and the Western world.
The bestselling author of The Limits of Power critically examines the Washington consensus on national security and why it must change For the last half century, as administrations have come and gone, the fundamental assumptions about America's military policy have remained unchanged: American security requires the United States (and us alone) to maintain a permanent armed presence around the globe, to prepare our forces for military operations in far-flung regions, and to be ready to intervene anywhere at any time. In the Obama era, just as in the Bush years, these beliefs remain unquestioned gospel. In Washington Rules, a vivid, incisive analysis, Andrew J. Bacevich succinctly presents the origins of this consensus, forged at a moment when American power was at its height. He exposes the preconceptions, biases, and habits that underlie our pervasive faith in military might, especially the notion that overwhelming superiority will oblige others to accommodate America's needs and desires—whether for cheap oil, cheap credit, or cheap consumer goods. And he challenges the usefulness of our militarism as it has become both unaffordable and increasingly dangerous. Though our politicians deny it, American global might is faltering. This is the moment, Bacevich argues, to reconsider the principles which shape American policy in the world—to acknowledge that fixing Afghanistan should not take precedence over fixing Detroit. Replacing this Washington consensus is crucial to America's future, and may yet offer the key to the country's salvation.
After falling in love with and marrying a man two lifetimes older than her, Irving Layton’s last wife shares the story of her life with the acclaimed poet. While a student at Dalhousie University, Anna Pottier attended a poetry reading featuring Irving Layton. Walking out of the auditorium that night, she knew two things: she wanted more than ever to be a writer, and she wanted to be with Layton. At the age of twenty-three she became Layton’s fifth and final wife; she was forty-eight years his junior. She shared the entirety of his world and was intimately involved in the writing and publication of such books as The Gucci Bag, Fortunate Exile, and Waiting for the Messiah. She accompanied Layton on his last major overseas reading tour, broke bread with Pierre Trudeau and Leonard Cohen, met other luminaries, and watched Layton write his very last poem. But slowly, Layton was changing. In 1992, a doctor put names to these changes: Parkinson’s disease and early-stage Alzheimer’s. Life carried on, but once-easy things grew more difficult, and then the day came in 1995, after nearly fourteen years, when Pottier had nothing left to give. Good as Gone is a startling, at times searing, account of one of the most unusual love stories of the twentieth century.
Visions of Freedom: Havana, Washington, Pretoria, and the Struggle for Southern Africa, 1976-1991
Young Llewelyn is an unhappy child in the southern city of Sunnashiven. Estranged from his parents, he finds solace in the friendship of a local hedge witch who teaches him and gives him hope with her predictions for his future. After the witch dies, Llewelyn wants to continue learning and is allowed to enter school and train to be a religious magician. His education is interrupted when war leads to revolution in Llewelyn's small kingdom. Llewelyn, now a young man, flees to another country and joins a strange little revolutionary cadre led by young Duke Walworth. There he lives an idyllic and idealistic life filled with love and magic. But after a betrayal, he ends up a student in a monastery, in trouble with the law, an angry young magician ready to fight the world. And the war goes on. Filled with memorable characters, abundant lush imagery, and true strangeness, Enemy Glory is the impressive launch of a new fantasy world