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A treasured painting by Paul Klee is the basis for this whimsical tale about a cat and a bird, and about the themes of freedom and friendship. A cat lives in a house filled with toys, but everyday she dreams of being free like the bird she watches through the window. Finally with the bird's help, she is able to escape and dance on the roofs of the city by moonlight. This lovely story unfolds in a series of playful, brilliantly colored illustrations based on the artist Paul Klee's work. Influenced by the artist's bright palette and use of shapes and line, the book culminates in a dazzling reproduction of Klee's Cat and Bird. Accompanied by information about the artist and this iconic painting, the book invites appreciation of the unfettered joyfulness that makes Klee one of the most universally loved artists of all time.
"In the course of his creativity, Klee developed his artistic will slowly, almost hesitantly. His work formed organically. Undogmatic and open to all graphic life, he let himself be inspired by the art of the past and the present. Fairytale lyrics and grotesque satire, tender jesting and real demonism, profound mysticism and sober romanticism live in Klee's work, which always radiates his personal sphere with all its variety. In this monograph, an immensely compressed picture of the artistic as well as the human side of his career evolves by way of the extensive pictorial material and accompanying essays, a picture which gives information about "Klee's contribution to the expansion of artistic articulation"."--Jacket.
'One of the most famous of modern art documents - a poetic primer, prepared by the artist for his Bauhaus pupils, which has deeply affected modern thinking about art . . . This little handbook leads us into the mysterious world where science and imagination fuse.' Observer
A story inspired by artist Paul Klee's quote, "A line is a dot that went for a walk" WHAT PAUL MADE is a story about friendship, creativity, and the innocence of a child's imagination. Readers will follow a young Paul on a visual journey turning a simple stroll into an adventure full of color, nature, curiosity, and joy. Together with his dot, Paul returns home to discover his imagination created something wonderful. The story ends with an informative artist bio and a creative prompt bringing readers full circle into their own dot-inspired creation! - Famous for merging "inner" and "outer" worlds into his compositions, artist Paul Klee's artistic life began with a childhood filled with music, nature, and poetry. As a young man, Klee decided that visual expression was the creative path that interested him the most. It was then that Paul began a lifelong adventure of creating and developing his unique vision through artistic study, practice, and experimentation. Throughout his career, Klee remained dedicated to color theory practice while he experimented with materials and Impressionist, Post-Impressionist, Abstract Expressionist, Cubist, and Futurist concepts. Paul Klee eventually became an instructor at the Bauhaus and Düsseldorf Academy and was a member of the artistic movement called the Die Blaue Reiter (The Blue Rider).
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
A talented violinist as well as a painter, Klee drew much of the inspiration for his abstract art from musical rhythms and structures. Like a composer, he developed and harmonized pictorial themes, weaving a complex series of signs and symbols into his painting. The book focuses on Klee’s decade long tenure at the Bauhaus, where the artist’s theories and practices first merged. Illustrated throughout with full-color reproductions of Klee’s paintings and etchings, as well as entries from his diaries, this unique study sheds light on an important aspect of Klee’s work while providing insights into his development as an abstract artist.
Klee's art appeals to our primary instincts and makes us look beyond the ordinary. A natural draughtsman, master of colour and hugely influential artist, Klee eludes classification, having been variously linked with Expressionism, Cubism, Futurism, Surrealism and Abstraction. Part of a new series of beautiful gift art books, Paul Klee Masterpieces of Art brims with the subtle warmth and humour of a unique artist. With a fresh and thoughtful introduction to Klee's life and art, the book goes on to showcase his key works in all their glory.
The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created some of his most surprising and innovative works. In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist’s response to his personal difficulties and the era’s broader realities through imagery that is tirelessly inventive—by turns political, solemn, playful, humorous, and poetic. The works featured testify to Klee’s restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life—their titles, among them Monsters in readiness and Struggles with himself, signal Klee’s frame of mind. Renowned art historian Dawn Ades looks at this group of paintings and drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee’s oeuvre, American artist Richard Tuttle responds to specific works in the form of dialogical poems. This stunning publication highlights the novelty and ingenuity of Klee’s late works, which deeply affected the generation of artists—including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou-Ki—that emerged after World War II and continues to captivate artists and viewers alike today
Loved by young people across the globe, Paul Klee's playful paintings are a natural introduction for children to the world of creativity and art. It's no wonder that young people are drawn to the work of Paul Klee. The German artist was fascinated by children's drawings, and incorporated their energy and simplicity into his own work. This beautiful introduction to Klee's paintings focuses on the artist's love of color and symbols, his lighthearted technique, and his belief that music and painting were inextricably linked. Children will relate to the stories about Klee's life and struggles as an artist while learning about art. Eye-catching reproductions of Klee's masterpieces show children how the artist used lines, pigments, and texture in imaginative new ways. Best of all, enticing suggestions invite readers to try different art activities and projects.
No one is more conscious of the faults of this work than the author. Therefore some self -criticism should be woven into this foreward. There are two possible methodologically pure solutions to this book's theme: a de scriptive catalog of the pictures couched in the language of natural science and accom panied by a clinical and psychopathological description of the patients, or a completely metaphysically based investigation of the process of pictorial composition. According to the latter, these unusual works, explained psychologically, and the exceptional circum stances on which they are based would be integrated as a playful variation of human expression into a total picture of the ego under the concept of an inborn creative urge, behind which we would then only have to discover a universal need for expression as an instinctive foundation. In brief, such an investigation would remain in the realm of phenomenologically observed existential forms, completely independent of psychiatry and aesthetics. The compromise between these two pure solutions must necessarily be piecework and must constantly defend itself against the dangers of fragmentation. We are in danger of being satisfied with pure description, the novelistic expansion of details and questions of principle; pitfalls would be very easy to avoid if we had the use of a clearly outlined method. But the problems of a new, or at least never seriously worked, field defy the methodology of every established subject.