Download Free Paul Hayden Kirk And The Puget Sound School Book in PDF and EPUB Free Download. You can read online Paul Hayden Kirk And The Puget Sound School and write the review.

In the third quarter of the twentieth century, Paul Hayden Kirk and the group of architects whose work he inspired--all graduates of the University of Washington--created an architectural style of a quality unsurpassed by any other in the nation in its time. Their unique achievement lies in the design of small buildings--houses, medical clinics, churches, libraries. At the time most American buildings of that scale were built of wood, but for Kirk and his colleagues wood was elevated to be the defining feature and material of choice for interior and exterior surfaces and their always-exposed structures. They detailed the wood to express its own nature, either leaving it in its natural state or with a slight protective stain. Paul Hayden Kirk and the Puget Sound School is the first book to explore their work. It discusses forty key buildings in detail, describing and diagramming the features that unite and distinguish them, and illustrating them in more than one hundred color photographs, most created specifically for this book. It places the architecture of Kirk and his colleagues within the history of great American architecture.
The Pacific Northwest was far from the centers of modern architecture, but in the middle of the last century a group of architects designed for the region's land, climate, and abundance of wood. Paul Hayden Kirk was an unlikely leader of this movement, yet his work has inspired generations of architects. Illustrated with hundreds of photos and drawings, "Paul Hayden Kirk and the Rise of Northwest Modern" tells the story of modern design in a rugged landscape.
A practical guide to research for architects and designers—now updated and expanded! From searching for the best glass to prevent glare to determining how clients might react to the color choice for restaurant walls, research is a crucial tool that architects must master in order to effectively address the technical, aesthetic, and behavioral issues that arise in their work. This book's unique coverage of research methods is specifically targeted to help professional designers and researchers better conduct and understand research. Part I explores basic research issues and concepts, and includes chapters on relating theory to method and design to research. Part II gives a comprehensive treatment of specific strategies for investigating built forms. In all, the book covers seven types of research, including historical, qualitative, correlational, experimental, simulation, logical argumentation, and case studies and mixed methods. Features new to this edition include: Strategies for investigation, practical examples, and resources for additional information A look at current trends and innovations in research Coverage of design studio–based research that shows how strategies described in the book can be employed in real life A discussion of digital media and online research New and updated examples of research studies A new chapter on the relationship between design and research Architectural Research Methods is an essential reference for architecture students and researchers as well as architects, interior designers, landscape architects, and building product manufacturers.
Master of the Midcentury: The Architecture of William F. Cody is the first, long-overdue book on this key Palm Springs architect, abundantly illustrated and detailed. Of the architects who made Palm Springs a crucible of midcentury American modernism, William F. Cody (1916-1978) was one of the most prolific, diverse, and iconic. Directing a practice ranging from residences to commercial centers and industrial complexes to master plans, Cody's designs are so recognizable that they provide visual shorthand for what is widely hailed as "Desert Modern." While his architecture was disciplined and technically innovative, Cody did not practice an austere modernism; he imbued in his projects a love for social spaces, rich with patterns, texture, color, and art. Though the majority of Cody's built work was concentrated in California and Arizona, he had commissions in other western states, Hawaii, Mexico, Honduras, and Cuba. From icons like the Del Marcos Hotel (1946), to inventive country clubs like the Eldorado (1957), to houses for celebrities (Frank Sinatra, Bing Crosby, Walt Disney), Cody's projects defined the emerging West Coast lifestyle that combined luxury, leisure, and experimental design. Cody also pushed the boundaries of engineering, with beams and roof slabs so thin that his buildings seemed to defy gravity. Master of the Midcentury is the first monograph devoted to Cody, authored by the team that curated the acclaimed exhibition Fast Forward: The Architecture of William F. Cody at the Architecture and Design Museum in Los Angeles: his daughter, Cathy Cody, design historian Jo Lauria, and architectural historian Don Choi. Replete with photographs of extant and now-lost structures, as well as masterful color renderings and drawings for architectural commissions and plans for vanguard building systems, Master of the Midcentury is the authoritative resource on Cody.
This engaging study discusses ways in which architectural forms emulate some archetypal settings that humans have found appealing--and useful for survival--from ancient times to the present. 119 photos. 6 line figures.
The first edition of Shaping Seattle Architecture, published in 1994, introduced readers to Seattle’s architects by showcasing the work of those who were instrumental in creating the region’s built environment. Twenty years later, the second edition updates and expands the original with new information and illustrations that provide an even richer exploration of Seattle architecture. The book begins with a revised introduction that brings the story of Seattle architecture into the twenty-first century and situates developments in Seattle building design within local and global contexts. The book’s fifty-four essays present richly illustrated profiles that describe the architects' careers, provide an overview of their major works, and explore their significance. Shaping Seattle Architecture celebrates a wide range of people who helped form the region's built environment. It provides updated information about many of the architects and firms profiled in the first edition. Four individuals newly included in this second edition are Edwin J. Ivey, a leading residential designer; Fred Bassetti, an important contributor to Northwest regional modernism; L. Jane Hastings, one of the region’s foremost women in architecture; and Richard Haag, founder of the landscape architecture program at the University of Washington and designer of Gas Works Park and the Bloedel Reserve. The book also includes essays on the buildings of the Coast Salish people, who inhabited Puget Sound prior to Euro-American settlement; the role that architects played in speculative housing developments before and after World War II; and the vernacular architecture built by nonprofessionals that makes up a portion of the fabric of the city. Shaping Seattle Architecture concludes with a substantial reference section, updated to reflect the last twenty years of research and publications. A locations appendix offers a geographic guide to surviving works. The research section directs interested readers to further resources, and the appendix “Additional Significant Seattle Architects” provides thumbnail sketches of nearly 250 important figures not included in the main text.
In the three decades following World War II, a group of architects centered in the Puget Sound region were designing buildings of extraordinary quality, whose most evident commonality was the use of wood in profusion, as exposed, meticulously detailed structure and as interior and exterior surface. Gene Zema, a 1950 graduate of the University of Washington and a student of the legendary Lionel Pries, was one of this group. In a career that spanned twenty years, Zema designed forty-six houses, seven clinics, two architectural offices, a nursery, and a golf clubhouse, and he participated in the design of two University buildings. He built several buildings with his own hands, developing a consummate sense of appropriate design in wood. The luxuriantly crafted details and uniquely dramatic spatial compositions of his work place it at the forefront of that remarkable movement. Zema was also a distinguished collector and retailer of Native American and Japanese antiquities. In 1983, relying on the sale of antiquities for income and limiting his architectural practice, he and his wife, Janet, bought a 70-acre meadow on Whidbey Island. On their property Zema built a workshop, a windmill and pump house, a chicken house, a home, a peacock house, and a kiln, all of which are as remarkable as his earlier masterpieces. Gene Zema is an iconic figure among those who know his work, but the region to which his work is intimately bound is far from the centers of architectural journalism and his story is little known. It is the story of a unique figure in an extraordinary American architectural movement and an exceptional figure in the history of the Pacific Northwest. Grant Hildebrand is professor emeritus of architecture and art history at the University of Washington, and author of eight books on architecture, including Suyama: A Complex Serenity, The Wright Space: Pattern and Meaning in Frank Lloyd Wright's Houses, and Frank Lloyd Wright's Palmer House. He is a recipient of the Washington Governor's Writers Award for work of literary merit and lasting value.
The newest titles in the Princeton Architectural Press Campus Guide series take readers on an insider's tour of the University of Washington in Seattle, Rice University in Houston, and Cranbrook in Bloomfield Hills, Michigan. Beautifully photographed in full color, the guides present architectural walks at three of America's finest campuses, revealing the stories behind the historic and contemporary buildings, gardens, and works of public art. The University of Washington, designed by landscape architects the Olmsted Brothers, features works by Bebb and Gould, Cesar Pelli, Edward Larrabee Barns, and Gwathmey Siegel.
Mid-century modern house designs from 1954, includes sketches of floor plans and photographs of interior and exterior. Includes houses by George Nakashima, Richard Neutra, Paul Rudolph, William Beckett, David Henken and others.