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There's a Halloween party on Shivermore Street, and everyone—from dancing mummies to musical witches—is coming. There'll be whipped-cream-covered ants, pumpkin carving, apple bobbing, and a special surprise when the masks come off at the end of the night. This is a party you don't want to miss!
In this You Choose mystery, Scooby-Doo and the gang discovered a haunted house in New Orleans.
Cari Taylor and her three friends are looking forward to a “party summer,” working at The Howling Wolf Inn, an old hotel on a tiny island off Cape Cod. But to their dismay, the hotel is completely deserted, and someone warns them to leave immediately. But the mysterious owner, Simon Fear III, allows Cari and her friends to stay, giving them the run of the hotel. The four teenagers are thrilled...until Simon Fear is murdered. Cari and her horrified friends want out—but they can’t escape! They’re trapped on the island. And that’s when the “party” begins...
Ghosts, goblins, skeletons, and ghouls hurry to Number 13 Spooky Street for the Halloween Party.
In this You Choose mystery, Scooby-Doo and the gang visit the great city of New Orleans. When the gang is forced to stop by an old mansion, it seems they've discovered a haunted house filled with witches and vampires. But who's really behind the haunting? Reader's choose which path to follow, with each leading to a different guilty party. Solve the mystery again and again! A glossary and choose-your-favorite punchline jokes make this a fun addition to the classroom library.
Contemporary American horror literature for children and young adults has two bold messages for readers: adults are untrustworthy, unreliable and often dangerous; and the monster always wins (as it must if there is to be a sequel). Examining the young adult horror series and the religious horror series for children (Left Behind: The Kids) for the first time, and tracing the unstoppable monster to Seuss's Cat in the Hat, this book sheds new light on the problematic message produced by the combination of marketing and books for contemporary American young readers.
Provides tips on planning family travel trips around the United States in "top ten" lists, including the best lakes, carousel towns, colonial landmarks, and regional specialties.
For historians of printing and book design, students of children's literature, and book collectors, this record of 19th- and 20th-century English language books containing movable illustrations identifies, indexes, and describes some 1,600 titles. The volume is arranged alphabetically by title and has three separate indexes sorted by publication date, personal names of contributors, and series titles. Annotation copyright by Book News, Inc., Portland, OR
*A Kirkus Best Book of July* *An InsideHook Book You Should Be Reading This July* A fascinating history that examines how real estate, gentrification, community and the highs and lows of New York City itself shaped the city’s music scenes from folk to house music. Take a walk through almost any neighborhood in Manhattan and you’ll likely pass some of the most significant clubs in American music history. But you won’t know it—almost all of these venues have been demolished or repurposed, leaving no record of what they were, how they shaped music scenes or their impact on the neighborhoods around them. Traditional music history tells us that famous scenes are created by brilliant, singular artists. But dig deeper and you’ll find that they’re actually created by cheap rent, empty space and other unglamorous factors that allow artistic communities to flourish. The 1960s folk scene would have never existed without access to Greenwich Village’s Washington Square Park. If the city hadn’t gone bankrupt in 1975, there would have been no punk rock. Brooklyn indie rock of the 2000s was only able to come together because of the borough’s many empty warehouse spaces. But these scenes are more than just moments of artistic genius—they’re also part of the urban gentrification cycle, one that often displaces other communities and, eventually, the musicians themselves. Drawing from over a hundred exclusive interviews with a wide range of musicians, deejays and scenesters (including members of Peter, Paul and Mary; White Zombie; Moldy Peaches; Sonic Youth; Treacherous Three; Cro-Mags; Sun Ra Arkestra; and Suicide), writer, historian and tour guide Jesse Rifkin painstakingly reconstructs the physical history of numerous classic New York music scenes. This Must Be the Place examines how these scenes came together and fell apart—and shows how these communal artistic experiences are not just for rarefied geniuses but available to us all.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.