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The Paris of popular imagination is lined with cobblestone streets and stylish cafés, a beacon for fashionistas and well-heeled tourists. But French American journalist Cole Stangler, celebrated for his reporting on Paris and French politics, argues that the beating heart of the City of Light lies elsewhere – in the striving, working-class districts, where residents are now being priced out. Paris Isn't Dead Yet explores the past, present and future of the city through the lens of class conflict, highlighting the outsized role of immigrants in shaping the city's progressive, cosmopolitan and open-minded character – at a time when politics nationwide can feel like they're shifting in the opposite direction. This is the Paris many tourists too often miss: immigrant-heavy districts such as the 18th arrondissement, where crowded street markets still define everyday life. Stangler brings this view of the city to life, combining gripping, street-level reportage, stories of today's working-class Parisians, recent history and a sweeping analysis of the larger forces shaping the city. An eye-opening portrait of one of the world's most vital urban centres, Paris Isn't Dead Yet is a moment of reckoning for how cities everywhere serve us today.
A charming series debut featuring two American sleuths in Paris, this traditional mystery is perfect for fans of M. L. Longworth and Juliet Blackwell The only thing chillier than a Parisian winter is cold-blooded murder. When French financier Edgar Bowen drowns in a bowl of soup, his former girlfriend, American Rachel Levis, is alarmed by the unnatural death. Who dies eating a nice vichyssoise? But when she overhears a mourner at his funeral describing the circumstances of his death, something sounds even stranger: a bottle of rosé was on the dining table when he died. The only problem: Edgar loathed rosé. If he wasn’t drinking it, who was? After the police rule the death accidental, Rachel knows it’s up to her and her best friend Magda to investigate. As the two Americans immerse themselves in Edgar’s upper-class world, the list of suspects grows: Could it have been his son, who inherited his money and lavish apartment? His icy ex-wife? His greedy new girlfriend? His impoverished personal assistant? But when the suspects start dropping like flies, Rachel and Magda realize the murderer is tying up loose ends. It’ll be up to two amateur sleuths to solve their first case before the murderer decides they’re next...
A street-level people’s view of one of the world’s beloved cities, in a stunning debut that blends cutting-edge reporting and sweeping political analysis of a changing Paris “Working-class Paris is still around today, as real as the cobblestones, gray zinc roofs, and dusty railyards cutting through its neighborhoods.” —from the introduction The Paris of popular imagination is lined with cobblestone streets and stylish cafés, a beacon for fashionistas and well-heeled tourists. But French-American journalist Cole Stangler, celebrated for his reporting on Paris and French politics, argues that the beating heart of the City of Light lies elsewhere—in its striving, working-class districts whose residents are being priced out of their hometown today. Paris Is Not Dead explores the past, present, and future of the City of Light through the lens of class conflict, highlighting the outsized role of immigrants in shaping the city’s progressive, cosmopolitan, and open-minded character—at a time when politics nationwide can feel like they’re shifting in the opposite direction. This is the Paris many tourists too often miss: immigrant-heavy districts such as the 18th arrondissement, where crowded street markets still define everyday life. Stangler brings this view of the city to life, combining gripping, street-level reportage, stories of today’s working-class Parisians, recent history, and a sweeping analysis of the larger forces shaping the city. In the tradition of Lucy Sante and Mike Davis, Paris Is Not Dead offers a bottom-up portrait of one of the world’s most vital urban centers—and a call to action to Francophiles and all who care about the future of cities everywhere.
Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. The Voice Over brings together two decades of Stepanova’s work, showcasing her range, virtuosity, and creative evolution. Stepanova’s poetic voice constantly sets out in search of new bodies to inhabit, taking established forms and styles and rendering them into something unexpected and strange. Recognizable patterns of ballads, elegies, and war songs are transposed into a new key, infused with foreign strains, and juxtaposed with unlikely neighbors. As an essayist, Stepanova engages deeply with writers who bore witness to devastation and dramatic social change, as seen in searching pieces on W. G. Sebald, Marina Tsvetaeva, and Susan Sontag. Including contributions from ten translators, The Voice Over shows English-speaking readers why Stepanova is one of Russia’s most acclaimed contemporary writers.
A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors. Sedaris is an amazing reader whose appearances draw hundreds, and his performancesincluding a jaw-dropping impression of Billie Holiday singing I wish I were an Oscar Meyer weinerare unforgettable. Sedariss essays on living in Paris are some of the funniest hes ever written. At last, someone even meaner than the French! The sort of blithely sophisticated, loopy humour that might have resulted if Dorothy Parker and James Thurber had had a love child. Entertainment Weekly on Barrel Fever Sidesplitting Not one of the essays in this new collection failed to crack me up; frequently I was helpless. The New York Times Book Review on Naked
The alignment of the stars at Marie Mancini's birth warned that although she would be gifted at divination, she was destined to disgrace her family. Nonetheless, Cardinal Mazarin brings his niece to the opulent French court, where the forbidden occult arts thrive in secret. In France, Marie discovers that her powerful uncle rules, using Marie's sister Olympia to hold the Sun King, Louis XIV, in thrall. Desperate to avoid her mother's dying wish that she spend her life in a convent, Marie burns her grimoire, trading Italian superstitions for polite sophistication. As her star rises, King Louis becomes enchanted by Marie's charm. Sensing a chance to grab even greater power, Cardinal Mazarin pits the sisters against each other, showering Marie with diamonds and silks in exchange for bending King Louis to his will. Disgusted by Mazarin's ruthlessness, Marie rebels. She sacrifices everything, but exposing Mazarin's darkest secret threatens to tear France apart. When even King Louis' love fails to protect Marie, she must summon her powers of divination. Fraught with conspiracy and passion, Enchantress of Paris is a captivating historical novel about a woman whose love was more powerful than magic.
The most ambitious work of fiction by a writer widely considered the most important novelist working in China today In this darkly comic novel, a group of women inhabits a world of constant surveillance, where informants lurk in the flowerbeds and false reports fly. Conspiracies abound in a community that normalizes paranoia and suspicion. Some try to flee—whether to a mysterious gambling bordello or to ancestral homes that can only be reached underground through muddy caves, sewers, and tunnels. Others seek out the refuge of Nest County, where traditional Chinese herbal medicines can reshape or psychologically transport the self. Each life is circumscribed by buried secrets and transcendent delusions. Can Xue's masterful love stories for the new millennium trace love's many guises—satirical, tragic, transient, lasting, nebulous, and fulfilling—against a kaleidoscopic backdrop drawn from East and West of commerce and industry, fraud and exploitation, sex and romance.