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Partners in . . . Classics includes six partner song arrangements of some of the finest masterwork choruses of all time, including works by Bach, Franck, Handel, Haydn, Mozart and Pachelbel. They're great for worship or concerts throughout the year! Both a full performance/accompaniment CD recording and a money-saving Book/CD Kit are also available. Titles Include: Sing Hallelujah (Handel) * Holy, Holy, Holy (Franck) * A Joyful Mozart Alleluia * The Heavens Are Telling (Haydn) * Minuet Noel (Bach) * Amazing Grace/Pachelbel's Canon
Why has Taiwan spent more than three decades pouring capital and talent into China? Going beyond the received wisdom of the "China miracle" and "Taiwan factor," Jieh-min Wu's award-winning Rival Partners shows how Taiwan benefits from partnering with its political archrival and helps to cultivate a global economic superpower.
When three partners find a fortune in the Gold Rush it invites a lot of unwanted attention, deceit and death! Excerpt: "The sun was going down on the Black Spur Range. The red light it had kindled there was still eating its way along the serried crest, showing through gaps in the ranks of pines, etching out the interstices of broken boughs, fading away and then flashing suddenly out again like sparks in burnt-up paper. Then the night wind swept down the whole mountain side, and began its usual struggle with the shadows upclimbing from the valley, only to lose itself in the end and be absorbed in the all-conquering darkness..." Bret Harte was an American short story writer and poet, best remembered for his short fiction featuring miners, gamblers, and other romantic figures of the California Gold Rush. In a career spanning more than four decades, he wrote poetry, fiction, plays, lectures, book reviews, editorials, and magazine sketches in addition to fiction. As he moved from California to the eastern U.S. to Europe, he incorporated new subjects and characters into his stories, but his Gold Rush tales have been most often adapted and admired.
This Oxford Companion to the ancient classical world is aimed at the general reader interested in learning more about the very bedrock of Western culture, covering such topics as history, morals, mythology, medicine and social life.
The influence of Greek and Roman authors on our American forefathers finally becomes clear in this fascinating book—the first comprehensive study of the founders’ classical reading.
Amazo is a rampaging robot out to destroy the city. When Superman, Batman, and the Flash try to stop him, he absorbs their superpowers, making him unstoppable. They must call in the rest of the Justice League to help conquer this angry android.
In Daniel Defoe's Ultimate Collection, readers are presented with a treasure trove of adventure classics, pirate tales, and historical novels that showcase the author's unique literary style and keen sense of storytelling. Defoe's works are known for their vivid imagery, riveting plots, and engaging characters, making them stand out in the literary context of the 18th century. This collection also includes biographies, historical works, travel sketches, poems, and essays, all complemented with illustrations that bring the narratives to life. Defoe's versatile writing transcends genres, offering a diverse and immersive reading experience for fans of historical fiction and adventure tales.
Shedding new light on the history of the book in antiquity, Empire of Letters tells the story of writing at Rome at the pivotal moment of transition from Republic to Empire (c. 55 BCE-15 CE). By uniting close readings of the period's major authors with detailed analysis of material texts, it argues that the physical embodiments of writing were essential to the worldviews and self-fashioning of authors whose works took shape in them. Whether in wooden tablets, papyrus bookrolls, monumental writing in stone and bronze, or through the alphabet itself, Roman authors both idealized and competed with writing's textual forms. The academic study of the history of the book has arisen largely out of the textual abundance of the age of print, focusing on the Renaissance and after. But fewer than fifty fragments of classical Roman bookrolls survive, and even fewer lines of poetry. Understanding the history of the ancient Roman book requires us to think differently about this evidence, placing it into the context of other kinds of textual forms that survive in greater numbers, from the fragments of Greek papyri preserved in the garbage heaps of Egypt to the Latin graffiti still visible on the walls of the cities destroyed by Vesuvius. By attending carefully to this kind of material in conjunction with the rich literary testimony of the period, Empire of Letters exposes the importance of textuality itself to Roman authors, and puts the written word back at the center of Roman literature.