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This book analyses the conceptual mechanisms behind the notion of “The Christian Life” in the collection of sermons preached by John Henry Newman (1801–1890) and published in eight volumes as Parochial and Plain Sermons (1834–1843). The study utilises tools of cognitive semantics, such as the theory of conceptual metaphor and metonymy and the theory of conceptual integration. Cognitivism offers an integral perspective on language and is gaining in popularity among scholars in the whole world. The book identifies a number of metaphorical models of “The Christian Life” in Newman’s sermons, based on structural metaphors, such as “A Journey”, “A Race”, “A Trial” and “Family Life”, as well as some models based on ontological metaphors, such as animalisations (“The Sheepfold” metaphor), vegetalisations (the “Christ is a Plant” metaphor) and reifications (“The Gift” metaphor). Each of the models constitutes a coherent set of metaphors, metonymies and metaphtonymies, present throughout the whole of Newman’s Parochial and Plain Sermons. It is also shown that the conceptualisation of “The Christian Life” is based on conceptual blending between conventional metaphors functioning in everyday English and the transcendental conceptual domain of “Christianity”. The book will be of interest to linguists, particularly those interested in cognitive linguistics, as well as to theologians, especially those focused on the theory of preaching, and to everyone interested in the legacy of John Henry Newman.
The Development of Anglican Moral Theology is the successor volume to The Origins of Anglican Moral Theology. It describes how Anglican theologians interacted closely with the moral philosophers of their day while providing a pastoral resource in the fast-changing period between 1680-1950. The book shows how vibrant and intellectually rigorous the tradition was, and includes detailed studies of the sermons of Butler, Wesley and Newman, the writings of William Law and Coleridge, and the later work of Maurice, Gore, Scott Holland, Moberly, William Temple and Kirk. This is the first account of this lively tradition of moral theology.
Sent Forth is a book for all who wish to proclaim the gospel in the world today. It is the fruit of the missionary work of the Saint John Society, a society of apostolic life dedicated to the New Evangelization in the Catholic Church. Engaged in the concrete work of evangelization in flourishing Christian communities, the authors draw together the mind of the Church and the heart of the missionary. Taking lessons from the four Gospels, the encyclicals of popes, the writings of cardinals, and the accounts of everyday Christians who have sought to communicate their faith through all kinds of joys, sorrows, and questions, this book delivers fundamental theological principles—as well as practical, down-to-earth counsel—for Christians seeking to share Christ with their families, co-workers, and neighbors. What emerges is a picture of evangelization that is eminently personal, emphasizing attunement to the heart of Jesus. Where heart speaks to heart, the word received is to “go forth,” share what you have heard, and encourage others to partake in this inmost heartbeat of the world, the New Life in Christ!
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Explores liturgical practice as formative for how three Victorian women poets imagined the world and their place in it and, consequently, for how they developed their creative and critical religious poetics. This new study rethinks several assumptions in the field: that Victorian women’s faith commitments tended to limit creativity; that the contours of church experiences matter little for understanding religious poetry; and that gender is more significant than liturgy in shaping women’s religious poetry. Exploring the import of bodily experience for spiritual, emotional, and cognitive forms of knowing, Karen Dieleman explains and clarifies the deep orientations of different strands of nineteenth-century Christianity, such as Congregationalism’s high regard for verbal proclamation, Anglicanism’s and Anglo-Catholicism’s valuation of manifestation, and revivalist Roman Catholicism’s recuperation of an affective aesthetic. Looking specifically at Elizabeth Barrett Browning, Christina Rossetti, and Adelaide Procter as astute participants in their chosen strands of Christianity, Dieleman reveals the subtle textures of these women’s religious poetry: the different voices, genres, and aesthetics they create in response to their worship experiences. Part recuperation, part reinterpretation, Dieleman’s readings highlight each poet’s innovative religious poetics. Dieleman devotes two chapters to each of the three poets: the first chapter in each pair delineates the poet’s denominational practices and commitments; the second reads the corresponding poetry. Religious Imaginaries has appeal for scholars of Victorian literary criticism and scholars of Victorian religion, supporting its theoretical paradigm by digging deeply into primary sources associated with the actual churches in which the poets worshipped, detailing not only the liturgical practices but also the architectural environments that influenced the worshipper’s formation. By going far beyond descriptions of various doctrinal positions, this research significantly deepens our critical understanding of Victorian Christianity and the culture it influenced.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.