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The doctrine of the Antichrist is one of the most interesting doctrines found in Scripture, says author Kim Riddlebarger. Unfortunately, it's also one which has been subject to far more speculation than sound biblical exegesis. Until now. Unlike other resources available on the Antichrist, The Man of Sin focuses on Scripture, not contemporary events, to uncover the truth about this mysterious entity. With skilled exegesis Riddlebarger asserts that, contrary to popular speculation, the Antichrist is not a singular individual but a series of beings that will arise to challenge Christ throughout the inter-advental age before culminating in an end-times Antichrist. Backing this claim first in Scripture, Riddlebarger also draws from historical teachings including those of the church fathers, the Reformation, and historic Protestantism, before contrasting this evidence to the sensational interpretations of many contemporary writers. Pastors, teachers, and study groups wanting to understand the doctrine of the Antichrist will find The Man of Sin to be a unique and comprehensive study.
Allegorical readings of literary or religious texts always begin as counterreadings, starting with denial or negation, challenging the literal sense: "You have read the text this way, but I will read it differently." David Dawson insists that ancient allegory is best understood not simply as a way of reading texts, but as a way of using non-literal readings to reinterpret culture and society. Here he describes how some ancient pagan, Jewish, and Christian interpreters used allegory to endorse, revise, and subvert competing Christian and pagan world views. This reassessment of allegorical reading emphasizes socio-cultural contexts rather than purely formal literary features, opening with an analysis of the pagan use of etymology and allegory in the Hellenistic world and pagan opposition to both techniques. The remainder of the book presents three Hellenistic religious writers who each typify distinctive models of allegorical interpretation: the Jewish exegete Philo, the Christian Gnostic Valentinus, and the Christian Platonist Clement. The study engages issues in the fields of classics, history of Christianity and Hellenistic Judaism, literary criticism and theory, and more broadly, critical theory and cultural criticism.
A monumental work that presents a solid introduction to early Christian literature to the English reading public. It is the first work of its kind written originally in English. Reviewers were unanimous in heaping praise upon the publication and looking upon it as a breakthrough in studying the Fathers of the Church.
The first introduction to the history and method of biblical-psychological interpretation.
This unique volume brings together wide-ranging research that could only be written by someone singularly expert in the full range of Christian worship and music from ancient to modern. These essays by Wendy Porter span eras and areas of study from the New Testament to the present and encompass an expansive view of worship, music, and liturgy. Some focus on what is known (or not) about early Christian worship, including the early creeds and hymns in the New Testament and whether music originated in Jewish or Greco-Roman contexts. Some introduce firsthand work on ancient liturgical manuscripts, such as a sixth-century manuscript by hymnwriter and preacher Romanos Melodus or a tenth-century ekphonetic liturgical manuscript. Extending her research on sixteenth-century English composers as musical interpreters, Porter includes several papers on how musicians have functioned as theological interpreters in worship and music. One chapter engages theological comparisons between well-known compositions by Bach, Beethoven, and Stravinsky, another creatively explores what contemporary worship leaders can learn from sixteenth-century songwriter and worship leader William Byrd, while others invite thoughtful reflection on what we can all learn if we stop to consider how Christians have functioned and fared in their worship through the centuries.
In today's demands for moral absolutes, the puritanism of early Christian Donatists is reflected. Maureen A. Tilley's study gives new insight into the Donatist church by focusing attention on the surviving Donatist controversies. She persuasively shows how Donatist interpretations of Scripture correlate with changes in the social setting of their church.
Confession is a history of penance as a virtue and a sacrament in the United States from about 1634, when Catholicism arrived in Maryland, to 2015, fifty years after the major theological and disciplinary changes initiated by the Second Vatican Council. Patrick W. Carey argues that the Catholic theology and practice of penance, so much opposed by the inheritors of the Protestant Reformation, kept alive the biblical penitential language in the United States at least until the mid-1960s when Catholic penitential discipline changed. During the nineteenth and early twentieth centuries, American Catholics created institutions that emphasized, in opposition to Protestant culture, confession to a priest as the normal and almost exclusive means of obtaining forgiveness. Preaching, teaching, catechesis, and parish revival-type missions stressed sacramental confession and the practice became a widespread routine in American Catholic life. After the Second Vatican Council, the practice of sacramental confession declined suddenly. The post-Vatican II history of penance, influenced by the Council's reforms and by changing American moral and cultural values, reveals a major shift in penitential theology; moving from an emphasis on confession to emphasis on reconciliation. Catholics make up about a quarter of the American population, and thus changes in the practice of penance had an impact on the wider society. In the fifty years since the Council, penitential language has been overshadowed increasingly by the language of conflict and controversy. In today's social and political climate, Confession may help Americans understand how far their society has departed from the penitential language of the earlier American tradition, and consider the advantages and disadvantages of such a departure.
In this critical study, Dr Turbi Luka uses historical-theological methodology to engage in detail with Christologies of key African theologians and conventional theological sources for Christology, including the church fathers Tertullian and Athanasius as well as modern theologians. Turbi argues that existing African Christologies, specifically ancestor Christologies, are inadequate in expressing the person of Christ as Messiah and saviour, the fulfilment of Old Testament prophesies. Providing a new approach, Turbi proposes an African Linguistic Affinity Christology that explicitly portrays Jesus as Christ in a contextually relevant way for Africans in everyday life. This crucial study highlights the need for biblically rooted Christology and for sound theological understanding and naming of Jesus at every level. This book also warns the church in Africa, and elsewhere, to avoid repeating the dangerous christological heresies of the ancient church by remaining faithful to a biblical interpretation and orthodox theology of Christ.
Many recognise Everett Ferguson as the definitive voice on early Christianity, patristic writing and ecclesiology. The Early Church at Work and Worship is a challenging collection, broad in scope and formidable in depth. This is the first volume ofFerguson's collected essays, and includes some of his most memorable work, especially on laying on of hands. Practices of Ordination and attitudes to religious schism in antiquity are analysed by the scholar in this collection, which not only includes articles and publications from various sources, but also previously unpublished material.