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Peace and Power in Cold War Britain explores the ban the bomb and anti-Vietnam War movements from the perspective of media history, focusing in particular on the relationship between radicalism and the rise of television. In doing so, it addresses two questions, both of which seem to recur with each major breakthrough in communications technology: what do advances in communications media mean for democratic participation in politics and how do distinctive types of media condition the very nature of that participation itself? In answering these, the book views the ban the bomb and anti-Vietnam War movements in relation to communication power and media discourse. It highlights how these movements intersected with parts of public life that were being transformed by television themselves, shaping struggles for social change among activists and public intellectuals on the streets, in the Labour Party and in the law courts. The significance of this relationship between media and movements was complex and wide-ranging. Christopher R. Hill demonstrates that it contributed to the enrichment of democracy in Cold War Britain, with radicals serving to innovate and pioneer creative forms of political expression from both in and outside of media organisations. However, the movements increasingly succumbed to news coverage and values that revolved around human interest and violence, feeding into the revolutionary spectacle of 1968 and the turn towards identity politics.
"Peace and Power in Cold War Britain explores the ban the bomb and anti-Vietnam War movements from the perspective of media history, focusing in particular on the relationship between radicalism and the rise of television. In doing so, it addresses two questions, both of which seem to recur with each major breakthrough in communications technology: what do advances in communications media mean for democratic participation in politics and how do distinctive types of media condition the very nature of that participation itself? In answering these, the book views the ban the bomb and anti-Vietnam War movements in relation to communication power and media discourse. It highlights how these movements intersected with parts of public life that were being transformed by television themselves, shaping struggles for social change among activists and public intellectuals on the streets, in the Labour Party and in the law courts. The significance of this relationship between media and movements was complex and wide-ranging. Christopher R. Hill demonstrates that it contributed to the enrichment of democracy in Cold War Britain, with radicals serving to innovate and pioneer creative forms of political expression from both in and outside of media organisations. However, the movements increasingly succumbed to news coverage and values that revolved around human interest and violence, feeding into the revolutionary spectacle of 1968 and the turn towards identity politics."--Bloomsbury Publishing
The cultural history of the Cold War has been characterized as an explosion of fear and paranoia, based on very little actual intelligence. Both the US and Soviet administrations have since remarked how far off the mark their predictions of the other's strengths and aims were. Yet so much of the cultural output of the period – in television, film, and literature – was concerned with the end of the world. Here, Nicholas Barnett looks at art and design, opinion polls, the Mass Observation movement, popular fiction and newspapers to show how exactly British people felt about the Soviet Union and the Cold War. In uncovering new primary source material, Barnett shows exactly how this seeped in to the art, literature, music and design of the period.
Intelligence services form an important but controversial part of the modern state. Drawing mainly on British and American examples, this book provides an analytic framework for understanding the "intelligence community" and assessing its value. Michael Herman, a former senior British Intelligence officer, describes the various components of intelligence; discusses what intelligence is for; considers issues of accuracy, evaluation and efficiency; and makes recommendations for the future of intelligence in the post-Cold War world.
The Cold War and After presents a collection of well-reasoned arguments selected fromthe journal International Security on the causes of the Cold War and the effect of its aftermath onthe peaceful coexistence of European states. This new edition includes all of the material from thefirst edition, plus four new articles: The Unipolar Illusion: Why New Great Powers Will Rise,Christopher Layne; International Primacy: Is the Game Worth the Candle? Robert Jervis; WhyInternational Primacy Matters, Samuel P. Huntington; and International Relations Theory and the Endof the Cold War, John Lewis Gaddis.Sean M. Lynn-Jones is Managing Editor of International Security.Steven E. Miller is Director of Studies at the Center for Science and International Affairs, HarvardUniversity.
This comprehensive text provides a balanced survey of the Cold War in a genuinely global framework. Presenting not only Soviet and Western perspectives, but also the outlooks of peoples and leaders throughout Asia, the Middle East, Africa, and Latin America, Edward H. Judge and John W. Langdon offer in-depth treatment of imperialism, anti-imperialism, decolonization, national liberation struggles, and their Cold War connections. The authors explore the background and context for all major developments during the era, as well as capsule biographies and character analyses of key figures. Tracing the Cold War from its roots in East–West tensions before and during World War II through its origins in the immediate postwar era, the book concludes with the Cold War’s legacy, which continues today. Written in a clear and lively style, this compelling text will bring the era to life for readers who didn’t experience its dramas and crises directly.
Edited by one of the most renowned experts in the field, this collection helps readers understand the causes of wars and examines the question: can we make war obsolete? With new readings on terrorism and unconventional warfare, this volume introduces readers to the types of political violence that have come back with such horrifying force in the beginning of the 21st Century. DOES WAR HAVE A FUTURE?; ANARCHY AND POWER; INTERNATIONAL INSTITUTIONS AND COOPERATION; PSYCHOLOGY AND CULTURE; ECONOMIC INTERESTS AND INTERDEPENDENCE; POLITICAL IDEOLOGY AND IDENTITY; MILITARY TECHNOLOGY; TERRORISM AND UNCONVENTIONAL WARFARE. Anyone interested in understanding why political violence terrorism, warfare, unconventional warfare happens and if it can be stopped.