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Patently Erotic is Richard Ross's foray into the nexus of capitalism, inventiveness and sex. In this latest collection of actual patent applications, the author delves into the archives to take a look at contraptions designed to titillate and facilitate. Accompanied by commentary from Ross and illustrated by the inventors' own diagrams, inventions such as source-sensitive, sound-playing condoms and lap dance liners provide a revealing look to society's issues with intimacy.
A preface is best written last, after a book is done and its author may look back to survey what he hopes he has accomplished and what he must admit he has not. In hindsight virginity by itself has seemed a very large field to till, but with that reflection also comes a sense of the awareness that a really comprehensive treatment of misgiving, that subject would somehow have to encompass an enormous ter rain, the whole length and breadth of Christianity's attitude toward sexuality from the earliest times down to the high Middle Ages. It could be argued that no small book could cover so much ground, and I would be the first to agree. As its subtitle is meant to suggest, the present work is, in at least two senses of the word, an essay: both an initial and tentative effort to get at the meaning of an extremely important but as yet unprobed medieval belief in the perfective value of the virginal life; and an interpretive study of a complex subject from a limited point of view, specifically, that in which the virgin appears in devotional literature as the bride of Christ.
Religion and sex, body and soul, sacred and profane: In Closet Devotions, Richard Rambuss traces the relays between these cultural formations by examining the issue of "sacred eroticism," the literary or artistic expression of devotional feelings in erotic terms that has repeatedly occurred over the centuries. Rather than dismissing such expression as mere convention, Rambuss takes it seriously as a form of erotic discourse, one that gives voice to desires that, outside the sphere of sacred rapture, would otherwise be deemed taboo. Through startling rereadings of works ranging from the devotional verse of the metaphysical poets (Donne, Herbert, Crashaw, and Traherne) to photographer Andres Serrano's controversial "Piss Christ," from Renaissance religious iconography to contemporary gay porn, Rambuss uncovers the highly charged erotic imagery that suffuses religious devotional art and literature. And he explores one of Christian culture's most guarded (and literal) closets--the prayer closet itself, a privileged space where the vectors of same-sex desire can travel privately between the worshiper and his or her God. Elegantly written and theoretically astute, Closet Devotions illuminates the ways in which sacred Christian devotion is homoeroticized, a phenomenon that until now has gone unexplored in current scholarship on religion, the body, and its passions. This book will attract readers across a wide array of disciplines, including gay and lesbian studies, literary theory and criticism, Renaissance studies, and religion.
The eleventh edition of this classic textbook provides an overview of communication and media law that includes the most current legal developments. It explains the laws affecting the daily work of writers, broadcasters, PR practitioners, photographers and other public communicators. By providing statutes and cases in an accessible manner, even to students studying law for the first time, the authors ensure that students will acquire a firm grasp of the legal issues affecting the media. This new edition features discussions of hot topics such as the prosecution of WikiLeaks founder Julian Assange for Espionage Act violations, the U.S. Supreme Court's decision in Iancu v. Brunetti addressing the registration of offensive trademarks, revenge porn, FTC guidelines on social media influencers and efforts by social media platforms to develop coherent approaches to misinformation. The Law of Public Communication is an ideal core textbook for undergraduate and graduate courses in communication law and mass media law. A downloadable test bank is available for instructors at www.routledge.com/9780367476793.
The Law of Public Communication provides an overview of media law that includes the most current legal developments today. It explains the laws affecting the daily work of writers, broadcasters, advertisers, cable operators, Internet service providers, public relations practitioners, photographers, bloggers, and other public communicators. Authors Kent R. Middleton, William E. Lee, and Daxton R. Stewart take students through the basic legal principles and methods of analysis that allow students to study and keep abreast of the rapidly changing field of public communication. By providing statutes and cases in a cohesive manner that is understandable, even to students studying law for the first time, the authors ensure that students will acquire a firm grasp of the legal issues affecting the media. This 2017 Update brings the Ninth Edition up to date with the most recent cases and examples affecting media professionals and public communicators.
Nothing is more memorable than a smell. So why do we persist in dismissing the nose as a blunt instrument? Smell is our most seductive and provocative sense, invading every domain of our lives. We can identify our relatives, detect the availability of a potential mate, sniff out danger, and distinguish between good and bad food just with our noses. In this surprising and delightful book, Lyall Watson rescues our most unappreciated sense from obscurity. He brings to light new evidence concerning Jacobson's Organ: an anatomical feature discovered high in the nose in 1811 and dismissed for centuries as a vestigial ghost. Yet recent research has shown Jacobson's Organ to be an incredibly influential pheromonal mechanism that feeds the area of the brain affecting our awareness, emotional states, and sexual behavior. Following the seven classes of smell devised by the pioneering botanist Carl Linnaeus in his Odores Medicamentorum, Watson examines the roles of smell and pheromones in humans, plants, and animals. He reveals the curious ways in which trees communicate their distress, the olfactory abilities of feral children, the bond we have with our offspring, the psychosexual effects of perfume, and the link between smell and memory formation. Jacobson's Organ unlocks the door to the strange world of this mysterious sense.
"My name is John Crichton. 'I'm lost'. An astronaut. Shot through a wormhole. In some distant part of the universe. 'I'm trying to stay alive'. Aboard this ship. 'This living ship'. Of escaped prisoners." During its fourth and - for the present - final season, "Farscape" was the Sci-Fi Channel's highest rated original series. With its dedicated fan-base, "Farscape" seasons are still top-billing Sci-Fi DVDs. This first proper analysis of the show, written by a scholar-fan, uncovers "Farscape's" layers and those of the living spaceship Moya. Jes Battis proposes that "Farscape" is as much about bodies, sex and gender, as it is about wormholes, space ships and interstellar warfare. It is this straddling of genres that makes the show so viewable to such a broad audience, of which almost half are women. He explores "Farscape's" language and characters, including Moya, its creation of 'family and home', of masculinity and femininity, and the transformation of an all-American boy.
Marina Leslie draws on three important early modern utopian texts—Thomas More's Utopia, Francis Bacon's New Atlantis, and Margaret Cavendish's Description of a New World Called the Blazing World—as a means of exploring models for historical transformation and of addressing the relationship of literature and history in contemporary critical practice. While the genre of utopian texts is a fertile terrain for historicist readings, Leslie demonstrates that utopia provides unstable ground for charting out the relation of literary text to historical context. In particular, she examines the ways that both Marxist and new historicist critics have taken the literary utopia not simply as one form among many available for reading historically but as a privileged form or methodological paradigm. Rather than approach utopia by mapping out a fixed set of formal features, or by tracing the development of the genre, Leslie elaborates a history of utopia as critical practice. Moreover, by taking every reading of utopia to be as historically symptomatic as the literary production it assesses, her book integrates readings of these three English Renaissance utopias with an analysis of the history and politics of reading utopia. Throughout, Leslie considers utopia as a fictional enactment of historical process and method. In her view, these early modern utopian constructions of history relate very closely to and impinge upon the narrative structures of history assumed by critical theory today.
Volume 33 in the Oklahoma Series in Classical Culture, this title provides primary sources on Clodia Metelli, the Roman woman who influenced Cicero, Catullus, and countless others. Hejduk (classics, Baylor U.) provides accessible translations in entirety of the majority of the primary sources, including all classical texts that mention Clodia. The book is presented in three sections; the first gives the context of the woman and the time in which she lived; the second presents sources from Cicero, Catullus, Sallust, Quintilian, and Plutarch; the final offers the legacy of Clodia through Propertius, Tibullus, Ovid, and Martial. This publication contains a helpful glossary of persons and places from the classical world though does not include the original Latin of the primary sources. It is intended for advanced high school or undergraduate students.