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A richly illustrated book exploring the origins of the modern fascination for heritage, comparing preservation in France, Germany and England.
In The French in the Pacific World, Annick Foucrier has brought together an important set of studies on the French presence in the Pacific. The volume opens with a section on the context of the French expansion, including its rivalries with other European powers. Following studies treat patterns of trade, exchange, settlement and migration, looking at the French image of and reaction to the worlds round the Pacific.

Reports of the United States Commissioners to the Paris Universal Exposition, 1878. Published Under Direction of the Secretary of State by Authority of Congress: Report of the commissioner-general, with accompanying papers, including lists of exhibitors and of awards.-v.2 Fine arts, W.W. Story. Education, J.L. Chamberlain. Political education, A.D. White. Manual training schools, E.C. Jewett. Wood-carving, J.T. Norton. Textile fabrics, Henry Howard.-v.3. Iron and steel, D.J. Morrell, Ceramics, W.P. Blake. Glass and glass-ware, W.P. Blake. Forestry, F.P. Baker. Cotton culture, P.M.B. Young.-v.4 Chemical processes, T.E. Jenkins. Mining industries, J.D. Hague. Steam and gas engines, A.J. Sweeney. Machines and machine tools, W.T. Porter. Clocks and watches, E.H. Knight. Railway apparatus, W.A. Anderson.-v.5. Agricultural implements, E.H. Knight. Agricultural products, J.J. Woodman. Live stock, Samuel Dysart. Horticulture, G.W. Campbell. Pisciculture, T.B. Ferguson

United States. Commission to the Paris exposition, 1878

Published: 1880

Total Pages: 548


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A photographic essay recounting the creation and installation of the Statue of Liberty. The Statue of Liberty is known around the world as a symbol of freedom and democracy. Poet Emma Lazarus' words inscribed on its pedestal -- Give me your tired, your poor, your huddled masses yearning to breathe free -- beckon the poor and oppressed everywhere. Fittingly perhaps, the installation of the Statue of Liberty was no small feat. When its size and scale became a reality, the creators in France and the United States were faced with a number of colossal challenges. The solution would be an unusual and groundbreaking union of art and technology. Lady Liberty recounts the conception, construction, assembly and installation of the statue in rarely seen photographs and informative text. It shows how French sculptor Auguste Bartholdi used photographs and photomontages -- notably, a giant panorama of the city of New York -- to study the site chosen for his statue and to monitor its construction, which was taking place in Paris. The photographs showing the progress of the statue also became a great communication tool. Financing the colossal gift from France to America took massive fundraising that only innovative advertising could generate. It would give birth to the now-familiar method of exploiting the immediacy of photography to drive commerce. Lady Liberty traces both the expected and the surprising elements of the statue's construction and assembly, and show how the image of the statue oscillated between reality and fiction. They record a vast utopian project that lasted 20 years and was marked by the major political, social, architectural and aesthetic influences of the time. For all Americans, for historians, for photography aficionados, for students young and old, for newcomers welcomed by Lady Liberty, this book takes readers on a journey through the unknown life of one of the world's most powerful icons.
In this innovative book, Duane Jethro creates a framework for understanding the role of the senses in processes of heritage making. He shows how the senses were important for crafting and successfully deploying new, nation-building heritage projects in South Africa during the post-apartheid period. The book highlights how heritage dynamics are entangled in evocative, changing sensory worlds. Heritage Formation and the Senses in Post-Apartheid South Africa features five case studies that correlate with the five main Western senses. Examples include touch and the ruination of a series of art memorials; how vision was mobilised to assert the authority of the state sponsored Freedom Park project in Pretoria; how small memories of apartheid era social life in Cape Town informed contemporary struggles for belonging after forced removal; how taste informed debates about the attempted rebranding of Heritage Day as barbecue day; and how the sound of the vuvuzela, popularised during the FIFA 2010 Football World Cup, helped legitimise its unofficial African and South African heritage status. This book makes a valuable contribution to the field of sensory studies and, with its focus on aesthetics and material culture, is in synch with the broader material turn in the humanities. This is important reading for students and scholars of anthropology, sociology, sensory studies, and transnational studies.
Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.