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A powerful and wise account of a woman’s lifelong struggle with Tourette’s syndrome and obsessive-compulsive disorder “Affecting, gripping—no matter what form the reader’s own struggles for acceptance may have taken.”—Elle I am crazy. But maybe I am not. For most of her life, these thoughts plagued Amy Wilensky as her mind lurched and veered in ways she didn’t understand and her body did things she couldn’t control. While she excelled in school and led an otherwise “normal” life, she worried that beneath the surface she was a freak, that there was something irrevocably wrong with her. A powerful witness to her own dysfunction, Wilensky describes the strain it bore on her relationships with the people she thought she knew best: her family, her friends, and herself. Confronting the labels we apply to ourselves and others—compulsive, crazy, out of control—Amy describes her symptoms, diagnosis, and her treatment with courage and a healthy dose of humor, gradually coming to terms with the absurdities of a life beset by irrational behavior. This compelling narrative, by turns tragic and comic, broadly extends our understanding of the wondrously complex human mind, and, with subtlety and grace, challenges our notion of what it is to be “normal.”
A powerful and wise account of a woman’s lifelong struggle with Tourette’s syndrome and obsessive-compulsive disorder “Affecting, gripping—no matter what form the reader’s own struggles for acceptance may have taken.”—Elle I am crazy. But maybe I am not. For most of her life, these thoughts plagued Amy Wilensky as her mind lurched and veered in ways she didn’t understand and her body did things she couldn’t control. While she excelled in school and led an otherwise “normal” life, she worried that beneath the surface she was a freak, that there was something irrevocably wrong with her. A powerful witness to her own dysfunction, Wilensky describes the strain it bore on her relationships with the people she thought she knew best: her family, her friends, and herself. Confronting the labels we apply to ourselves and others—compulsive, crazy, out of control—Amy describes her symptoms, diagnosis, and her treatment with courage and a healthy dose of humor, gradually coming to terms with the absurdities of a life beset by irrational behavior. This compelling narrative, by turns tragic and comic, broadly extends our understanding of the wondrously complex human mind, and, with subtlety and grace, challenges our notion of what it is to be “normal.”
A cultural catalog of everyday things rapidly turning into rarities—from landlines to laugh tracks. So many things have disappeared from our day-to-day world, or are on the verge of vanishing. Some we may already think of as ancient relics, like typewriters (and their accompanying bottles of correction fluid). Others seem like they were here just yesterday, like boom boxes and CDs. We may feel fond nostalgia for certain items of yore: encyclopedias, newspapers, lighthouses. Other items, like MSG, not so much. But as the pace of change keeps accelerating, it’s worth taking a moment to mark the passing of the objects of our lives, from passbooks and pay phones to secretaries and skate keys. And to reflect on certain endangered phenomena that may be worth trying to hold on to—like privacy, or cash. This thoughtful alphabetized compendium invites us to take a look at the many things, ideas, and behaviors that have gone the way of the subway token—and to reflect on what is ephemeral, and what is truly timeless.
An intimate and darkly comic memoir of a woman who does a 180 with her body. When she was in her early forties, Frances Kuffel lost half her body weight. In Passing for Thin, Frances describes with unflinching honesty and a wickedly dark sense of humor her first fumbling introductions to her newly slender body, shining a light on the shared human experience of feeling uncomfortable in one’s own skin. She gradually moves from observer to player—enjoying for the first time flirting, exercising, and shopping–as she explores the terrain on the “Planet of Thin.” As Frances gradually comes to know—and love—the stranger in the mirror, she learns that her body does not define her, but enables her to become the woman she’s always wanted to be.
Amy Wilensky was eight years old when she started to suffer from Tourette's Syndrome and obsessive-compulsive disorder. The apple of her father's eye and a pretty, high achieving young girl, she watched as her body began to do things she couldn't control, her mind lurch and veer in ways she didn't understand. Ostensibly illogical, Amy's fears and compulsions ranged from an irrational dread of odd numbers, to a love of multiples of six; from denying herself water, to an impulse to stockpile rotting food; from needing to touch wood to ward off harm, to balancing on the edge of the subway platform. This involuntary dimension to her life was bewildering and potentially crippling. Now a young woman and a powerful witness to her own dysfunction, Wilensky looks back on the emotional fall-out of this socially disabling condition. By turns tragic and comic, her gripping narrative extends our understanding of the complex human mind and, with subtlety, humour and an eye for the absurd, challenges our notion of what it is to be 'normal'.
Passing—an act usually associated with disguising race—also relates to disability. Whether a person classified as mentally ill struggles to suppress aberrant behavior to appear "normal" or a person falsely claims a disability to gain some advantage, passing is a pervasive and much discussed phenomenon. Nevertheless, Disability and Passing is the first anthology to examine this issue. The editors and contributors to this volume explore the intersections of disability, race, gender, and sexuality as these various aspects of identity influence each other and make identity fluid. They argue that the line between disability and normality is blurred, discussing disability as an individual identity and as a social category. And they discuss the role of stigma in decisions about whether or not to pass. Focusing on the United States from the nineteenth century to the present, the essays in Disability and Passing speak to the complexity of individual decisions about passing and open the conversation for broader discussion. Contributors include: Dea Boster, Allison Carey, Peta Cox, Kristen Harmon, David Linton, Michael Rembis, and the editors.
Discover the essential thinking tools you’ve been missing with The Great Mental Models series by Shane Parrish, New York Times bestselling author and the mind behind the acclaimed Farnam Street blog and “The Knowledge Project” podcast. This first book in the series is your guide to learning the crucial thinking tools nobody ever taught you. Time and time again, great thinkers such as Charlie Munger and Warren Buffett have credited their success to mental models–representations of how something works that can scale onto other fields. Mastering a small number of mental models enables you to rapidly grasp new information, identify patterns others miss, and avoid the common mistakes that hold people back. The Great Mental Models: Volume 1, General Thinking Concepts shows you how making a few tiny changes in the way you think can deliver big results. Drawing on examples from history, business, art, and science, this book details nine of the most versatile, all-purpose mental models you can use right away to improve your decision making and productivity. This book will teach you how to: Avoid blind spots when looking at problems. Find non-obvious solutions. Anticipate and achieve desired outcomes. Play to your strengths, avoid your weaknesses, … and more. The Great Mental Models series demystifies once elusive concepts and illuminates rich knowledge that traditional education overlooks. This series is the most comprehensive and accessible guide on using mental models to better understand our world, solve problems, and gain an advantage.
Like a glass of lemonade that is both sweet and tart, writer Patricia Jones mixes up a refreshing blend of deep emotion and raw truth, tempered by a grounded dose of wisdom. To Lila Giles, the term "passing" refers to those pale-hued folks who take advantage of their creamy shade by crossing into the white world. Descended from a long line of an elite Baltimore family awash with "high-colored" skin just right for "passing", family lore told Lila that not one of them would have thought to deny their true selves and rich history in such a way. It is this sense of pride that bonds the Giles family together -- a bond strongly enforced by Lila's controlling stepmother Eulelie. But the delicate balance of this branch of the family Eulelie has so carefully engineered is threatened when Lila's brother decides to marry a woman from an oh-so-very-wrong family. A proud though severe matriarch, Eulelie Giles has ruled her four grown stepchildren with a heavy self-righteousness that could break the spirit of the most sound opponent, let alone the nearly thirty-year-old Lila. Relentlessly loyal to her privileged world, Eulelie has ingrained upon Lila and her three other stepchildren the importance of distinguishing between acceptable and unacceptable blacks. Despite her strident belief in an unyielding class line, Eulelie has kept a secret about her own past that manages to affect, in more ways than a few, anyone who enters her life. As the wedding day draws closer, Lila begins to look at her reality versus Eulelie's, and what Lila finds leads to a confrontation between stepmother and stepdaughter that could finally shatter Eulelie's reign over Lila and the family, but ultimately, one that will lead Eulelie back to the truth. Filled with multi-dimensional characters and rich with atmosphere, Passing is a story of tangled family relationships; the secrets, misunderstanding, and deceptions that hold them together.
"Stew brings us the story of a young bohemian who charts a course for 'the real' through sex, drugs and rock 'n' roll."--Page 4 of cover.
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.