Download Free Partheneia Sacra Or The Mysterious And Delicious Garden Of The Sacred Parthenes Book in PDF and EPUB Free Download. You can read online Partheneia Sacra Or The Mysterious And Delicious Garden Of The Sacred Parthenes and write the review.

The Song of Songs , with its highly sexual imagery, was very popular in seventeenth-century England in commentary and paraphrase. This book charts the fascination with the mystical marriage, its implication in the various political conflicts of the seventeenth century, and its appeal to seventeenth-century writers, particularly women.
A fresh reading of Marvell's most important works, exploring the variety and complexity of his approaches to contemporary religious and political events. Andrew Marvell's celebrated poetic ambivalence to the philosophical, political and religious controversies of mid-seventeenth century England is the subject of this book, which includes major new historical readings of his most important lyrics and political verse, incorporating material from hitherto unpublished contemporary manuscripts. It places the poetic imagination of Marvell and his contemporaries - such as John Milton, Henry Vaughan, Abraham Cowley, Margaret Cavendish, William Davenant, and Thomas Fairfax - into the context of the turbulent public events of the time; and demonstrates Marvell's hitherto unnoticed connection with the liberal, rational and sceptical thinkers associated with the Great Tew circle. It also argues that Marvell's "middle way" in theology is bound up with his ambivalence towards the Calvinist God. Takashi Yoshinaka took his D.Phil. at the University of Oxford, and is Professor of English in the Graduate School of Letters, Hiroshima University.
"The persons in America who were the most opposed to Great Britain had also, in general, distinguished themselves by being particularly hostile to Catholics." So wrote the minister, teacher, and sometime-historian Jonathan Boucher from his home in Surrey, England, in 1797. He blamed "old prejudices against papists" for the Revolution's popularity - especially in Maryland, where most of the non-Canadian Catholics in British North America lived. Many historians since Boucher have noted the role that anti-Catholicism played in stirring up animosity against the king and Parliament. Yet, in spite of the rhetoric, Maryland's Catholics supported the independence movement more enthusiastically than their Protestant neighbors. Not only did Maryland's Catholics embrace the idea of independence, they also embraced the individualistic, rights-oriented ideology that defined the Revolution, even though theirs was a communally oriented denomination that stressed the importance of hierarchy, order, and obligation. Catholic leaders in Europe made it clear that the war was a "sedition" worthy of damnation, even as they acknowledged that England had been no friend to the Catholic Church. So why, then, did "papists" become "patriots?" Maura Jane Farrelly finds that the answer has a long history, one that begins in England in the early seventeenth century and gains momentum during the nine decades preceding the American Revolution, when Maryland's Catholics lost a religious toleration that had been uniquely theirs in the English-speaking world and were forced to maintain their faith in an environment that was legally hostile and clerically poor. This experience made Maryland's Catholics the colonists who were most prepared in 1776 to accept the cultural, ideological, and psychological implications of a break from England.
This book theorizes the baroque as neither a time period nor an artistic style but as a collection of bodily practices developed from clashes between governmental discipline and artistic excess, moving between the dramaturgy of Jesuit spiritual exercises, the political theatre-making of Angelo Beolco (aka Ruzzante), and the civic governance of the Venetian Republic at a time of great tumult. The manuscript assembles plays seldom read or viewed by English-speaking audiences, archival materials from three Venetian archives, and several secondary sources on baroque, Renaissance, and early modern epistemology in order to forward and argument for understanding the baroque as a gathering of social practices. Such a rethinking of the baroque aims to complement the already lively studies of neo-baroque aesthetics and ethics emerging in contemporary scholarship on (for example) Latin American political art.
With full attention to the classical, medievel, and Renaissance traditions that constituted the milieu in which Milton wrote, Lieb explores the sacral basis of Milton's thought. He argues that Milton's responsiveness to the holy as the most fundamental of experiences caused his outlook to transcend immediate doctrinal concerns. Acccordingly, Lieb contends that the consecratory impulse not only underlined Milton's point of view but infused all aspects of his work. Originally published in 1981. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
This title was published in 2003.Although it is often assumed that British writing on architectural theory really started in the 18th century, there is in fact a large corpus of writing on architecture pre-dating the introduction of Palladianism by Lord Burlington. Some of it, such as the English editions of Serlio and Palladio, belongs to the Vitruvian tradition. But many texts elude such easy classification, such as the prolonged (but hardly studied) discussions on church architecture, which are both in form and content very different from the way that theme was handled in Italian Renaissance treatises. This collection of English writing on architecture from 1540 to 1750 offers a large selection of fragments, some of them never published before. They discuss the nature of architecture, the practicalities of building, the sense of the past, religious architecture and classicism.
A wide-ranging, inter- and transdisciplinary approach grounded in the twin rigors of theory and history, which, through close readings assesses and analyses the significance of maps to literary texts, and which examines the ways in which the literary maps imaginary and real worlds.