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Genealogy of Joseph Franklin Burcham and his wife Rosella Householder who lived in Washington.
Appearing in all figural media from the mid-twelfth century, family trees and lineages made political claims for their patrons.
Foucault's classic study of the history of medicine.
This book argues that Freud’s mapping of trauma as a scene is central to both his clinical interpretation of his patients’ symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients’ lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud’s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud’s scenography of trauma and fantasy that speaks to the student of literature and painting. Overall, the book develops the thesis of Jean Laplanche that in Freud’s shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject.
A Sketch of the Life of Okah Tubbee, published in 1852, begins with testimonials regarding Okah Tubbee's flute-playing abilities and with a lightly edited version of Lewis Allen's "Essay Upon the Indian Character" from the earlier edition of Tubbee's narrative, as well as the so-called Indian Covenant "between the Six Nations and the Choctaws." Tubbee's narrative begins with brief recollections of his father and Tubbee's childhood with his "unnatural mother." Tubbee's visit to Choctaw Indians in Alexandria is described before his apprenticeship to the cruel blacksmith Mr. Russell, and his subsequent apprenticeship to Dr. A.P. Merrill, leading to his desire to become an "Indian Doctor." Tubbee's details his travels and voyages by steamboat, first as a musician with the Louisiana Volunteers and later on his own. Towards the end of his narrative, Tubbee expresses a desire to let his wife, Laah Ceil, speak for herself. In this final, additional section, Laah Ceil describes her birth, her education, her Christian convictions, and the manner in which she met and married Tubbee. She also recounts their travels together and their advocacy "in behalf of the Indians" and against forced relocation. The Sketch concludes with an original poem by Laah Ceil and a collection of letters, documents, and vouchers attesting to Okah Tubbee's identity and his medical skill. A DOCSOUTH BOOK. This collaboration between UNC Press and the University of North Carolina at Chapel Hill Library brings classic works from the digital library of Documenting the American South back into print. DocSouth Books uses the latest digital technologies to make these works available in paperback and e-book formats. Each book contains a short summary and is otherwise unaltered from the original publication. DocSouth Books provide affordable and easily accessible editions to a new generation of scholars, students, and general readers.
This volume continues the stories of the Israelite patriarchs and prophets who figured in Volume II, as well as of the semi-mythical rulers of ancient Iran. In addition to biblical, Qur'anic, and legendary accounts about Moses, Aaron, and the exodus of the Children of Israel from Egypt; of the Judges, Samuel and Ezekiel; and of Saul, David, and Solomon, it includes a version of Iranian prehistory that emphasizes the role of Manuchihr (Manushihr in Arabic) in creating the Iranian nation and state. Woven into these accounts are stories about figures belonging to the very earliest literatures of the Middle East: the mysterious al-Khidwith echoes from the epic of the Sumero-Akkadian hero Gilgamesh; the legendary exploits of Dhu l-Qarnayn, mirroring the ancient romance of Alexander; and incorporating elements about the encounter of King Solomon and Bilqis, the Queen of Sheba, of Jewish midrash and South Arabian lore. The Islamic empire was at its political and economic height during the tenth and eleventh centuries, and a new civilization was forged at the caliphal court and in society at large. One of the literary triumphs of that civilization was this rich and colorful tapestry belonging to the Islamic genre of "tales of the prophets." The tales in this volume show how threads from all the ancient civilizations of the Middle East were incorporated, absorbed, and Islamized in the brilliant fabric of that new civilization.