Download Free Passport To Shame Book in PDF and EPUB Free Download. You can read online Passport To Shame and write the review.

A psychotherapist's candid memoir of addiction and recovery, exploring the intersection of Asian culture, mental health, and assimilating into American culture as an ethnic minority. Sam Louie grew up torn between cultures as part of a first-generation Chinese immigrant family from Hong Kong living in a predominantly African American neighborhood in the United States. He experienced the duality of existence with the tension of two vastly different worldviews, his identity intertwined with the country he lives in and his ancestral ties. What traditions and cultural beliefs get preserved, what gets discarded, and what gets lost in translation? Beneath it all was the presence of three generations of addiction, trauma, and shame. In this bold, insightful book, he documents the challenges of immigrant experiences and how maladaptive coping mechanisms in the form of compulsive behaviors were a means to gain a sense of adequacy due to the cultural tide of shame and ostracism within his own ethnic heritage and the external world. Louie's journey of resiliency in navigating multiple cultural forces in the face of adversity and racism can give readers a new understanding of hope, perseverance, and the resources necessary to heal.
Ever since its inception, British cinema has been obsessed with crime and the criminal. One of the first narrative films to be produced in Britain, the Hepworth's 1905 short Rescued by Rover, was a fast-paced, quick-edited tale of abduction and kidnap, and the first British sound film, Alfred Hitchcock's Blackmail (1930), centered on murder and criminal guilt. For a genre seemingly so important to the British cinematic character, there is little direct theoretical or historical work focused on it. The Britain of British cinema is often written about in terms of national history, ethnic diversity, or cultural tradition, yet very rarely in terms of its criminal tendencies and dark underbelly. This volume assumes that, to know how British cinema truly works, it is necessary to pull back the veneer of the costume piece, the historical drama, and the rom-com and glimpse at what is underneath. For every Brief Encounter (1945) there is a Brighton Rock (2010), for every Notting Hill (1999) there is a Long Good Friday (1980).
This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those "black films" made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book's main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.
“You have a call, Elder Wilder.” When missionary Micah Wilder set his sights on bringing a Baptist congregation into the Church of Jesus Christ of Latter-day Saints, he had no idea that he was the one about to be changed. Yet when he finally came to know the God of the Bible, Micah had no choice but to surrender himself—no matter the consequences. For a passionate young Mormon who had grown up in the Church, finding authentic faith meant giving up all he knew: his community, his ambitions, and his place in the world. Yet as Micah struggled to reconcile the teachings of his Church with the truths revealed in the Bible, he awakened to his need for God’s grace. This led him to be summoned to the door of the mission president, terrified but confident in the testimony he knew could cost him everything. Passport to Heaven is a gripping account of Micah’s surprising journey from living as a devoted member of a religion based on human works to embracing the divine mercy and freedom that can only be found in Jesus Christ.
This collection of interviews features American, British and Australian writers, directors and actors recounting their notable work in the action genre and the fun of blowing things up. Action movies and television series from 1950s to the mid-1980s are covered, with the main focus on the 1960s and 1970s--the era of Bullitt, Mannix and The Professionals. Twenty-five interviewees discuss their career highlights, including writers Richard Harris (The Saint) and Leigh Chapman (The Octagon), directors Stewart Raffill (High Risk), Michael Preese (T.J. Hooker) and Robert M. Lewis (Kung-Fu), and actors Tony Russel (Peter Gunn) and Peter Mark Richman (Combat!).
It's widely assumed that Britain in the 1950s experienced a return to traditional gender roles. Popular cinema has typically been seen to represent this era through the dominant image of the 'happy housewife'. "Femininity in the Frame" is a sharply observant account of how British cinema engaged with femininity and women's roles during this important period. Written in a lively and accessible manner, it challenges received understandings, arguing that the period was marked by social unease and anxiety about gender roles and femininity, with much British cinema producing ambiguous messages about feminine identities and the role of women. Through analysing marginalized figures, such as prostitutes, criminals and femmes fatales, and addressing central themes, notably sexuality, marriage and female friendship, Melanie Bell examines how British popular cinema imagined and constructed femininity in this era of rapid social and cultural change. She draws together sources ranging from official reports to film reviews, with case studies of films across genres, including "The Perfect Woman", "Young Wives' Tale", "The Weak and the Wicked" and "A Town Like Alice", to show how new ideas and understandings of femininity were seeping into the cultural imagery at this time. She demonstrates how such films expressed proto-feminist ideas and how they ultimately explored new forms of femininity in a manner that has not until now been recognised.
The true story of the tumultuous and too-short life of the film star known as “the English Marilyn Monroe.” The story of Diana Dors is one of fame, glamour, and intrigue. From the moment she came into the world, her life was full of drama. She began her acting career in the shadow of the Second World War, entering the film world as a vulnerable young teenager and negotiating the difficult British studio system of the 1940s and ’50s. Yet she battled against the odds to become one of the most iconic British actors of the twentieth century. This book follows her remarkable story, from childhood in suburban Swindon to acting success as a teenager and finding fame as the “the English Marilyn Monroe.” Many remember her as an outspoken and sometimes controversial figure, grabbing headlines for her personal life as often as for her film roles. For Diana, image seemed to be everything, but there was more to her than the blonde-bombshell reputation suggested. A talented actor, she worked on numerous film and television projects, building a career that spanned decades. Set against the backdrop of the changing social landscape of twentieth century Britain, this book charts the ups and downs of her professional adventures and her tumultuous private life, to build a fascinating picture of a unique screen icon.
Passport Photos, a self-conscious act of artistic and intellectual forgery, is a report on the immigrant condition. A multigenre book combining theory, poetry, cultural criticism, and photography, it explores the complexities of the immigration experience, intervening in the impersonal language of the state. Passport Photos joins books by writers like Edward Said and Trinh T. Minh-ha in the search for a new poetics and politics of diaspora. Organized as a passport, Passport Photos is a unique work, taking as its object of analysis and engagement the lived experience of post-coloniality--especially in the United States and India. The book is a collage, moving back and forth between places, historical moments, voices, and levels of analysis. Seeking to link cultural, political, and aesthetic critiques, it weaves together issues as diverse as Indian fiction written in English, signs put up by the border patrol at the U.S.-Tijuana border, ethnic restaurants in New York City, the history of Indian indenture in Trinidad, Native Americans at the Superbowl, and much more. The borders this book crosses again and again are those where critical theory meets popular journalism, and where political poetry encounters the work of documentary photography. The argument for such border crossings lies in the reality of people's lives. This thought-provoking book explores that reality, as it brings postcolonial theory to a personal level and investigates global influences on local lives of immigrants.
A psychotherapist's memoir of addiction and recovery while navigating centuries-old customs and American culture provides an understanding of Asian Americans in terms of immigration, assimilation, and behavioral health.