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A thoughtful, highly acclaimed biography of Giovanni Battista Montini, Paul VI, which sheds light on and powerfully underscores the personal and ecclesial sides of a man who brought modernity to the church.
Following after brilliant authoritarian Pope Pius XII and good-humored Pope John XXIII, Pope Paul VI seemed hesitant, anxious, even tormented. Yet the impact of his fifteen-year-long papacy was colossal: not a single aspect of Church life was left untouched in the whirlwind of change unleashed by the Ecumenical Council he guided and sought to implement. Who was this man, Giovanni Battista Montini (1897-1978), who so altered the face, the voice, the bearing of Catholicism? Versatile historian Yves Chiron is equal to the challenge of portraying this multifaceted and in many ways enigmatic figure, who was ordained a priest without passing through the seminary and never held a simple parish assignment. Taking advantage of hitherto untapped archival sources and the testimony of numerous witnesses, Chiron builds up a faithful portrait of a figure controversial at every stage of his career: from his anti-fascist activities as university chaplain to his work in the diplomatic corps, which would create tensions with Pius XII; from his heavy years as Archbishop of Milan to his Janus-like role at the Second Vatican Council, when his interventions alternately delighted and devastated both progressives and conservatives; from his intimate involvement in the recasting of the Roman Catholic liturgy to his adamant rejection of contraception, which left him abandoned by bishops and theologians who held the world's willing ear. Paul VI emerges as a pope torn between conflicting interpretations of aggiornamento and overwhelmed by crises in the Church as he tried to reconcile fundamental principles of dogma with pressures from modernist reformers.
Firmly rooted on Roman and canon law, Italian legal culture has had an impressive influence on the civil law tradition from the Middle Ages to present day, and it is rightly regarded as "the cradle of the European legal culture." Along with Justinian’s compilation, the US Constitution, and the French Civil Code, the Decretum of Master Gratian or the so-called Glossa ordinaria of Accursius are one of the few legal sources that have influenced the entire world for centuries. This volume explores a millennium-long story of law and religion in Italy through a series of twenty-six biographical chapters written by distinguished legal scholars and historians from Italy and around the world. The chapters range from the first Italian civilians and canonists, Irnerius and Gratian in the early twelfth century, to the leading architect of the Second Vatican Council, Pope Paul VI. Between these two bookends, this volume offers notable case studies of familiar civilians like Bartolo, Baldo, and Gentili and familiar canonists like Hostiensis, Panormitanus, and Gasparri but also a number of other jurists in the broadest sense who deserve much more attention especially outside of Italy. This diversity of international and methodological perspectives gives the volume its unique character. The book will be essential reading for academics working in the areas of Legal History, Law and Religion, and Constitutional Law and will appeal to scholars, lawyers, and students interested in the interplay between religion and law in the era of globalization.
An Avant-garde Theological Generation examines the Fourvière Jesuits and Le Saulchoir Dominicans, theologians and philosophers who comprised the influential reform movement the nouvelle théologie. Led by Henri de Lubac, Jean Daniélou, Yves Congar, and Marie-Dominique Chenu, the movement flourished from the 1930s until its suppression in 1950. It aims to remedy certain historical deficiencies by constructing a history both sensitive to the wider intellectual, political, economic, and cultural milieu of the French interwar crisis, and that establishes continuity with the Modernist crisis and the First World War. Chapter One examines the modern French avant-garde generations that have shaped intellectual and political thought in France, providing context for a historical narrative of the nouvelle théologie. Chapters Two and Three examine the influential older generations that flourished from 1893 to 1914, such as the Dreyfus generation, the generation of Catholic Modernists, and two generations of older Jesuits and Dominicans, which were instrumental in the Fourvière Jesuits' development. Chapter Four explores the influence of the First World War and the years of the 1920s, during which the Jesuits and Dominicans were in religious and intellectual formation, relying heavily on unpublished letters and documents from the Jesuits archives in Paris (Vanves). Chapter Five analyses the crises of the interwar period and the emergence of the wider generation of 1930--to which the nouveaux théologiens belonged--and its intellectual thirst for revolution. Chapter Six examines the emergence of the ^ ressourcement thinkers during the tumultuous years of the 1930s. The decade of the 1940s, explored in Chapter Seven, saw the rise to prominence of the members of the generation of 1930, who, thanks to their participation in the resistance, emerged from the Second World War, with significant influence on the postwar French intellectual milieu. Finally, the monograph concludes in Chapter Eight with an examination of the triumph of French Left Catholicism and the nouvelle théologie during the 1960s at the Second Vatican Council.
Janet E. Smith presents a comprehensive review of this issue from a philosophical and theological perspective. Tracing the emergence of the debate from the mid-1960s and reviewing the documents from the Special Papl Commission established to advise Pope Paul VI, Smith also examines the Catholic Church's position on marriage, which provides context for its condemnation of contraception.
In 2020, the Vatican opened its archives for the pontificate of Pius XII (1939-1958), the pope that led the Catholic Church during WWII, the Holocaust, and the beginning of the Cold War. The Global Pontificate of Pius XII brings together historians who were among the first to consult the previously unseen Vatican materials. These long-awaited records allow for an expansion of the current historiography beyond the pope’s biography. Methodologically, the volume works to transcend the rigidity of religious history and engage with new approaches in global, transnational, and postcolonial history to re-introduce questions surrounding religion into modern post-war historiography.
From the beginning, the gospel has been understood and articulated in terms borrowed from the cultural context in which it finds itself. For the largest part of the church's history, the prevailing context has worked with a static vision of humanity and the world. Theology and philosophy perpetuated this static worldview. This was both legitimate and necessary as long as the culture was shaped by such a worldview. Since the advent of modernity, however, this is no longer the case. The advent of science and technology has seen the static view of things give way to an understanding of ourselves and our world as dynamic entities. This has made the traditional understanding of faith increasingly untenable. One might say that the gospel has become the prisoner of its previous embodiments. The church's determination to hold on to established forms, and with them the traditional understanding of humanity and the world, has led to its increasing alienation from the prevailing culture, especially in the West. For many in our society, the church's language has become increasingly incomprehensible and its message increasingly untenable. In this book, the author argues that the church's attachment to a static worldview is the fundamental cause of the current crisis, especially as this is manifest in western Europe. He provides a detailed discussion of the European context and analyzes the main features of the traditional, static understanding of faith and its roots in classical culture. He then examines the contemporary crisis of faith and offers a critical evaluation of attempts at 'restoration'. Finally, he proposes a vision of the way forward for the church as it struggles to come to terms with the modern worldview.
A critical issue in modern Catholic theology has been the relationship between the doctrine of revelation and the church’s liturgical and sacramental practice. This volume argues that although in the twentieth century Catholic theology increasingly recognized the centrality of Christology—particularly the person of Christ—as the locus of revelation and drew out the crucial implications of Christ as the revelation of God, it was slow to connect this revelatory dynamic with the encounter that occurs within the sacramental space of the liturgy, most notably the Eucharist. Taking the decline of the neoscholastic enterprise in Catholic theology and the challenges posed by modernism as his point of departure, Philip Caldwell traces the evolution of the Catholic theology of revelation in the twentieth century and the vital role played by the liturgical and sacramental renewal movements in reimagining this pivotal theological category. Examining the specific contributions of René Latourelle, Avery Dulles, Salvatore Marsilli, and Gustave Martelet against a background of pre-conciliar ressourcement theology, this volume provides a comprehensive account of why a Trinitarian and Christological construal of liturgy and sacraments as revelation is key to the vision that informed Vatican II and offers constructive theological and ecclesial possibilities for the future.
NEW YORK TIMES BESTSELLER • “The most important book ever written about the Catholic Church and its conduct during World War II.”—Daniel Silva “Kertzer brings all of his usual detective and narrative skills to [The Pope at War] . . . the most comprehensive account of the Vatican’s relations to the Nazi and fascist regimes before and during the war.”—The Washington Post Based on newly opened Vatican archives, a groundbreaking, explosive, and riveting book about Pope Pius XII and his actions during World War II, including how he responded to the Holocaust, by the Pulitzer Prize–winning author of The Pope and Mussolini WINNER OF THE JULIA WARD HOWE AWARD • LONGLISTED FOR THE PEN/JACQUELINE BOGRAD WELD AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker When Pope Pius XII died in 1958, his papers were sealed in the Vatican Secret Archives, leaving unanswered questions about what he knew and did during World War II. Those questions have only grown and festered, making Pius XII one of the most controversial popes in Church history, especially now as the Vatican prepares to canonize him. In 2020, Pius XII’s archives were finally opened, and David I. Kertzer—widely recognized as one of the world’s leading Vatican scholars—has been mining this new material ever since, revealing how the pope came to set aside moral leadership in order to preserve his church’s power. Based on thousands of never-before-seen documents not only from the Vatican, but from archives in Italy, Germany, France, Britain, and the United States, The Pope at War paints a new, dramatic portrait of what the pope did and did not do as war enveloped the continent and as the Nazis began their systematic mass murder of Europe’s Jews. The book clears away the myths and sheer falsehoods surrounding the pope’s actions from 1939 to 1945, showing why the pope repeatedly bent to the wills of Hitler and Mussolini. Just as Kertzer’s Pulitzer Prize–winning The Pope and Mussolini became the definitive book on Pope Pius XI and the Fascist regime, The Pope at War is destined to become the most influential account of his successor, Pius XII, and his relations with Mussolini and Hitler. Kertzer shows why no full understanding of the course of World War II is complete without knowledge of the dramatic, behind-the-scenes role played by the pope. “This remarkably researched book is replete with revelations that deserve the adjective ‘explosive,’” says Kevin Madigan, Winn Professor of Ecclesiastical History at Harvard University. “The Pope at War is a masterpiece.”