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Pablo Neruda is known first as a poet, but the prose pieces in this collection reflect the enormous hunger he demonstrated throughout his career for new modes of expression, new adventures, new challenges. Passions and Impressions is both a sequel to and an enlargement of Neruda's Memoirs, recording a lifetime of travel, of friendships and enmities, of exile and homecoming, of loss and discovery, and of history both public and personal. Above all, it is a testament to Neruda's love for Chile-for its citizens, its flora and fauna, its national identity. His abiding devotion pervades these notes on a life fully lived.
Pablo Neruda is known first as a poet, but the prose pieces in this collection reflect the enormous hunger he demonstrated throughout his career for new modes of expression, new adventures, new challenges. Passions and Impressions is both a sequel to and an enlargement of Neruda's Memoirs, recording a lifetime of travel, of friendships and enmities, of exile and homecoming, of loss and discovery, and of history both public and personal. Above all, it is a testament to Neruda's love for Chile-for its citizens, its flora and fauna, its national identity. His abiding devotion pervades these notes on a life fully lived.
Beneath a thin top layer of honey, the barrel is full of shit. At the bottom lies death.Mickey's life was an accident. Dumped by his mother hours after birth and losing his father from a heroin overdose at the age of three, he was adopted by his drug-addicted uncle and grew up in a company of crooks and loafers. Married to an older, deranged former coquette, he led a dull stoner's life up to his early thirties. Everything changed when he became rich overnight.Roaming the depraved streets of central Athens, high on cocaine, he runs into Frida - a charming, barely-adult street prostitute. After spending ten minutes together in a shabby hotel room, he falls madly in love and is prepared to do everything for her. But she is not ready to reciprocate his feelings in the least. She is not capable of showing the slightest fondness towards anything that is not the object of her sole profound craving - a fine brown powder going by the name of heroin. She is, though, very apt in making use of anything that can be the means to obtaining her next dose. A diffident, submissive, and infatuated nouveau riche does perfectly qualify for becoming her habit's ideal sponsor.So does Mickey quit his job, leave his wife and daughter, and move out with Frida to live a restless life of abuse and decay in the fetid streets around Omonoia Square of Athens. He is determined to pull her out of the swamp, save her, become her hero, and ultimately, be loved by her. A part of her thirsts after a normal life, but she has to confront the besetting might of heroin addiction and the sense of nihilism that it engenders. If he stands any chance to help her out of her predicament, he must first overcome his own weaknesses of character, vanity, and paranoid mind.For the time being, Frida is sunk a good way into the barrel, and striving to pull her out, Mickey runs the danger to be dragged in it himself...
These prose pieces display the same adventurousness, gift for observation and lyrical exactitude that mark Neruda's poetry.
A survey of astonishing breadth and penetration. No cognitive neuroscientist should ever conduct an experiment in the domain of the emotions without reading this book, twice. Parashkev Nachev, Institute of Neurology, UCL There is not a slack moment in the whole of this impressive work. With his remarkable facility for making fine distinctions, and his commitment to lucidity, Peter Hacker has subtly characterized those emotions such as pride, shame, envy, jealousy, love or sympathy which make up our all too human nature. This is an important book for philosophers but since most of its illustrative material comes from an astonishing range of British and European literature, it is required reading also for literary scholars, or indeed for anyone with an interest in understanding who and what we are. David Ellis, University of Kent Human beings are all subject to boundless flights of joy and delight, to flashes of anger and fear, to pangs of sadness and grief. We express our emotions in what we do, how we act, and what we say, and we can share our emotions with others and respond sympathetically to their feelings. Emotions are an intrinsic part of the human condition, and any study of human nature must investigate them. In this third volume of a major study in philosophical anthropology which has spanned nearly a decade, one of the most preeminent living philosophers examines and reflects upon the nature of the emotions, advancing the view that novelists, playwrights, and poets – rather than psychologists and cognitive neuroscientists – elaborate the most refined descriptions of their role in human life. In the book’s early chapters, the author analyses the emotions by situating them in relation to other human passions such as affections, appetites, attitudes, and agitations. While presenting a detailed connective analysis of the emotions, Hacker challenges traditional ideas about them and criticizes misconceptions held by philosophers, psychologists, and cognitive neuroscientists. With the help of abundant examples and illustrative quotations from the Western literary canon, later sections investigate, describe, and disentangle the individual emotions – pride, arrogance, and humility; shame, embarrassment, and guilt; envy and jealousy; and anger. The book concludes with an analysis of love, sympathy, and empathy as sources of absolute value and the roots of morality. A masterful contribution, this study of the passions is essential reading for philosophers of mind, psychologists, cognitive neuroscientists, students of Western literature, and general readers interested in understanding the nature of the emotions and their place in our lives.
This introductory book on George Campbell discusses details of his life and his intellectual milieu, including his role in the Scottish Enlightenment in Aberdeen. In addition, Arthur E. Walzer provides a thorough examination of Campbell's Philosophy of Rhetoric, the most important work in rhetorical theory of the Enlightenment. Brief analyses of Campbell's Dissertation on Miracles and Lectures on Pulpit Eloquence are also given.
'Those most capable of being moved by passion are those capable of tasting the most sweetness in this life.' Descartes is most often thought of as introducing a total separation of mind and body. But he also acknowledged the intimate union between them, and in his later writings he concentrated on understanding this aspect of human nature. The Passions of the Soul is his greatest contribution to this debate. It contains a profound discussion of the workings of the emotions and of their place in human life - a subject that increasingly engages the interest of philosophers and intellectual and cultural historians. It also sets out a view of ethics that has been seen as a radical reorientation of moral philosophy. This volume also includes both sides of the correspondence with Princess Elisabeth of Bohemia, one of Descartes's keenest disciples and shrewdest critics, which played a crucial role in the genesis of The Passions, as well as the first part of The Principles of Philosophy, which sets out the key positions of Descartes's philosophical system. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Today there is a thriving 'emotions industry' to which philosophers, psychologists and neuroscientists are contributing. Yet until two centuries ago 'the emotions' did not exist. In this path-breaking study Thomas Dixon shows how, during the nineteenth century, the emotions came into being as a distinct psychological category, replacing existing categories such as appetites, passions, sentiments and affections. By examining medieval and eighteenth-century theological psychologies and placing Charles Darwin and William James within a broader and more complex nineteenth-century setting, Thomas Dixon argues that this domination by one single descriptive category is not healthy. Overinclusivity of 'the emotions' hampers attempts to argue with any subtlety about the enormous range of mental states and stances of which humans are capable. This book is an important contribution to the debate about emotion and rationality which has preoccupied western thinkers throughout the eighteenth and nineteenth centuries and has implications for contemporary debates.