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Blood Narrative is a comparative literary and cultural study of post-World War II literary and activist texts by New Zealand Maori and American Indians—groups who share much in their responses to European settler colonialism. Chadwick Allen reveals the complex narrative tactics employed by writers and activists in these societies that enabled them to realize unprecedented practical power in making both their voices and their own sense of indigeneity heard. Allen shows how both Maori and Native Americans resisted the assimilationist tide rising out of World War II and how, in the 1960s and 1970s, they each experienced a renaissance of political and cultural activism and literary production that culminated in the formation of the first general assembly of the World Council of Indigenous Peoples. He focuses his comparison on two fronts: first, the blood/land/memory complex that refers to these groups' struggles to define indigeneity and to be freed from the definitions of authenticity imposed by dominant settler cultures. Allen's second focus is on the discourse of treaties between American Indians and the U.S. government and between Maori and Great Britain, which he contends offers strong legal and moral bases from which these indigenous minorities can argue land and resource rights as well as cultural and identity politics. With its implicit critique of multiculturalism and of postcolonial studies that have tended to neglect the colonized status of indigenous First World minorities, Blood Narrative will appeal to students and scholars of literature, American and European history, multiculturalism, postcolonialism, and comparative cultural studies.
An engaging illustrated history of feminism from antiquity through third-wave feminism, featuring Sappho, Mary Magdalene, Mary Wollstonecraft, Sojourner Truth, Simone de Beauvoir, and many others. The history of feminism? The right to vote, Susan B. Anthony, Gloria Steinem, white pantsuits? Oh, but there's so much more. And we need to know about it, especially now. In pithy text and pithier comics, A Brief History of Feminism engages us, educates us, makes us laugh, and makes us angry. It begins with antiquity and the early days of Judeo-Christianity. (Mary Magdalene questions the maleness of Jesus's inner circle: “People will end up getting the notion you don't want women to be priests.” Jesus: “Really, Mary, do you always have to be so negative?”) It continues through the Middle Ages, the Early Modern period, and the Enlightenment (“Liberty, equality, fraternity!” “But fraternity means brotherhood!”). It covers the beginnings of an organized women's movement in the nineteenth century, second-wave Feminism, queer feminism, and third-wave Feminism. Along the way, we learn about important figures: Olympe de Gouges, author of the “Declaration of the Rights of Woman and the Female Citizen” (guillotined by Robespierre); Flora Tristan, who linked the oppression of women and the oppression of the proletariat before Marx and Engels set pen to paper; and the poet Audre Lorde, who pointed to the racial obliviousness of mainstream feminism in the 1970s and 1980s. We learn about bourgeois and working-class issues, and the angry racism of some American feminists when black men got the vote before women did. We see God as a long-bearded old man emerging from a cloud (and once, as a woman with her hair in curlers). And we learn the story so far of a history that is still being written.
"Still want to go to school?" Theramar asks. Piccolo dreams of become an elite dragon mage. However, the Dragon School only takes the most gifted boys and all girls are sent to the Temple to become Priestesses. After being rejected by the school for her gender, Piccolo has a chance encounter with one of the school's Dragon Masters and Piccolo is granted permission to enter the Dragon Mage School, Cor'inthor. Upon entering Cor'inthor, Piccolo is constantly faced with gender prejudices and stinging ridicule from teachers and students, who do not want their traditions to change. Piccolo must continuously decide between allowing her own prejudices to dictate her action or push herself to achieve the higher ground and help those that are mean to her and her friends. Filled with dragons, monsters, and evil foes, this novel pits Piccolo against her deepest fears and her desire for self preservation. She must also, continually, decide between what is the right thing to do for herself and what is the morally right thing to do for others.
Enter the world of the Yup'ik people. Embark on a journey that will take you deep into the land of the real people. Unsuspected appeals to Alaska Natives, Native Alaskans, Alaskans in general, and to anyone interested in history, legends, and fiction of the Native peoples of the Americas. It's an interesting story and holds the reader's attention to the very end.
Published 1887-90, this six-volume compilation of Maori oral literature, with English translations, contains traditions about deities, origins and warfare.
Vols. for 1892-1941 contain the transactions and proceedings of the society.
This dictionary by P.M. Ryan, one of New Zealand's leading Maori-language scholars, is the most comprehensive and up-to-date available. Contains over 50,000 concise entries divided into Maori-English and English-Maori sections. Includes all the words most commonly used by fluent Maori speakers. Features a vocabulary list with words for new inventions, metric terms, modern concepts and scientific, computer, technological and legal terms. Incorporates an easy-to-use guide to the pronunciation of Maori and a section on Maori grammar. Includes separate lists giving Maori translations of seasons, months, days of the week, points of the compass, parts of the body, New Zealand and overseas place names, and personal names. Contains a Maori proverbs section, complete with translations and interpretations, and a map of tribal areas. The Raupo Dictionary of Modern Maori: a modern classic.
In this book the concept of mobility is explored for the archaeology of the Amazonian and Caribbean region. As a result of technological and methodological progress in archaeology, mobility has become increasingly visible on the level of the individual. However, as a concept it does not seem to fit with current approaches in Amazonian archaeology, which favour a move away from viewing small mobile groups as models for the deeper past. Instead of ignoring such ethnographic tyrannies, in this book they are considered to be essential for arriving at a different past. Viewing archaeological mobility as the sum of movements of both people and objects, the empirical part of Amotopoan Trails focuses on Amotopo, a small contemporary Trio village in the interior of Suriname. The movements of the Amotopoans are tracked and positioned in a century of Trio dynamics, ultimately yielding a recent archaeology of Surinamese-Trio movements for the Sipaliwini River basin (1907-2008). Alongside the construction of this archaeology, novel mobility concepts are introduced. They provide the conceptual footholds which enable the envisioning of mobility at various temporal scales, from a decade up to a century, the sequence of which has remained a blind spot in Caribbean and Amazonian archaeology.
An account of a three-year research program funded by the German government, in which physicists and physical chemists set off together with biologists and physicians to develop new techniques for medical and biological problems and ended up with sophisticated scientific solutions and innovative equipment, partly ready for the market. It not only includes a concise description of the new discoveries but also offers also an introduction to the various fields within optics.