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First published in 1970 to great acclaim, this novel stands as one of the most dazzling and rigorous examples of the storyteller's craft in postwar American literature--a novel that, according to Irving Howe, ranks with "Billy Budd" and "The Great Gatsby".
Newbery Medal Winner: A young Louisiana boy faces the horrors of slavery when he is kidnapped and forced to work on a slave ship in this iconic novel. Thirteen-year-old Jessie Bollier earns a few pennies playing his fife on the docks of New Orleans. One night, on his way home, a canvas is thrown over his head and he’s knocked unconscious. When he wakes up, Jessie finds himself aboard a slave ship, bound for Africa. There, the Moonlight picks up ninety-eight black prisoners, and the men, women, and children, chained hand and foot, are methodically crammed into the ship’s hold. Jessie’s job is to provide music for the slaves to dance to on the ship’s deck—not for amusement but for exercise, as a way to to keep their muscles strong and their bodies profitable. Over the course of the long voyage, Jessie grows more and more sickened by the greed of the sailors and the cruelty with which the slaves are treated. But it’s one final horror, when the Moonlight nears her destination, that will change Jessie forever. Set during the middle of the nineteenth century, when the illegal slave trade was at its height, The Slave Dancer not only tells a vivid and shocking story of adventure and survival, but depicts the brutality of slavery with unflinching historical accuracy.
One of The Atlantic's Great American Novels One of the New York Times' 25 Most Significant New York City Novels From the Last 100 Years "A towering landmark of postwar Realism…A sustained work of prose so lucid and fine it seems less written than carved." —David Foster Wallace Otto and Sophie Bentwood live in a changing neighborhood in Brooklyn. Their stainless-steel kitchen is newly installed, and their Mercedes is parked curbside. After Sophie is bitten on the hand while trying to feed a stray, perhaps rabies-infected cat, a series of small and ominous disasters begin to plague the Bentwoods' lives, revealing the fault lines and fractures in a marriage—and a society—wrenching itself apart. First published in 1970 to wide acclaim, Desperate Characters stands as one of the most dazzling and rigorous examples of the storyteller's craft in postwar American literature — a novel that, according to Irving Howe, ranks with "Billy Budd, The Great Gatsby, Miss Lonelyhearts, and Seize the Day."
Born to nomadic and bohemian parents who rarely had time for her, the author presents a portrait of her childhood, detailing her many homes, from an orphanage in Manhattan to a sugar plantation in Cuba.
Eleven-year-old Clay must find a home on the streets of New York City in this award-winning, heartbreakingly honest novel. He was eleven years old, and he had never felt so alone in his life. Clay Garrity lived a normal life until his father lost his job and abandoned the family. Now his pregnant mother has deserted him too, leaving Clay alone in a welfare hotel with a jar of peanut butter and half a loaf of bread. Fearing being placed in foster care, Clay runs away. Alone in the city, Clay wanders down streets with boarded-up buildings and through dark alleys, until he comes to a small triangular park that looks like an island in a stream. In the light of a street lamp, he sees cardboard boxes, blankets, bundles—and people. Some are lying on benches, others inside boxes. Two of the men, Calvin and Buddy, offer to share their shelter, and Clay is grateful to have a place to stay during the bitter November cold. Before long, Calvin, Buddy, and Clay form a family amid the threatening dangers and despair of the streets. Clay knows that leaving the streets and going into foster care means that he may never see his parents again. But if he stays, he may not survive at all. An ALA Best Book for Young Adults, this acclaimed novel offers an intensely moving and candid look at the all-too-real lives of homeless teens.
“Not only can Fox see, she can hear, she can feel.”—Zadie Smith, Harper’s This gathering of Paula Fox’s short work spans her illustrious career, from 1965 to the present including perfectly turned stories; pointed, engaging essays; and raw yet eloquent memoir.
Eight-year-old Maurice's struggle to protect his bedroom full of treasured junk from unsympathetic parents undergoes a transformation when the family moves to the country.
Newbery Medal–winning author Paula Fox’s gripping and sensitive portrayal of a teenage girl who discovers her father is not the man she thought he was. Catherine Ames’s father, Harry, has always been a mystery. Her parents divorced when she was three, and she has spent most of her life in a Montreal boarding school. When Harry suggests a month-long stay with him at his summer cabin in Nova Scotia, Catherine is thrilled. Finally she’ll have the kind of relationship with her father that other girls at school have with theirs. But the bright summer quickly darkens. Harry drinks—a lot. The more Catherine witnesses his drinking, the more she begins to hate him. Only, Catherine can’t help but love him too. A travel writer with a poet’s tongue, Harry is clever and exciting, and tells wonderful stories—until he drinks again, and the playful father that takes her on picnics becomes someone dark and frightening. How can the man she grew up wishing to be close to seem so far away? And how can Catherine bring him back to her? A School Library Journal Best Book of the Year, The Moonlight Man is a lyrical and emotional account of love, acceptance, and the difficult lessons of growing up.
Newberry Medal-winning author Paula Fox pens “a very funny book, full of lightning transitions from the matter-of-fact to fantasy which make an imaginative child’s world continuously exciting” (The New York Times). If there is one thing Lewis has enough of, it’s good advice from his overprotective parents. But when they go away for a week, Lewis’s parents leave him in the care of Miss Fitchlow, a tall, freckle-faced, free-spirited woman who stands on her head and eats carrot pudding to see better in the dark. Miss Fitchlow lets Lewis explore the neighborhood park alone for the first time, where he meets Mr. Madruga, a retired Spanish shoemaker. The two become friends, and together, find ways to show everyone that they can think for themselves.
In this elegant and affecting companion to her "extraordinary" memoir, Borrowed Finery, a young writer flings herself into a Europe ravaged by the Second World War (The Boston Globe) In 1946, Paula Fox walked up the gangplank of a partly reconverted Liberty with the classic American hope of finding experience—or perhaps salvation—in Europe. She was twenty-two years old, and would spend the next year moving among the ruins of London, Warsaw, Paris, Prague, Madrid, and other cities as a stringer for a small British news service. In this lucid, affecting memoir, Fox describes her movements across Europe's scrambled borders: unplanned trips to empty castles and ruined cathedrals, a stint in bombed-out Warsaw in the midst of the Communist election takeovers, and nights spent in apartments here and there with distant relatives, friends of friends, and in shabby pensions with little heat, each place echoing with the horrors of the war. A young woman alone, with neither a plan nor a reliable paycheck, Fox made her way with the rest of Europe as the continent rebuilt and rediscovered itself among the ruins. Long revered as a novelist, Fox won over a new generation of readers with her previous memoir, Borrowed Finery. Now, with The Coldest Winter, she recounts another chapter of a life seemingly filled with stories—a rare, unsentimental glimpse of the world as seen by a writer at the beginning of an illustrious career.