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In Žižek's long-awaited magnum opus, he theorizes the "parallax gap" in the ontological, the scientific, and the political—and rehabilitates dialectical materialism. The Parallax View is Slavoj Žižek's most substantial theoretical work to appear in many years; Žižek himself describes it as his magnum opus. Parallax can be defined as the apparent displacement of an object, caused by a change in observational position. Žižek is interested in the "parallax gap" separating two points between which no synthesis or mediation is possible, linked by an "impossible short circuit" of levels that can never meet. From this consideration of parallax, Žižek begins a rehabilitation of dialectical materialism. Modes of parallax can be seen in different domains of today's theory, from the wave-particle duality in quantum physics to the parallax of the unconscious in Freudian psychoanalysis between interpretations of the formation of the unconscious and theories of drives. In The Parallax View, Žižek, with his usual astonishing erudition, focuses on three main modes of parallax: the ontological difference, the ultimate parallax that conditions our very access to reality; the scientific parallax, the irreducible gap between the phenomenal experience of reality and its scientific explanation, which reaches its apogee in today's brain sciences (according to which "nobody is home" in the skull, just stacks of brain meat—a condition Žižek calls "the unbearable lightness of being no one"); and the political parallax, the social antagonism that allows for no common ground. Between his discussions of these three modes, Žižek offers interludes that deal with more specific topics—including an ethical act in a novel by Henry James and anti-anti-Semitism. The Parallax View not only expands Žižek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis, detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes.
Some Comments from here and abroad concerning THE PARALLAX VIEW: “An exciting story to begin with… the sinister events in the United States make it more powerful.” Wigan Evening Post (England) “… Mr. Singer’s narrative is stunning to read…” Oxford Mail (England) “… a very original novel.” Boileau-Narcejac, L’Express (France) “… don’t miss it for any reason.” Mysterie Magazine (France) “… will the enormous machine finally destroy us all… under the pretext of preserving the common good…” Petites Affiches Lyonnais (France) “…an astounding example of the genre…” Progres Dimanche (France) “… a chilling suspense story.” Seattle Times “… amazingly skillful novel.” St. Louis Post Dispatch “… interesting, intriguing, frightening.” Daily Olympian “… dark, brooding, exciting, and good story-telling…” Canyon Crier “… an exciting and suspenseful plot written with harsh accents.” Delta Democrat Times “… a skillful talented writer.” Tuscaloosa News “… there is a strange and fascinating book on the stands…” Albany Knickerbocker News “… a highly enigmatic suspense novel…” New York Post “… written with the vigor and strength that gives truth to fiction…” Republique, Toulon (France) A film version of this novel by Paramount is often shown on television. Hume Cronyn, William Daniels, Paula Prentiss, and Warren Beatty were in the cast. The cinematographer was Gordon Willis, the director Alan Pakula. Cover Photograph by Ellen Jaffe.
This lively and entertaining history of the long struggle to measure the distance to the stars will appeal to general readers as well as to amateur and professional astronomers. Readers will encounter fascinating historical characters, from ancient Greeks to 19th-century scientists. Well illustrated, with contemporary pictures plus extensive notes on further reading. 2002 edition.
Collection of essays by Cumings on the complex problems of political economy and ideology, power and culture in East and Northeast Asia, providing an understanding of the United States's role in these regions and the consequences for subsequent policy mak
"Miłosz and his points of contact with Russia is the subject of the present study which was undertaken in hopes of gaining an insight into the formation of cultural stereotypes. If we follow lung's assumption that the subconscious is dependent on telluric conditions, the geographical architectonics of Miłosz's birthplace and his epiphany-like encounter with Russia gain the status of the cartography of cultural belonging and of the constant evaluation of the self as well as of explaining one's life, and ultimately of finding one's way 'home' and of restoring the sacred dimension. Despite abundant scholarship on Miłosz, there is not a single study, which would address Miłosz's mental meanderings concerning Russia. He is most often treated as a poet and when he is analyzed as an essayist or a prose writer, he loses his complexity because he is treated exclusively as one or the other: as a writer with an autobiographical slant or as an author of a political science genre. The interdisciplinary approach, employed in this study, supports a vision of Russia that is, indeed, multi-farious and constantly shifting. Miłosz's vision of Russia is characterized by duality which is closely bound to an internal split within Miłosz - the man who is balancing between being alienated from and being reconciled to the human condition. However, this non-univocal quality is a function of the biblical legend of the Fall which in Miłosz's interpretation becomes a metaphor for human spiritual disinheritance. Atrophy of the religious imagination is clearly named by Miłosz as a culprit in the downward spiral of the disintegration of self-hood found in the excesses of Stalinism. A life destroyed by communism is re-created in Miłosz's writings as his tools for reconfiguring a meaningful insight into another culture are reinvented"--Leaf vi
"The stories in this collection are among the best science fiction. These are stories imbued with a rich intelligence and a deep sense of humanity. These are mature stories, tales of love and loss, of pleasure and pain. Cherish them." -- from the foreword by Stephen Baxter Parallax View showcases the previously unpublished novella 'In Transit', set in a future war-torn universe in which human expansion has come up against the implacable Kryte. Xeno-psychologist Abbott finds himself the guardian of a deadly Kryte on a mission to study it on his return to Earth. When they crash-land on the fortress planet of St Jerome, the Kryte prisoner turns the tables and takes Abbott into terrible custody. What follows is a terrifying journey across a hellish landscape towards a finale that might change the destiny of the Kryte and humanity, forever... Plus six other stories that examine the interface between human and alien - a parallax view from two of Britain's top science fiction writers, both shortlisted for the 2012 Philip K Dick Award. "Individually, Keith Brooke and Eric Brown purvey SF of the highest order: their stories have epic scope and a huge heart. The fusion of their talents is a sublime alchemy, a seamless pageant of humanity and wonder, eloquently expressed." --James Lovegrove "A stunning cluster of sf parables ... Brooke and Brown possess the world-building ability of Frank Herbert, the same capacity for extrapolation and black humour that marked Philip K Dick's work and a social conscience to rival that of Orwell's ...to view this book is to view science fiction at its very best." --Paul Kane, Terror Tales
Kyle's battle with Hal Jordan for the right to bear the Green Lantern power ring continues. Plus, Ganthet calls in some much needed help to back up the outmatched Rayner.
MAKING MOVIES WORK is a fascinating and accessible guide for both filmmakers and serious film fans. It is about how filmmakers think about film. "Through thoughtful examination of the filmmaker's art, Jon Boorstin enhances our sense of enjoyment and appreciation of the results.--Robert Redford.
The first book in the Mindfulness Essentials Series by Zen Master Thich Nhat Hanh, How to Sit offers clear, simple directions and inspiration for anyone wanting to explore mindfulness meditation. In short, single-paragraph chapters, Nhat Hanh shares detailed instructions, guided breathing exercises and visualizations, as well as his own personal stories and insights. This pocket-sized book is perfect for those brand new to sitting meditation as well as for those looking to deepen their spiritual practice. With sumi ink drawings by Jason DeAntonis.
Fatal accidents are rarely caused by a single mistake but are often the result of a series of errors. A chain of poor decisions leaves Ian White – golf professional and happily married father of two teenage daughters – with a hellish choice. Should he report the death of Katerina Wysklow, a hitchhiker whom he accidentally kills while having sex with her? If his shame becomes public, it will destroy his family. If he conceals the truth, he must find a way to deal with the horror and his guilt.In parallel to White’s unravelling, the police investigation of Katerina’s disappearance uncovers sex videos of Katerina with different men and unexplained cash deposits into her bank account. The mounting evidence points to her boyfriend’s father – a close friend of White’s – and Katerina’s last known contact on the day she vanished. Will the wrong man be charged? Will White be exposed? Will his conscience intervene? Or will the reckoning come from another direction entirely?