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The social and intellectual vitality of Judaism and Christianity in antiquity was in large part a function of their ability to articulate a viably transcendent hope for the human condition. Narratives of Paradise - based on the concrete symbol of the Garden of Delights - came to play a central role for Jews, Christians, and eventually Muslims too. The essays in this volume highlight the multiple hermeneutical perspectives on biblical Paradise from Second Temple Judaism and Christian origins to the systematic expositions of Augustine and rabbinic literature. They show that while early Christian and Jewish sources draw on texts from the same Bible, their perceptions of Paradise often reflect the highly different structures of the two sister religions. Dealing with a wide variety of texts, these essays explore major themes such as the allegorical and literal interpretations of Paradise, the tension between heaven and earth, and Paradise's physical location in space and time.
Alessandro Scafi's fascinating account looks at the perception of world geography and the place of paradise within that. Central to this discussion are the key debates, prevalent from the Renaissance, about faith and reason, theology and philosophy and paradise both as an internal and external reality.
The Exegetical Encounter between Jews and Christians in Late Antiquity is a collection of essays examining the relationship between Jewish and Christian biblical commentators. The contributions focus on analysis of interpretations of the book of Genesis, a text which has considerable importance in both Christian and Jewish tradition. The essays cover a wide range of Jewish and Christian literature, including primarily rabbinic and patristic sources, but also apocrypha, pseudepigrapha, Philo, Josephus and Gnostic texts. In bringing together the studies of a variety of eminent scholars on the topic of Exegetical Encounter , the book presents the latest research on the topic and illuminates a variety of original approaches to analysis of exegetical contacts between the two sets of religious groups. The volume is significant for the light it sheds on the history of relations between Jews and Christians in Late Antiquity.
These essays on late antiquity traverse a territory in which Christian and pagan imagery and practices compete, coexist, and intermingle. The iconography of the most significant late antique ceramic, African Red Slip Ware, is an important and relatively unexploited vehicle for documenting the diversity and interpenetration of late antique cultures. Literary texts and art in other media, particularly mosaics, provide imagery that complement and enhance the messages of the ceramics. Popular entertainments, pagan cults, mythic heroes, beasts, monsters, and biblical visions are themes dealt with on the patrician and popular levels. With interpretive supplements from these diverse realms, it is possible to achieve greater insight into the life, attitudes, and thought of Late Antiquity.
Poppy tears, opium, heroin, fentanyl: humankind has been in thrall to the “Milk of Paradise” for millennia. The latex of papaver somniferum is a bringer of sleep, of pleasurable lethargy, of relief from pain—and hugely addictive. A commodity without rival, it is renewable, easy to extract, transport, and refine, and subject to an insatiable global demand. No other substance in the world is as simple to produce or as profitable. It is the basis of a gargantuan industry built upon a shady underworld, but ultimately it is an agricultural product that lives many lives before it reaches the branded blister packet, the intravenous drip, or the scorched and filthy spoon. Many of us will end our lives dependent on it. In Milk of Paradise, acclaimed cultural historian Lucy Inglis takes readers on an epic journey from ancient Mesopotamia to modern America and Afghanistan, from Sanskrit to pop, from poppy tears to smack, from morphine to today’s synthetic opiates. It is a tale of addiction, trade, crime, sex, war, literature, medicine, and, above all, money. And, as this ambitious, wide-ranging, and compelling account vividly shows, the history of opium is our history and it speaks to us of who we are.
The Christian concept of heaven flourished for almost two millennia, but it has lost much of its power in the last hundred years. Indeed today even theologians tend to avoid the topic. But heaven has always been a central tenet of the Christian faith, writes Jeffrey Burton Russell. If there is no heaven, no resurrection of the dead, the entire Christian story makes no sense. In this stimulating book, Russell sets out to rehabilitate heaven by forcefully attacking a series of ideas that have made belief in heaven, not to mention belief in God, increasingly difficult for modern people. Russell provides elegant and persuasive refutations of arguments ranging from the idea that science has disproved the existence of the supernatural, to the notion that biblical criticism has emptied the scripture of meaning. Along the way, as Russell looks at the ideas of Charles Darwin and Herbert Spencer, Mark Twain and Alfred Lord Tennyson, Marx and Freud, and a host of others, he sheds light not only on the history of Christian thought, but on the process of secularization in the West. One by one, Russell refutes these anti-religious ideologies, pinpointing the deficiencies of their reasoning. Throughout the book, Russell invites the reader, whatever his or her beliefs, to take the concept of heaven seriously both as a worldview in itself and as one with enormous influence on the world. It is a book that will be welcomed by thinking Christians, who often feel beleaguered by the forces of modernity and sometimes find it hard to defend their own beliefs.
Describes how the first settlers in California changed the brown landscape there by creating groves, wooded suburbs and landscaped cities through planting eucalypts in the lowlands, citrus colonies in the south and palms in Los Angeles.
The cultivation of gardens played an integral role in both the public and private spheres of the ancient world. Whether grown as sources of food, symbols of wealth and prestige, or as dwellings for the gods, gardens were nurtured at every level of society. In this beautifully illustrated book, Maureen Carroll examines the most recent evidence for the existence, functions, and designs of gardens from the second millennium B.C. to the middle of the first millennium A.D. in the cultures of the ancient Near East, Egypt, Greece, Italy, and the provinces of the Roman Empire. She looks at gardens in their many forms, including house gardens, orchards and parks, sacred gardens and cemetery gardens, and dedicates a chapter to gardens in ancient poetry. She also discusses ancient horticultural practices and the role of gardeners, concluding with a chapter on the survival of ancient gardening traditions in the Islamic and Byzantine worlds, and the perception and depiction of paradise in those cultures. Evidence is drawn from archaeological excavations, which can reveal the remains of gardens that were never mentioned in written sources, as well as from textual, pictorial, and environmental sources. Illustrated with delightful images from tomb and wall paintings, sculptural reliefs and manuscripts, as well as with informative reconstructions and plans, this book provides fascinating insights into the earthly paradises of antiquity. Book jacket.
Well known for his historical accounts of Satan and hell, Jeffrey Burton Russell explores the brighter side of eternity: heaven. He not only examines concepts found among Jews, Greeks and Romans, but asks how time 'passes' in eternity.
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.