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Excerpt from Parleying With Certain People of Importance in Their Day: To Wit Bernard De Mandeville, Daniel Bartoli, Christopher Smart, George Bubb Dodington, Francis Furini, Gerard De Lairesse, and Charles Avision Which I make an end of the smooth as the tangled My shears cut asunder each snap shrieks One more Mortal makes sport for us Moirai who dangled The puppet grotesquely till earth's solid floor Proved film he fell through, lost in Nought as before. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Robert Browning (1812-89) rivals Tennyson as the major Victorian poet with such important works as Dramatic Lyrics, Dramatic Romances and Lyrics, Men and Women, Dramatic Personae and the monumental The Ring and the Book. He is known for his development of the dramatic monologue in which he recreated the world of Renaissance Italy, and provided subtle and complex explorations of character. Here, Daniel Karlin and John Woolford provide a thematic survey of Browning's often difficult work, using key poems as a common point of reference. The themes covered include: styles, genres, the mind, the world, interaction and criticism. This excellent survey will be of value to students of Victorian literature and modernism.
Robert Browning's pre-eminent status amongst Victorian poets has endured despite the recent broadening of the literary canon. He is the main practitioner of the period's most important poetic genre, the dramatic monologue, while his engagement with many aspects of nineteenth-century culture makes him a key figure in the wider field of Victorian studies. This stimulating introduction to Browning criticism provides an overview of the major responses to the poet's work over the last two hundred years. It offers an insightful guide to criticism from various theoretical perspectives, elucidating Browning's participation in Victorian debates about aesthetics, history, politics, religion, gender and psychology.
Excerpt from Parleying With Certain People of Importance in Their Day: To Wit Bernard De Mandeville, Daniel Bartoli, Christopher Smart, George Bubb Dodington, Francis Furini, Gerard De Lairesse, and Charles Avision Apollo and the Fates in Mercurium, v. 559. Eumenides, vv. 693-4, 697-8. Alcestis, vv. 12, 33.) Apollo. (From above.) Flame at my footfall, Parnassus! Apollo, Breaking ablaze on thy topmost peak, Burns thence, down to the depths - dread hollow - Haunt of the Dire Ones. Haste! They wreak Wrath on Admetus whose respite I seek. The Fates. (Below. Darkness.) Dragonwise couched in the womb of our Mother, Coiled at thy nourishing heart's core, Night! Dominant Dreads, we, one by the other, Deal to each mortal his dole of light On earth - the upper, the glad, the bright. Clotho. Even so: thus from my loaded spindle Plucking a pinch of the fleece, lo, "Birth" Brays from my bronze lip: life I kindle: Look, 'tis a man! go, measure on earth The minute thy portion, whatever its worth! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Current work on speech pragmatics and visual thinking calls for a radical reassessment of the problem of obscurity or difficulty in Robert Browning’s work. In this innovative study, Bailey reinterprets Browning's life and work in the context of contemporary theories of language and attention, drawn from the cognitive sciences. Specifically, new readings of under-examined historical sources show the extent to which Browning’s cognitive and perceptual worlds differed from the norm, aligning him with Victorians like Sir Francis Galton or fellow-artist William Wetmore Story. Exploring how perceptual biases are transformed in the language of the poems, Bailey demonstrates how the cognitive sciences can ground a new biographical practice, drawing attention to such matters as the creative process and the ethics of understanding individuals who think differently. In doing so, she re-energizes debates about this unusual Victorian poet, his later works, and the nature of literary style.
First published in 2003, this book examines the creative partnership of Elizabeth Barrett and Robert Browning, and provides a critical analysis of the poems written by this famous couple during the 16 year period of their friendship, courtship and marriage. Even quite early in their relationship, the Brownings shared a frame of reference: similar themes, narrative structures, and details of phrasing resonate in their works and suggest dialogue, rather than merely mutual influence. Pollock traces parallels between the Brownings' lives and works even before they met, and then throughout their courtship and married life, suggesting that their creative dialogue continued after Barrett Browning died in 1861, as her presence and themes continued to inform Browning's poetry for at least a decade afterward.