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A unique slice of life in the Golden Age of Paris, the City of Light, in this illuminating volume of collected postcards.
Delightful images of young, beach-clad French women dance across the pages of this 1920s collection of postcards. Considered racy in their day, these images capture a unique expression of photo art history.
Kylie the Crocodile in Paris follows the a crocodile that lives in the Canal Saint-Martin and explores Paris secretly by day, and rather lavishly by night. And it's based on an absolutely true story. Written and illustrated by Paris couple Oliver and Lina Gee.
The unique sights, smells and sounds of the famous city are the luminous backdrop to these eleven tales whose colourful characters are lured to the City of Light and Love, like moths to a flame. A young waiter leaves the French countryside in search of fame and fortune. A single woman leaves her home country behind in a last chance search for meaning and love. In German occupied Paris an officer is lodged in the house of a defiant young Frenchwoman. The extravagance and glamour of café society masks the fate of a Texan heiress. In a sweeping time-span from the bohemian 1920's and 30's, through the traumatic war years, the new dawn of the 1950's and 60's, right up to current day; these are stories of yearning and longing where hopes and dreams are kindled by the powerful mystique of Paris. And within each story is a simple postcard which may have dramatic consequences.
Reproduces more than 100 images of Paris taken by photographer Pierre Yves-Petit in the years between the two world wars and that depict the magic and romance most often associated with the City of Light.
Photographer Eug�ne Atget is best known as a chronicler of a romantic, if disappearing, Paris around the turn of the 20th century. This book presents a series of postcards depicting Paris's petits m�tiers, or little trades, exploring another side to Atget's oeuvre. More or less Atget's only published works during his lifetime, the postcards capture the ephemeral nature of life in the city and are part of a long tradition of depicting skilled tradespeople plying their wares. In them, Atget presents the market stands, the odd jobs, the cobbled together shops, and the informal entertainment that gave Paris its piquancy and eternally renewing liveliness.
R.Michael, in this work, seeks to take a slice of life from the City of Love, the City of Lights that have garnered the imaginations of millions of people over the centuries. Here shows a bit of that famous city, Paris through his eyes though words can't capture it enough. Vive Paris!!! Viva France!!!
“Consent” is a Molotov cocktail, flung at the face of the French establishment, a work of dazzling, highly controlled fury...By every conceivable metric, her book is a triumph.” -- The New York Times Already an international literary sensation, an intimate and powerful memoir of a young French teenage girl’s relationship with a famous, much older male writer—a universal #MeToo story of power, manipulation, trauma, recovery, and resiliency that exposes the hypocrisy of a culture that has allowed the sexual abuse of minors to occur unchecked. Sometimes, all it takes is a single voice to shatter the silence of complicity. Thirty years ago, Vanessa Springora was the teenage muse of one of the country’s most celebrated writers, a footnote in the narrative of a very influential man in the French literary world. At the end of 2019, as women around the world began to speak out, Vanessa, now in her forties and the director of one of France’s leading publishing houses, decided to reclaim her own story, offering her perspective of those events sharply known. Consent is the story of one precocious young girl’s stolen adolescence. Devastating in its honesty, Vanessa’s painstakingly memoir lays bare the cultural attitudes and circumstances that made it possible for a thirteen-year-old girl to become involved with a fifty-year-old man who happened to be a notable writer. As she recalls the events of her childhood and her seduction by one of her country’s most notable writers, Vanessa reflects on the ways in which this disturbing relationship changed and affected her as she grew older. Drawing parallels between children’s fairy tales and French history and her personal life, Vanessa offers an intimate and absorbing look at the meaning of love and consent and the toll of trauma and the power of healing in women’s lives. Ultimately, she offers a forceful indictment of a chauvinistic literary world that has for too long accepted and helped perpetuate gender inequality and the exploitation and sexual abuse of children. Translated from the French by Natasha Lehrer "...One of the belated truths that emerges from [Consent] is that Springora is a writer. [...]Her sentences gleam like metal; each chapter snaps shut with the clean brutality of a latch." -- The New Yorker "Consent [is] rapier-sharp, written with restraint, elegance and brevity." -- The Times (London) "[Consent] has something steely in its heart, and it departs from the typical American memoir of childhood abuse in exhilarating ways." -- Slate "Lucid and nuanced...[Consent] will speak to trauma survivors everywhere." -- Los Angeles Review of Books ”A piercing memoir about the sexually abusive relationship she endured at age 14 with a 50-year-old writer...This chilling account will linger with readers long after the last page is turned.” -- Publishers Weekly "Springora's lucid account is a commanding discussion of sexual abuse and victimization, and a powerful act of reclamation." -- Booklist "A chilling story of child abuse and the sophisticated Parisians who looked the other way...[Springora] is an elegant and perceptive writer." -- Kirkus