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Shaw characterizes Passion, Poison, and Petrifaction as a "Brief tragedy," which, of course, the reader or spectator immediately discovers that Shaw is having us on. One might more rightly describe this play about vanity, jealousy, and murder as ridiculous or even-dare we say it-an antecedent to the Theatre of the Absurd. The play is a world unto itself-tomfoolery from beginning to end. Consequently, the frivolity is its virtue. Tragedy turned on its head. May you laugh yourself silly.
This book is an in-depth analysis of three of the most crucial years in twentieth-century Italian history, the years 1943-46. After more than two decades of a Fascist regime and a disastrous war experience during which Italy changed sides, these years saw the laying of the political and cultural foundations for what has since become known as Italy's First Republic. Drawing on texts from the literature, film, journalism, and political debate of the period, Antifascisms offers a thorough survey of the personalities and positions that informed the decisions taken in this crucial phase of modern Italian history.
Writing at the time of political and social crisis in Athens, Aristophanes was an eloquent yet bawdy challenger to the demagogue and the sophist. The Achanians is a plea for peace set against the background of the long war with Sparta.