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“If there is any justice in the world of books, [Esolen’s] will be the standard Dante . . . for some time to come.”–Robert Royal, Crisis In this, the concluding volume of The Divine Comedy, Dante ascends from the devastation of the Inferno and the trials of Purgatory. Led by his beloved Beatrice, he enters Paradise, to profess his faith, hope, and love before the Heavenly court. Completed shortly before his death, Paradise is the volume that perhaps best expresses Dante’s spiritual philosophy about resurrection, redemption, and the nature of divinity. It also affords modern-day readers a clear window into late medieval perceptions about faith. A bilingual text, classic illustrations by Gustave Doré, an appendix that reproduces Dante’s key sources, and other features make this the definitive edition of Dante’s ultimate masterwork.
The acclaimed Nobel Prize winner challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present—in prose that soars with the rhythms, grandeur, and tragic arc of an epic poem. “They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage. “A fascinating story, wonderfully detailed. . . . The town is the stage for a profound and provocative debate.” —Los Angeles Times
Elegant, brutal, and profound—this magnificent debut captures the grit and glory of modern Hawai'i with breathtaking force and accuracy. In a stunning collection that announces the arrival of an incredible talent, Kristiana Kahakauwila travels the islands of Hawai'i, making the fabled place her own. Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.
The Christian concept of heaven flourished for almost two millennia, but it has lost much of its power in the last hundred years. Indeed today even theologians tend to avoid the topic. But heaven has always been a central tenet of the Christian faith, writes Jeffrey Burton Russell. If there is no heaven, no resurrection of the dead, the entire Christian story makes no sense. In this stimulating book, Russell sets out to rehabilitate heaven by forcefully attacking a series of ideas that have made belief in heaven, not to mention belief in God, increasingly difficult for modern people. Russell provides elegant and persuasive refutations of arguments ranging from the idea that science has disproved the existence of the supernatural, to the notion that biblical criticism has emptied the scripture of meaning. Along the way, as Russell looks at the ideas of Charles Darwin and Herbert Spencer, Mark Twain and Alfred Lord Tennyson, Marx and Freud, and a host of others, he sheds light not only on the history of Christian thought, but on the process of secularization in the West. One by one, Russell refutes these anti-religious ideologies, pinpointing the deficiencies of their reasoning. Throughout the book, Russell invites the reader, whatever his or her beliefs, to take the concept of heaven seriously both as a worldview in itself and as one with enormous influence on the world. It is a book that will be welcomed by thinking Christians, who often feel beleaguered by the forces of modernity and sometimes find it hard to defend their own beliefs.